The Second Scroll, the only novel by poet A.M. Klein, is an ambitious and complex work that interlaces prose, poetry, drama, and commentary. The narrative follows a Canadian Jew to the newly established state of Israel on a double mission - to collect the emerging national literature and to search for his Uncle Melech Davidson, a Holocaust survivor. Klein creates a modern Torah out of the uncle's crises of faith as he attempts to come to terms with the atrocities of the Second World War. The five chapters of The Second Scroll mirror the books of the Pentateuch (the 'first scroll') and the language is rich with biblical, talmudic, kabbalistic, and literary allusions as both the narrator and his uncle wrestle with the meaning of Jewish identity, messianic faith, and homecoming.Popham and Pollock's scholarly edition re-creates the feel of the Knopf publication of 1951-now a collector's item-but restores the text to Klein's original vision. This includes echoing the architectural structure of the Sistine Chapel in the physical layout of 'Gloss Gimel,' Klein's powerful commentary on Michelangelo's famous ceiling. Extensive annotations, and appendices that cross-reference the finished book to the raw material gathered during the author's trip to Israel and to the fund-raising speeches he delivered on his return, give the reader access to the process by which the novel took shape. A significant addition to UTP's Collected Works of A.M. Klein, and of interest not only to Klein scholars, The Second Scroll marks the inception of Holocaust literature and holds a central place in the Canadian literary canon.

This edition of E.J. Pratt’s letters is the final volume in the Collected Works series. Because of Pratt’s role in the making of Canadian culture between and after the World Wars, his correspondence highlights key moments in our cultural history and provides a view of the enterprise from its very centre. The letters take us into his "workshop," illuminating the research behind his distinctive documentary long poems and the social nature of his creative production. They also reveal the complex network of writers, critics, artists and political figures of which Pratt was a part, the evolution of the Canadian book trade from the 1920s through to the early 1960s, and the emergence of radio (and specifically, of the Canadian Broadcasting Corporation) as a tool for forging national identity. Pratt's correspondence both confirms the public persona of one of Canada’s first literary celebrities and provides glimpses of the private character behind the mask.

This edition of E.J. Pratt’s letters is the final volume in the Collected Works series. Because of Pratt’s role in the making of Canadian culture between and after the World Wars, his correspondence highlights key moments in our cultural history and provides a view of the enterprise from its very centre. The letters take us into his "workshop," illuminating the research behind his distinctive documentary long poems and the social nature of his creative production. They also reveal the complex network of writers, critics, artists and political figures of which Pratt was a part, the evolution of the Canadian book trade from the 1920s through to the early 1960s, and the emergence of radio (and specifically, of the Canadian Broadcasting Corporation) as a tool for forging national identity. Pratt's correspondence both confirms the public persona of one of Canada’s first literary celebrities and provides glimpses of the private character behind the mask.

In the final volume of the Collected Works of A.M. Klein, Elizabeth Popham completes the process of restoring the public voice of one of Canada's most respected authors. A.M. Klein: The Letters is the first compilation of a significant body of Klein's correspondence. Using his communications to construct a compelling narrative, Popham traces Klein's career from his apprenticeship to great critical success and his tragically premature silence.The content of Klein's letters gives new resonance to his works, most notably to his critically acclaimed novel The Second Scroll (1951) and his Governor General Award-winning The Rocking Chair and Other Poems (1948). In his exchanges with publishers and scholars, Klein glosses his own writing and argues for the integrity of his poetic vision. Samplings of his correspondence with Seagram's Distilleries clarify Klein's controversial role as ghost-writer and PR consultant for Sam Bronfman. A valuable resource for understanding Canadian literary modernism, diasporic Judaism, and the culture of Montreal, A.M. Klein: The Letters is a remarkable portrait of an important Canadian literary figure of the twentieth century.

This edition of E.J. Pratt’s letters is the final volume in the Collected Works series. Because of Pratt’s role in the making of Canadian culture between and after the World Wars, his correspondence highlights key moments in our cultural history and provides a view of the enterprise from its very centre. The letters take us into his "workshop," illuminating the research behind his distinctive documentary long poems and the social nature of his creative production. They also reveal the complex network of writers, critics, artists and political figures of which Pratt was a part, the evolution of the Canadian book trade from the 1920s through to the early 1960s, and the emergence of radio (and specifically, of the Canadian Broadcasting Corporation) as a tool for forging national identity. Pratt's correspondence both confirms the public persona of one of Canada’s first literary celebrities and provides glimpses of the private character behind the mask.

