Elina Pyy – författare

The chapters in this volume highlight the complexity and diversity of approaches to how ancient and medieval cultures understood martial masculinity and the significance warfare had on masculine values during the premodern era. They also point to how these ideals were manifested in numerous environments, covering topics from multiple points of view and using a variety of sources and methods.In the ancient and medieval periods, “manliness” was often understood as the ability to demonstrate bravery in war and eagerness to use violence in different situations. While certain marginal groups, such as philosophers and Christians, promoted more peaceful ideals of masculinity, war and masculinity were tightly connected to the cultures and societies of antiquity and the Middle Ages. Indeed, in Roman and later medieval culture, warfare played an essential role in constructing ideals of proper manliness and masculinity. This constructed masculinity manifested itself not only in written culture but also in everyday life, both visually and bodily.War and Masculinity in Roman and Medieval Culture is intended for those interested in ancient Roman and medieval culture, particularly researchers and students of gender and masculinity in Classical Antiquity and the Middle Ages.

Gaius Julius Caesar Octavianus, better known as Augustus, was the first Roman emperor and is one of the most iconic figures in world history. Two thousand years after his death, Augustus remains a strong presence in modern culture. The Semiotics of Caesar Augustus examines the meanings and significances of Augustus in Western literary and popular culture, from the 1960s until the turn of the millennium. Drawing on the theoretical background of semiotics and classical reception studies, Elina Pyy investigates the representation of Augustus in the postmodern novels of Kurt Vonnegut and Christoph Ransmayr, as well as in the genre of historical fiction, and in screen representations from both sides of the Atlantic.Scrutinizing what Caesar Augustus stood for in the postmodern world, and the main factors that influenced (and still influence) the modern reader’s interpretation of him, this book is grounded on the premise that the past, being a system of signs based on our culturally shared understanding of them, is continuously created and reconstructed by the modern audience. Arguing that the ‘many faces of the emperor’ can be considered to be reactions to contemporary cultural, socio-political or emotional needs, The Semiotics of Caesar Augustus shows how his character was recurrently utilized to explain and understand the ways in which the discourses of power, liberty, oppression and humanity operated in the postmodern world.