Emily Clifford – författare

Figuring Death in Classical Athens puts art and literature in conversation to explore how ancient Athenians grappled with the uncertainties of death. How did objects and texts generate thinking about what death is and might be like? Were Athenians aware of the imaginative frameworks that underpinned their thinking? Did they worry not just about death, but whether they could figure it out?Death in the ancient world has long been a subject of interest. Studies abound that examine its social and ideological dimensions, funerary practices, and changing attitudes and beliefs. This book takes a fresh approach, cutting across sub-disciplines (art, text, philosophy, and so on) to build a picture of how ancient art and literature got their audiences thinking-thinking not just about death but about its knowability. Whether in the theatre, at the symposium, or on the Acropolis, representations of death challenged Athenians by presenting problems of exteriority (how can the living know what dying might be like?) and particularity (can one person's experience hold for another? is death truly a 'leveller'?).The material covered is wide ranging. Unlike other studies, which often focus on either art or text and on one category of objects or one literary genre, the book pulls together exemplary texts and objects (including Plato, drinking cups, Sophocles, temple sculpture, and Thucydides) and makes each accessible to readers from multiple sub-disciplines and, indeed, from beyond Classics.It will be critical reading for those interested in ancient attitudes to death, as well as those interested in cultural imagination and intellectual history. As a multi-media study, it will appeal to those working on ancient image and text (and their intersection), and, more broadly, to those in other disciplines working on visuality, mediality, materiality, and culturally situated ideas.

Figuring Death in Classical Athens puts art and literature in conversation to explore how ancient Athenians grappled with the uncertainties of death. How did objects and texts generate thinking about what death is and might be like? Were Athenians aware of the imaginative frameworks that underpinned their thinking? Did they worry not just about death, but whether they could figure it out?Death in the ancient world has long been a subject of interest. Studies abound that examine its social and ideological dimensions, funerary practices, and changing attitudes and beliefs. This book takes a fresh approach, cutting across sub-disciplines (art, text, philosophy, and so on) to build a picture of how ancient art and literature got their audiences thinking-thinking not just about death but about its knowability. Whether in the theatre, at the symposium, or on the Acropolis, representations of death challenged Athenians by presenting problems of exteriority (how can the living know what dying might be like?) and particularity (can one person's experience hold for another? is death truly a 'leveller'?). The material covered is wide ranging. Unlike other studies, which often focus on either art or text and on one category of objects or one literary genre, the book pulls together exemplary texts and objects (including Plato, drinking cups, Sophocles, temple sculpture, and Thucydides) and makes each accessible to readers from multiple sub-disciplines and, indeed, from beyond Classics. It will be critical reading for those interested in ancient attitudes to death, as well as those interested in cultural imagination and intellectual history. As a multi-media study, it will appeal to those working on ancient image and text (and their intersection), and, more broadly, to those in other disciplines working on visuality, mediality, materiality, and culturally situated ideas.

Figuring Death in Classical Athens puts art and literature in conversation to explore how ancient Athenians grappled with the uncertainties of death. How did objects and texts generate thinking about what death is and might be like? Were Athenians aware of the imaginative frameworks that underpinned their thinking? Did they worry not just about death, but whether they could figure it out?Death in the ancient world has long been a subject of interest. Studies abound that examine its social and ideological dimensions, funerary practices, and changing attitudes and beliefs. This book takes a fresh approach, cutting across sub-disciplines (art, text, philosophy, and so on) to build a picture of how ancient art and literature got their audiences thinking-thinking not just about death but about its knowability. Whether in the theatre, at the symposium, or on the Acropolis, representations of death challenged Athenians by presenting problems of exteriority (how can the living know what dying might be like?) and particularity (can one person's experience hold for another? is death truly a 'leveller'?). The material covered is wide ranging. Unlike other studies, which often focus on either art or text and on one category of objects or one literary genre, the book pulls together exemplary texts and objects (including Plato, drinking cups, Sophocles, temple sculpture, and Thucydides) and makes each accessible to readers from multiple sub-disciplines and, indeed, from beyond Classics. It will be critical reading for those interested in ancient attitudes to death, as well as those interested in cultural imagination and intellectual history. As a multi-media study, it will appeal to those working on ancient image and text (and their intersection), and, more broadly, to those in other disciplines working on visuality, mediality, materiality, and culturally situated ideas.

This book explores the imaginative processes at work in the artefacts of Classical Athens. When ancient Athenians strove to grasp ‘justice’ or ‘war’ or ‘death’, when they dreamt or deliberated, how did they do it? Did they think about what they were doing? Did they imagine an imagining mind?European histories of the imagination have often begun with thinkers like Plato and Aristotle. By contrast, this volume is premised upon the idea that imaginative activity, and especially efforts to articulate it, can take place in the absence of technical terminology. In exploring an ancient culture of imagination mediated by art and literature, the book scopes out the roots of later, more explicit, theoretical enquiry. Chapters hone in on a range of visual and verbal artefacts from the Classical period. Approaching the topic from different angles – philosophical, historical, philological, literary, and art historical – they also investigate how these artefacts stimulate affective, sensory, meditative – in short, ‘imaginative’ – encounters between imagining bodies and their world.The Imagination of the Mind in Classical Athens offers a ground-breaking reassessment of ‘imagination’ in ancient Greek culture and thought: it will be essential reading for those interested in not only philosophies of mind, but also ancient Greek image, text, and culture more broadly.

This book explores the imaginative processes at work in the artefacts of Classical Athens. When ancient Athenians strove to grasp ‘justice’ or ‘war’ or ‘death’, when they dreamt or deliberated, how did they do it? Did they think about what they were doing? Did they imagine an imagining mind?European histories of the imagination have often begun with thinkers like Plato and Aristotle. By contrast, this volume is premised upon the idea that imaginative activity, and especially efforts to articulate it, can take place in the absence of technical terminology. In exploring an ancient culture of imagination mediated by art and literature, the book scopes out the roots of later, more explicit, theoretical enquiry. Chapters hone in on a range of visual and verbal artefacts from the Classical period. Approaching the topic from different angles – philosophical, historical, philological, literary, and art historical – they also investigate how these artefacts stimulate affective, sensory, meditative – in short, ‘imaginative’ – encounters between imagining bodies and their world.The Imagination of the Mind in Classical Athens offers a ground-breaking reassessment of ‘imagination’ in ancient Greek culture and thought: it will be essential reading for those interested in not only philosophies of mind, but also ancient Greek image, text, and culture more broadly.