Elizabeth Alexander – författare

Religious Studies and Rabbinics have overlapping yet distinct interests, subject matter, and methods. Religious Studies is committed to the study of religion writ large. It develops theories and methods intended to apply across religious traditions. Rabbinics, by contrast, is dedicated to a defined set of texts produced by the rabbinic movement of late antiquity.Religious Studies and Rabbinics represents the first sustained effort to create a conversation between these two academic fields. In one trajectory of argument, the book shows what is gained when each field sees how the other engages the same questions: When did the concept of "religion" arise? How should a scholar’s normative commitments interact with their scholarship? The book argues that if scholars from Religious Studies and Rabbinics do not realize they are addressing the same problems, they will not benefit from each other’s solutions. A second line of argument brings research methods, theoretical claims, and data associated with one field into contact with those of the other. When Religious Studies categories such as "ritual" or "the sacred" are applied to data from Rabbinics and, conversely, when text-reading strategies distinctive to Rabbinics are employed for texts from other traditions, both Religious Studies and Rabbinics enlarge their scope. The chapters range across such themes as ritual failure; rabbinic conceptions of scripture, ethics, food, time, and everyday life; problems of definition and normativity in the study of religion; J.Z. Smith’s writings; and the preaching of the African-American Christian evangelical social justice activist John Perkins.With chapters written by world-class theorists of Religious Studies and prominent text scholars of Rabbinics, the book provides a unique opportunity to expand the conceptual reach and scholarly audience of both Religious Studies and Jewish Studies.

A volume in the Poets on Poetry series, which collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation.Elizabeth Alexander is considered one of the country's most gifted contemporary poets, and the publication of her essays in The Black Interior in 2004 established her as an astute critic and cultural commentator as well. Arnold Rampersad has called Alexander "one of the brightest stars in our literary sky . . . a superb, invaluable commentator on the American scene." In this new collection of her essays, reviews, and interviews, Alexander again focuses on African American artistic production, particularly poetry, and the cultural contexts in which it is created and experienced. The book's first section, "Black Arts 101," takes up the poetry of Paul Laurence Dunbar, Sterling Brown, Lucille Clifton, Gwendolyn Brooks, and Rita Dove (among others); artist Romare Bearden; dancer Bill T. Jones; and dramatist August Wilson. A second section, "Black Feminist Thinking," provides engaging meditations ranging from "My Grandmother's Hair" and "A Very Short History of Black Women and Food" to essays on the legacies of Toni Cade, Audre Lorde, and June Jordan. The collection's final section, "Talking," includes interviews, a commencement address---"Black Graduation"---and the essay "Africa and the World."Elizabeth Alexander received a B.A. from Yale University, an M.A. from Boston University, and a Ph.D. in English from the University of Pennsylvania. She has published four books of poems: The Venus Hottentot (1990); Body of Life (1996); Antebellum Dream Book (2001); and, most recently, American Sublime (2005), which was one of three finalists for the Pulitzer Prize. Her play, Diva Studies, was produced at the Yale School of Drama. She is presently Professor of American and African American Studies at Yale University.

Margaret Banks is murdered in 1962, her body buried in a hidden grave. Forgotten about by the media, her school friends and the police, Margaret's disappearance remains unsolved for almost 45 years. That is, until Serena Jackson, a psychic medium, begins receiving messages from the beyond and goes in search of Margaret grave. COLD CASE MEDIUM is a story inspired by author Elizabeth Alexander's real-life work as a cold case medium.

