Emma Heaney – författare

'One of the major interventions of the decade' - Sophie Lewis, author of Abolish the Family'An astonishing achievement written with the propulsiveness of a novel' - Jordy Rosenberg, author of Confessions of the Fox'A fierce and luminous revelation' - Anne Boyer, poet and author of The UndyingWhat does it feel like to experience your body cleaving into two while public discussion of reproductive healthcare centers around the viability line: the fantasized moment when a fetus could feasibly be extracted from a uterus? What happens to the psychology of parents who spend years scrolling through photographs of children crushed in war while babies sleep beside them, indistinguishable from the dead children in expression and bodily habit?Emma Heaney addresses these questions, situated between the particular historical moments of her pregnancies and the transhistorical continuities of sensations, emotions, socialities, and conceptual provocations that have long accompanied gestation. She focuses on the embodied realities that are mystified in the sentimentalization of motherhood, a political process that enables the material abandonment of those who do the labor of gestation and care, as well as of children. As a result, gestation is revealed as a process against cisness, wage work, and the death cult of war.

The New Woman: Literary Modernism, Queer Theory, and the Trans Feminine Allegory traces the creation and significance of the trans feminine as an allegorical figure from its origins in late nineteenth-century sexological writing to subsequent writings in the fields of psychoanalysis, Modernist fiction, and contemporary Queer Theory.The first study to identify the process by which medical sources simplified the diversity of trans feminine experience into a single diagnostic narrative of transsexuality, The New Woman illuminates how trans women were identified as archetypes for the redefinition of sex roles in works by artists and writers such as Aldous Huxley, James Joyce, Djuna Barnes, T. S. Eliot, and Jean Genet. She demonstrates how Modernism borrowed the sexological trans feminine as the embodiment of the ""sexual anarchy"" of the period.Thus illuminating the trans feminine's Modernist provenance, The New Woman examines foundational works in Queer Theory to demonstrate how the Modernist trans feminine allegory was resuscitated at the end of the twentieth century. Insightful and seminal, The New Woman debunks the pervasive reflex beginning in the 1990s to connect trans people to a perceived collapse in sexual differences by revealing the late nineteenth-century and Modernist roots of the figure.

The New Woman: Literary Modernism, Queer Theory, and the Trans Feminine Allegory traces the creation and significance of the trans feminine as an allegorical figure from its origins in late nineteenth-century sexological writing to subsequent writings in the fields of psychoanalysis, Modernist fiction, and contemporary Queer Theory.The first study to identify the process by which medical sources simplified the diversity of trans feminine experience into a single diagnostic narrative of transsexuality, The New Woman illuminates how trans women were identified as archetypes for the redefinition of sex roles in works by artists and writers such as Aldous Huxley, James Joyce, Djuna Barnes, T. S. Eliot, and Jean Genet. She demonstrates how Modernism borrowed the sexological trans feminine as the embodiment of the ""sexual anarchy"" of the period.Thus illuminating the trans feminine's Modernist provenance, The New Woman examines foundational works in Queer Theory to demonstrate how the Modernist trans feminine allegory was resuscitated at the end of the twentieth century. Insightful and seminal, The New Woman debunks the pervasive reflex beginning in the 1990s to connect trans people to a perceived collapse in sexual differences by revealing the late nineteenth-century and Modernist roots of the figure.

The contributors to Feminism against Cisness showcase the future of feminist historical, theoretical, and political thought freed from the conceptual strictures of cisness: the fallacy that assigned sex determines sexed experience. The essays demonstrate that this fallacy hinges on the enforcement of white and bourgeois standards of gender comportment that naturalize brutalizing race and class hierarchies. It is, therefore, no accident that the social processes making cisness compulsory are also implicated in anti-Blackness, misogyny, Indigenous erasure, xenophobia, and bourgeois antipathy for working-class life. Working from trans historical archives and materialist trans feminist theories, this volume demonstrates the violent work that cis ideology has done and thinks toward a future for feminism beyond this ideology's counterrevolutionary pull.Contributors. Cameron Awkward-Rich, Marquis Bey, Kay Gabriel, Jules Gill-Peterson, Emma Heaney, Margaux L. Kristjansson, Greta LaFleur, Grace Lavery, Durba Mitra, Beans Velocci, Joanna Wuest