Elizabeth Clarke – författare

In seventeenth-century England the poet George Herbert became known as `Divine Herbert', his poetry a model for those aspiring to the status of inspired Christian poet. This book explores the relationship between the poetry of George Herbert and the concept of divine inspiration rooted in devotional texts of the time. Clarke considers three very different treatises read and approved by Herbert: Savonarola's De Simplicitate Christianae Vitae, Juan de Valdes's The Hundred and Ten Considerations, and Francois de Sales's Introduction to the Devout Life. These authors all saw literary production as implicit in a theological argument about the workings of the Holy Spirit. Clarke goes on to offer a new reading of many of Herbert's poems, concluding that implanted in Herbert's poetry are many well-established codes which to a seventeenth-century readership signified divine inspiration.

John Nichols's The Progresses of Queen Elizabeth (1788-1823) has long been an indispensable reference tool for scholars working on Elizabethan court and culture - despite the serious limitations of an antiquarian edition now two centuries old. This old-spelling edition of the early modern materials contained in Nichols's Progresses is edited to high and consistent standards, and based on a critical re-examination of printed and manuscript sources. It is structured by a narrative of the two sets of annual progresses undertaken by Queen Elizabeth I: the 'summer progresses,' when Elizabeth travelled throughout southern England and the Midlands, visiting cities as far afield as Bristol, Coventry, Norwich, and Southampton; and the 'winter progresses,' when Elizabeth moved between her residences in and around London, including Richmond, Hampton Court, and Whitehall. New editions of the major progress entertainments - Kenilworth, Woodstock, Elvetham, Cowdray, Ditchley, and Harefield - are set alongside accounts of civic receptions, tilts and Accession Day entertainments, and non-dramatic texts, many of which have not been published since Nichols, including verses delivered by Eton scholars before the Queen (1563); John Lesley's Oratio (1574); Gabriel Harvey's Gratulationum Valdinensium (1578); and the Oxford and Cambridge verses on the death of Queen Elizabeth (1603). The editions are supported by translations of all non-English material, full scholarly annotation, illustrations, and maps. This will make John Nichols's The Progresses and Public Processions of Queen Elizabeth: A New Edition of the Early Modern Sources the most comprehensive collection of early modern texts pertaining to the court and culture of Queen Elizabeth.Volume I covers the years from 1533 to 1571.

John Nichols's The Progresses of Queen Elizabeth (1788-1823) has long been an indispensable reference tool for scholars working on Elizabethan court and culture - despite the serious limitations of an antiquarian edition now two centuries old. This old-spelling edition of the early modern materials contained in Nichols's Progresses is edited to high and consistent standards, and based on a critical re-examination of printed and manuscript sources. It is structured by a narrative of the two sets of annual progresses undertaken by Queen Elizabeth I: the 'summer progresses,' when Elizabeth travelled throughout southern England and the Midlands, visiting cities as far afield as Bristol, Coventry, Norwich, and Southampton; and the 'winter progresses,' when Elizabeth moved between her residences in and around London, including Richmond, Hampton Court, and Whitehall. New editions of the major progress entertainments - Kenilworth, Woodstock, Elvetham, Cowdray, Ditchley, and Harefield - are set alongside accounts of civic receptions, tilts and Accession Day entertainments, and non-dramatic texts, many of which have not been published since Nichols, including verses delivered by Eton scholars before the Queen (1563); John Lesley's Oratio (1574); Gabriel Harvey's Gratulationum Valdinensium (1578); and the Oxford and Cambridge verses on the death of Queen Elizabeth (1603). The editions are supported by translations of all non-English material, full scholarly annotation, illustrations, and maps. This will make John Nichols's The Progresses and Public Processions of Queen Elizabeth: A New Edition of the Early Modern Sources the most comprehensive collection of early modern texts pertaining to the court and culture of Queen Elizabeth. Volume II covers the years from 1572 to 1578.