Religious Studies and Rabbinics have overlapping yet distinct interests, subject matter, and methods. Religious Studies is committed to the study of religion writ large. It develops theories and methods intended to apply across religious traditions. Rabbinics, by contrast, is dedicated to a defined set of texts produced by the rabbinic movement of late antiquity.Religious Studies and Rabbinics represents the first sustained effort to create a conversation between these two academic fields. In one trajectory of argument, the book shows what is gained when each field sees how the other engages the same questions: When did the concept of "religion" arise? How should a scholar’s normative commitments interact with their scholarship? The book argues that if scholars from Religious Studies and Rabbinics do not realize they are addressing the same problems, they will not benefit from each other’s solutions. A second line of argument brings research methods, theoretical claims, and data associated with one field into contact with those of the other. When Religious Studies categories such as "ritual" or "the sacred" are applied to data from Rabbinics and, conversely, when text-reading strategies distinctive to Rabbinics are employed for texts from other traditions, both Religious Studies and Rabbinics enlarge their scope. The chapters range across such themes as ritual failure; rabbinic conceptions of scripture, ethics, food, time, and everyday life; problems of definition and normativity in the study of religion; J.Z. Smith’s writings; and the preaching of the African-American Christian evangelical social justice activist John Perkins.With chapters written by world-class theorists of Religious Studies and prominent text scholars of Rabbinics, the book provides a unique opportunity to expand the conceptual reach and scholarly audience of both Religious Studies and Jewish Studies.

“We send signals across vast distances, hoping to connect.” In luminous prose, Elizabeth Alexander shows how hope offers resources–life wisdom, historical perspective, poetry and art–to embolden us to “reach beyond ourselves.” Her close readings of visionary poets reveal how poetry and art can sustain us. Her stories of connection–as a daughter, wife, widow and mother; as an aspiring dancer; on the dais at President Obama’s inauguration; in the hospital with her son–deeply move us. Shining a light on America’s painful history of inequity, Alexander calls for a reckoning of centuries of injustice. She asks, what will we each do to make the dream of freedom, for everyone, real? Every page charges us to recognise the abundant resources we carry within ourselves: language, history, community, family, our bodies, our stories, love itself. Signals Across Vast Distances empowers us–in Alexander’s closing words–to lead with love.

In THE LIGHT OF THE WORLD, Elizabeth Alexander finds herself at an existential crossroads after the sudden death of her husband. Reflecting with gratitude on the exquisite beauty of the intimacy they shared, grappling with the resulting void, and finding solace in caring for her two teenage sons, Alexander channels her poetic sensibilities into rich, lucid prose that universalizes a very personal quest for meaning and acceptance in the wake of loss. THE LIGHT OF THE WORLD is both an endlessly compelling memoir and a deeply felt meditation on the blessings of love, family, art, and community. For those who have loved and lost, or for anyone who cares about what matters most, this book is required reading.

*Named a Most Anticipated Title of 2022 by TIME magazine, New York Times, Bustle, and more*In the midst of civil unrest in the summer of 2020 and following the murders of George Floyd, Breonna Taylor, and Ahmaud Arbery, Elizabeth Alexander-one of the great literary voices of our time-turned a mother's eye to her sons' and students' generation and wrote a celebrated and moving reflection on the challenges facing young Black America. Originally published in the New Yorker, the essay incisively and lovingly observed the experiences, attitudes, and cultural expressions of what she referred to as the Trayvon Generation, who even as children could not be shielded from the brutality that has affected the lives of so many Black people. The Trayvon Generation expands the viral essay that spoke so resonantly to the persistence of race as an ongoing issue at the center of the American experience. Alexander looks both to our past and our future with profound insight, brilliant analysis, and mighty heart, interweaving her voice with groundbreaking works of art by some of our most extraordinary artists. At this crucial time in American history when we reckon with who we are as a nation and how we move forward, Alexander's lyrical prose gives us perspective informed by historical understanding, her lifelong devotion to education, and an intimate grasp of the visioning power of art.This breathtaking book is essential reading and an expression of both the tragedies and hopes for the young people of this era that is sure to be embraced by those who are leading the movement for change and anyone rising to meet the moment.

Elizabeth Alexander is a leading American poet whose work has been inspired by a wide range of influence, from history, literature, art and music to the 'rich infinity' of the African American experience. Many of her poems bring history alive and singing into the present in highly musical, sharply contemporary narratives which use many different forms and voices to cover subjects ranging from slave rebellions, the Civil Rights movement, Muhammed Ali and Toni Morrison to the lives of jazz musicians and the ‘Venus Hottentot’, a 19th-century African woman exhibited at carnivals.