In the final volume of the Collected Works of A.M. Klein, Elizabeth Popham completes the process of restoring the public voice of one of Canada's most respected authors. A.M. Klein: The Letters is the first compilation of a significant body of Klein's correspondence. Using his communications to construct a compelling narrative, Popham traces Klein's career from his apprenticeship to great critical success and his tragically premature silence.The content of Klein's letters gives new resonance to his works, most notably to his critically acclaimed novel The Second Scroll (1951) and his Governor General Award-winning The Rocking Chair and Other Poems (1948). In his exchanges with publishers and scholars, Klein glosses his own writing and argues for the integrity of his poetic vision. Samplings of his correspondence with Seagram's Distilleries clarify Klein's controversial role as ghost-writer and PR consultant for Sam Bronfman. A valuable resource for understanding Canadian literary modernism, diasporic Judaism, and the culture of Montreal, A.M. Klein: The Letters is a remarkable portrait of an important Canadian literary figure of the twentieth century.

The Second Scroll, the only novel by poet A.M. Klein, is an ambitious and complex work that interlaces prose, poetry, drama, and commentary. The narrative follows a Canadian Jew to the newly established state of Israel on a double mission - to collect the emerging national literature and to search for his Uncle Melech Davidson, a Holocaust survivor. Klein creates a modern Torah out of the uncle's crises of faith as he attempts to come to terms with the atrocities of the Second World War. The five chapters of The Second Scroll mirror the books of the Pentateuch (the 'first scroll') and the language is rich with biblical, talmudic, kabbalistic, and literary allusions as both the narrator and his uncle wrestle with the meaning of Jewish identity, messianic faith, and homecoming.Popham and Pollock's scholarly edition re-creates the feel of the Knopf publication of 1951-now a collector's item-but restores the text to Klein's original vision. This includes echoing the architectural structure of the Sistine Chapel in the physical layout of 'Gloss Gimel,' Klein's powerful commentary on Michelangelo's famous ceiling. Extensive annotations, and appendices that cross-reference the finished book to the raw material gathered during the author's trip to Israel and to the fund-raising speeches he delivered on his return, give the reader access to the process by which the novel took shape. A significant addition to UTP's Collected Works of A.M. Klein, and of interest not only to Klein scholars, The Second Scroll marks the inception of Holocaust literature and holds a central place in the Canadian literary canon.

The Second Scroll, the only novel by poet A.M. Klein, is an ambitious and complex work that interlaces prose, poetry, drama, and commentary. The narrative follows a Canadian Jew to the newly established state of Israel on a double mission - to collect the emerging national literature and to search for his Uncle Melech Davidson, a Holocaust survivor. Klein creates a modern Torah out of the uncle's crises of faith as he attempts to come to terms with the atrocities of the Second World War. The five chapters of The Second Scroll mirror the books of the Pentateuch (the 'first scroll') and the language is rich with biblical, talmudic, kabbalistic, and literary allusions as both the narrator and his uncle wrestle with the meaning of Jewish identity, messianic faith, and homecoming.Popham and Pollock's scholarly edition re-creates the feel of the Knopf publication of 1951-now a collector's item-but restores the text to Klein's original vision. This includes echoing the architectural structure of the Sistine Chapel in the physical layout of 'Gloss Gimel,' Klein's powerful commentary on Michelangelo's famous ceiling. Extensive annotations, and appendices that cross-reference the finished book to the raw material gathered during the author's trip to Israel and to the fund-raising speeches he delivered on his return, give the reader access to the process by which the novel took shape. A significant addition to UTP's Collected Works of A.M. Klein, and of interest not only to Klein scholars, The Second Scroll marks the inception of Holocaust literature and holds a central place in the Canadian literary canon.

This edition of E.J. Pratt’s letters is the final volume in the Collected Works series. Because of Pratt’s role in the making of Canadian culture between and after the World Wars, his correspondence highlights key moments in our cultural history and provides a view of the enterprise from its very centre. The letters take us into his "workshop," illuminating the research behind his distinctive documentary long poems and the social nature of his creative production. They also reveal the complex network of writers, critics, artists and political figures of which Pratt was a part, the evolution of the Canadian book trade from the 1920s through to the early 1960s, and the emergence of radio (and specifically, of the Canadian Broadcasting Corporation) as a tool for forging national identity. Pratt's correspondence both confirms the public persona of one of Canada’s first literary celebrities and provides glimpses of the private character behind the mask.