John Nichols's The Progresses of Queen Elizabeth (1788-1823) has long been an indispensable reference tool for scholars working on Elizabethan court and culture - despite the serious limitations of an antiquarian edition now two centuries old. This old-spelling edition of the early modern materials contained in Nichols's Progresses is edited to high and consistent standards, and based on a critical re-examination of printed and manuscript sources. It is structured by a narrative of the two sets of annual progresses undertaken by Queen Elizabeth I: the 'summer progresses,' when Elizabeth travelled throughout southern England and the Midlands, visiting cities as far afield as Bristol, Coventry, Norwich, and Southampton; and the 'winter progresses,' when Elizabeth moved between her residences in and around London, including Richmond, Hampton Court, and Whitehall. New editions of the major progress entertainments - Kenilworth, Woodstock, Elvetham, Cowdray, Ditchley, and Harefield - are set alongside accounts of civic receptions, tilts and Accession Day entertainments, and non-dramatic texts, many of which have not been published since Nichols, including verses delivered by Eton scholars before the Queen (1563); John Lesley's Oratio (1574); Gabriel Harvey's Gratulationum Valdinensium (1578); and the Oxford and Cambridge verses on the death of Queen Elizabeth (1603). The editions are supported by translations of all non-English material, full scholarly annotation, illustrations, and maps. This will make John Nichols's The Progresses and Public Processions of Queen Elizabeth: A New Edition of the Early Modern Sources the most comprehensive collection of early modern texts pertaining to the court and culture of Queen Elizabeth.Volume III covers the years from 1579 to 1595.

John Nichols's The Progresses of Queen Elizabeth (1788-1823) has long been an indispensable reference tool for scholars working on Elizabethan court and culture - despite the serious limitations of an antiquarian edition now two centuries old. This old-spelling edition of the early modern materials contained in Nichols's Progresses is edited to high and consistent standards, and based on a critical re-examination of printed and manuscript sources. It is structured by a narrative of the two sets of annual progresses undertaken by Queen Elizabeth I: the 'summer progresses,' when Elizabeth travelled throughout southern England and the Midlands, visiting cities as far afield as Bristol, Coventry, Norwich, and Southampton; and the 'winter progresses,' when Elizabeth moved between her residences in and around London, including Richmond, Hampton Court, and Whitehall. New editions of the major progress entertainments - Kenilworth, Woodstock, Elvetham, Cowdray, Ditchley, and Harefield - are set alongside accounts of civic receptions, tilts and Accession Day entertainments, and non-dramatic texts, many of which have not been published since Nichols, including verses delivered by Eton scholars before the Queen (1563); John Lesley's Oratio (1574); Gabriel Harvey's Gratulationum Valdinensium (1578); and the Oxford and Cambridge verses on the death of Queen Elizabeth (1603). The editions are supported by translations of all non-English material, full scholarly annotation, illustrations, and maps. This will make John Nichols's The Progresses and Public Processions of Queen Elizabeth: A New Edition of the Early Modern Sources the most comprehensive collection of early modern texts pertaining to the court and culture of Queen Elizabeth.Volume IV covers the years from 1596 to 1603.

John Nichols's The Progresses of Queen Elizabeth (1788-1823) has long been an indispensable reference tool for scholars working on Elizabethan court and culture - despite the serious limitations of an antiquarian edition now two centuries old. This old-spelling edition of the early modern materials contained in Nichols's Progresses is edited to high and consistent standards, and based on a critical re-examination of printed and manuscript sources. It is structured by a narrative of the two sets of annual progresses undertaken by Queen Elizabeth I: the 'summer progresses,' when Elizabeth travelled throughout southern England and the Midlands, visiting cities as far afield as Bristol, Coventry, Norwich, and Southampton; and the 'winter progresses,' when Elizabeth moved between her residences in and around London, including Richmond, Hampton Court, and Whitehall. New editions of the major progress entertainments - Kenilworth, Woodstock, Elvetham, Cowdray, Ditchley, and Harefield - are set alongside accounts of civic receptions, tilts and Accession Day entertainments, and non-dramatic texts, many of which have not been published since Nichols, including verses delivered by Eton scholars before the Queen (1563); John Lesley's Oratio (1574); Gabriel Harvey's Gratulationum Valdinensium (1578); and the Oxford and Cambridge verses on the death of Queen Elizabeth (1603). The editions are supported by translations of all non-English material, full scholarly annotation, illustrations, and maps. This will make John Nichols's The Progresses and Public Processions of Queen Elizabeth: A New Edition of the Early Modern Sources the most comprehensive collection of early modern texts pertaining to the court and culture of Queen Elizabeth.Volume V contains the appendices, bibliographies, and index.

