Elizabeth Darling - Böcker

Re-forming Britain considers the nature and practice of architectural modernism in inter-war Britain in a new light. Bringing hitherto little considered protagonists and projects to the fore, it argues that rather than being an imported idiom, the new architecture in Britain formed part of an ongoing attempt to make a modern nation.Spanning the period 1925-42, the book focuses on the key sites from and through which architectural modernism emerged in the UK. Part one considers the main arena in which a will to modernize Britain developed in the 1920s. In parts two and three the author documents, contextualizes and explains how this modernizing will was given modernist form, discussing the work of architects such as Wells Coates, Maxwell Fry, and Connell and Ward, and their allied ventures with likeminded reformers in other fields. These collaborations produced ‘narratives of modernity’: buildings, projects, exhibitions and books, through which, the book argues, modernist reformers were able to persuade politicians, and those with influence upon them, that modernism was the means to re-form the nation.Re-forming Britain offers the first in-depth analysis of well-known modernist schemes such as Kensal House and the Pioneer Health Centre but also brings previously little studied or unknown activities to light. This important work invites a new understanding of the nature of architectural modernism in inter-war Britain and the ways in which it ultimately gave form to post-war Britain.

Re-forming Britain considers the nature and practice of architectural modernism in inter-war Britain in a new light. Bringing hitherto little considered protagonists and projects to the fore, it argues that rather than being an imported idiom, the new architecture in Britain formed part of an ongoing attempt to make a modern nation.Spanning the period 1925-42, the book focuses on the key sites from and through which architectural modernism emerged in the UK. Part one considers the main arena in which a will to modernize Britain developed in the 1920s. In parts two and three the author documents, contextualizes and explains how this modernizing will was given modernist form, discussing the work of architects such as Wells Coates, Maxwell Fry, and Connell and Ward, and their allied ventures with likeminded reformers in other fields. These collaborations produced ‘narratives of modernity’: buildings, projects, exhibitions and books, through which, the book argues, modernist reformers were able to persuade politicians, and those with influence upon them, that modernism was the means to re-form the nation.Re-forming Britain offers the first in-depth analysis of well-known modernist schemes such as Kensal House and the Pioneer Health Centre but also brings previously little studied or unknown activities to light. This important work invites a new understanding of the nature of architectural modernism in inter-war Britain and the ways in which it ultimately gave form to post-war Britain.

This interdisciplinary collection explores the relationships between women and built space in England between the 1870s and the 1940s. Historians working in cultural, literary, architectural, urban, design, labour, and social history approach the topic through case studies of often neglected organisations, individuals, practices and initiatives. Included are East End rent collectors, tenants, diarists and correspondents, the All-Europe House, the Women's Co-operative Guild, the Housewives Committee of the Council of Industrial Design, provincial and metropolitan exhibitors, and activists of varying kinds. Moving beyond the study of buildings and their designers, the volume considers the making of space in its broadest sense, from the production of discourses to the consumption of domestic appliances and the performance of roles as diverse as social reformers, committee members and homemakers. It thereby demonstrates that women made a significant contribution to the creation of modern built environments in both public and private spheres.

This interdisciplinary collection explores the relationships between women and built space in England between the 1870s and the 1940s. Historians working in cultural, literary, architectural, urban, design, labour, and social history approach the topic through case studies of often neglected organisations, individuals, practices and initiatives. Included are East End rent collectors, tenants, diarists and correspondents, the All-Europe House, the Women's Co-operative Guild, the Housewives Committee of the Council of Industrial Design, provincial and metropolitan exhibitors, and activists of varying kinds. Moving beyond the study of buildings and their designers, the volume considers the making of space in its broadest sense, from the production of discourses to the consumption of domestic appliances and the performance of roles as diverse as social reformers, committee members and homemakers. It thereby demonstrates that women made a significant contribution to the creation of modern built environments in both public and private spheres.

SHORTLISTED FOR THE COLVIN PRIZE 2021! Awarded by the Society of Architectural Historians of Great Britain, the Colvin Prize is one of the world's most prestigious honors in the field of architectural history. The medal is awarded annually to the author or authors of an outstanding work of reference of broad importance to the discipline; all modes of publication are eligible, including catalogues, gazetteers, digital databases and online resources. Suffragette City was nominated due to the new ways in which its contributors cast light on the work of women to shape the architecture of communities around the English-speaking world.Suffragette City brings together a collection of illustrated essays dedicated to exploring and analysing cases in which women have resourcefully leveraged or defied the politics of gender to form and reform architecture and urbanism. Throughout much of modern history, women have been assigned to the margins and expected to play passive social roles. Suffragette City draws on nineteenth- and twentieth-century architectural case studies from the English-speaking world, including the USA, South Africa, Scotland, India and England, to examine places and moments when women stepped into the centre of public life and claimed opportunities to shape the fabrics of their communities. Their engagements with the built environment consistently transcended architecture to achieve the level of urbanism, as whole networks of relationships came into their purview, transforming the architecture of socio-political connection as well as the confronting the physical divisions that have historically lain along racial, economic and gendered lines. Academics, researchers and students engaged in architectural history, theory, urbanism, gender studies and social and cultural history will be interested in this fascinating, politically-charged text.

SHORTLISTED FOR THE COLVIN PRIZE 2021! Awarded by the Society of Architectural Historians of Great Britain, the Colvin Prize is one of the world's most prestigious honors in the field of architectural history. The medal is awarded annually to the author or authors of an outstanding work of reference of broad importance to the discipline; all modes of publication are eligible, including catalogues, gazetteers, digital databases and online resources. Suffragette City was nominated due to the new ways in which its contributors cast light on the work of women to shape the architecture of communities around the English-speaking world.Suffragette City brings together a collection of illustrated essays dedicated to exploring and analysing cases in which women have resourcefully leveraged or defied the politics of gender to form and reform architecture and urbanism. Throughout much of modern history, women have been assigned to the margins and expected to play passive social roles. Suffragette City draws on nineteenth- and twentieth-century architectural case studies from the English-speaking world, including the USA, South Africa, Scotland, India and England, to examine places and moments when women stepped into the centre of public life and claimed opportunities to shape the fabrics of their communities. Their engagements with the built environment consistently transcended architecture to achieve the level of urbanism, as whole networks of relationships came into their purview, transforming the architecture of socio-political connection as well as the confronting the physical divisions that have historically lain along racial, economic and gendered lines. Academics, researchers and students engaged in architectural history, theory, urbanism, gender studies and social and cultural history will be interested in this fascinating, politically-charged text.