This edition of E.J. Pratt’s letters is the final volume in the Collected Works series. Because of Pratt’s role in the making of Canadian culture between and after the World Wars, his correspondence highlights key moments in our cultural history and provides a view of the enterprise from its very centre. The letters take us into his "workshop," illuminating the research behind his distinctive documentary long poems and the social nature of his creative production. They also reveal the complex network of writers, critics, artists and political figures of which Pratt was a part, the evolution of the Canadian book trade from the 1920s through to the early 1960s, and the emergence of radio (and specifically, of the Canadian Broadcasting Corporation) as a tool for forging national identity. Pratt's correspondence both confirms the public persona of one of Canada’s first literary celebrities and provides glimpses of the private character behind the mask.

In the final volume of the Collected Works of A.M. Klein, Elizabeth Popham completes the process of restoring the public voice of one of Canada's most respected authors. A.M. Klein: The Letters is the first compilation of a significant body of Klein's correspondence. Using his communications to construct a compelling narrative, Popham traces Klein's career from his apprenticeship to great critical success and his tragically premature silence.The content of Klein's letters gives new resonance to his works, most notably to his critically acclaimed novel The Second Scroll (1951) and his Governor General Award-winning The Rocking Chair and Other Poems (1948). In his exchanges with publishers and scholars, Klein glosses his own writing and argues for the integrity of his poetic vision. Samplings of his correspondence with Seagram's Distilleries clarify Klein's controversial role as ghost-writer and PR consultant for Sam Bronfman. A valuable resource for understanding Canadian literary modernism, diasporic Judaism, and the culture of Montreal, A.M. Klein: The Letters is a remarkable portrait of an important Canadian literary figure of the twentieth century.

This edition of E.J. Pratt’s letters is the final volume in the Collected Works series. Because of Pratt’s role in the making of Canadian culture between and after the World Wars, his correspondence highlights key moments in our cultural history and provides a view of the enterprise from its very centre. The letters take us into his "workshop," illuminating the research behind his distinctive documentary long poems and the social nature of his creative production. They also reveal the complex network of writers, critics, artists and political figures of which Pratt was a part, the evolution of the Canadian book trade from the 1920s through to the early 1960s, and the emergence of radio (and specifically, of the Canadian Broadcasting Corporation) as a tool for forging national identity. Pratt's correspondence both confirms the public persona of one of Canada’s first literary celebrities and provides glimpses of the private character behind the mask.

In the final volume of the Collected Works of A.M. Klein, Elizabeth Popham completes the process of restoring the public voice of one of Canada's most respected authors. A.M. Klein: The Letters is the first compilation of a significant body of Klein's correspondence. Using his communications to construct a compelling narrative, Popham traces Klein's career from his apprenticeship to great critical success and his tragically premature silence.The content of Klein's letters gives new resonance to his works, most notably to his critically acclaimed novel The Second Scroll (1951) and his Governor General Award-winning The Rocking Chair and Other Poems (1948). In his exchanges with publishers and scholars, Klein glosses his own writing and argues for the integrity of his poetic vision. Samplings of his correspondence with Seagram's Distilleries clarify Klein's controversial role as ghost-writer and PR consultant for Sam Bronfman. A valuable resource for understanding Canadian literary modernism, diasporic Judaism, and the culture of Montreal, A.M. Klein: The Letters is a remarkable portrait of an important Canadian literary figure of the twentieth century.

The Second Scroll, the only novel by poet A.M. Klein, is an ambitious and complex work that interlaces prose, poetry, drama, and commentary. The narrative follows a Canadian Jew to the newly established state of Israel on a double mission - to collect the emerging national literature and to search for his Uncle Melech Davidson, a Holocaust survivor. Klein creates a modern Torah out of the uncle's crises of faith as he attempts to come to terms with the atrocities of the Second World War. The five chapters of The Second Scroll mirror the books of the Pentateuch (the 'first scroll') and the language is rich with biblical, talmudic, kabbalistic, and literary allusions as both the narrator and his uncle wrestle with the meaning of Jewish identity, messianic faith, and homecoming.Popham and Pollock's scholarly edition re-creates the feel of the Knopf publication of 1951-now a collector's item-but restores the text to Klein's original vision. This includes echoing the architectural structure of the Sistine Chapel in the physical layout of 'Gloss Gimel,' Klein's powerful commentary on Michelangelo's famous ceiling. Extensive annotations, and appendices that cross-reference the finished book to the raw material gathered during the author's trip to Israel and to the fund-raising speeches he delivered on his return, give the reader access to the process by which the novel took shape. A significant addition to UTP's Collected Works of A.M. Klein, and of interest not only to Klein scholars, The Second Scroll marks the inception of Holocaust literature and holds a central place in the Canadian literary canon.