The Double Voice reassesses the notions of gender which have been used to analyze Renaissance literature. Rather than assuming that men and women write differently because of background, education, and culture, it tries to unsettle the connections between the sex of the author and the constructions of gender in texts, and to reconsider the prevalent determinist model of reading which tends to consign women writers to the private, domestic sphere and to render male negotiations of gender invisible and transparent.

'Owls call now in the hazy afternoon, and curlews get up in the night and join their voices with the plovers' lost cries. Small birds, distracted by the fury of mating, fly hedge-high in flight and pursuit and brush past one's ear, indifferent to human presence.There is a common belief that when sight diminishes hearing is intensified - an observation made, I would say, by onlookers. I doubt whether I hear more acutely than before, but every trifle heard passes under expert scrutiny in some formerly idle workshop in my mind...'Elizabeth Clarke's The Darkening Green (first published in 1964) portrays the gradual loss of sight endured by a farmer's daughter, and bursts with lyrical observation of rural life. It was inspired by Clarke's personal experience of supporting her husband, a farmer near the Elan Valley in mid-Wales, as his own vision began to fade.

The harshly magnificent landscape of the Elan Valley in Mid Wales was changed utterly in the late 1890s by a reservoir building project initiated by the Corporation of Birmingham in order to supply water to that expanding city. A great feat of civil engineering, the project required the flooding of land by the River Elan and the compensating of local landowners; but also made a tremendous impact on the traditions, rights and privileges of the local commoners, and on a flock system of hill farming that had existed for hundreds of years.Originally published in 1969, The Valley is Elizabeth Clarke's account of hill farming life in the Elan Valley and the massive changes wrought upon it between the first period of reservoir construction and a subsequent project that followed the Second World War.

This international and interdisciplinary volume investigates Protestant devotional identities in sixteenth- and seventeenth-century England. Divided into two sections, the book examines the ‘sites’ where these identities were forged – the academy, printing house, household, theatre and prison – and the ‘types’ of texts that expressed them – spiritual autobiographies, religious poetry and writings tied to the ars moriendi – providing a broad analysis of social, material and literary forms of devotion during England’s Long Reformation. Through archival and cutting-edge research, a detailed picture of ‘lived religion’ emerges, which re-evaluates the pietistic acts and attitudes of well-known and recently discovered figures. To those studying and teaching religion and identity in early modern England, and anyone interested in the history of religious self-expression, these chapters offer a rich and rewarding read.

This international and interdisciplinary volume investigates Protestant devotional identities in sixteenth- and seventeenth-century England. Divided into two sections, the book examines the ‘sites’ where these identities were forged – the academy, printing house, household, theatre and prison – and the ‘types’ of texts that expressed them – spiritual autobiographies, religious poetry and writings tied to the ars moriendi – providing a broad analysis of social, material and literary forms of devotion during England’s Long Reformation. Through archival and cutting-edge research, a detailed picture of ‘lived religion’ emerges, which re-evaluates the pietistic acts and attitudes of well-known and recently discovered figures. To those studying and teaching religion and identity in early modern England, and anyone interested in the history of religious self-expression, these chapters offer a rich and rewarding read.