Eric A. Eliason – författare

Hundreds of Nephite stories with essays on the genre’s place in the lives of Latter-day SaintsStories of encounters with the Three Nephites, immortal saint-like figures, dominate the folklore of the Latter-day Saint tradition. The authors of this volume use hundreds of legends collected by the renowned folklorist William A. Wilson from across a lifetime of research, study, and interviews to focus on the different themes exhibited by the Three Nephites and show that LDS culture, beliefs, and values are embodied by and through the Three Nephites.

Mormons and Mormonism gathers key essays by leading scholars on the history, foundational ideas and practices, and worldwide expansion of the Church of Jesus Christ of Latter-day Saints. The ideal introduction to Mormonism, this choice sampler provides a selective overview of what many historians consider the most innovative and successful religion to emerge during the spiritual ferment of antebellum America.  This volume explains how the earliest Mormons viewed their religion and suggests that the Book of Mormon appeared to them as an exciting document of social protest. Contributors consider the history of persecution of the Mormons, the church's relationship with the state of Utah and with other divisions of Christianity, and culture clashes in the church's missionary efforts. Mormons and Mormonism also places beliefs such as vicarious baptism for the dead in a larger context of community and religious ideals.  The founding of Mormonism and its rapid emergence as a new world religion are among the most intriguing aspects of American religious history and among the most neglected in the religion classroom. This much-needed volume lays the groundwork for a better understanding of the LDS Church and its historical and potential impact on the United States and the world.

The sharp wit of a free-thinking Mormon folk heroIn The J. Golden Kimball Stories, beloved and iconoclastic Mormon humorist J. Golden Kimball (1853-1938) speaks on death, marriage, love, hell, God, and everything in between. Compiled by Eric A. Eliason from previously unpublished archival resources, this collection of stories, anecdotes, and jokes captures the irreverent comedy and independent thinking that made Kimball so beloved both in and out of his Mormon community. Arranged thematically and framed by short contextual introductions, each chapter presents a colorful portrait of Kimball on topics including tricks, cussing, ministering, chastising, and repentance. A comprehensive introductory essay places Kimball in the context of Mormon history and folklore scholarship.

Hundreds of Nephite stories with essays on the genre’s place in the lives of Latter-day SaintsStories of encounters with the Three Nephites, immortal saint-like figures, dominate the folklore of the Latter-day Saint tradition. The authors of this volume use hundreds of legends collected by the renowned folklorist William A. Wilson from across a lifetime of research, study, and interviews to focus on the different themes exhibited by the Three Nephites and show that LDS culture, beliefs, and values are embodied by and through the Three Nephites.

To See Them Run explores how and why Great Plains hunters have chased coyotes with greyhounds and other sight hounds since before George Armstrong Custer. Though a well-developed, long-lived, widespread, and undeniably enthralling tradition, the practice remains little known, even to those living in Oklahoma, Nebraska, and South Dakota, where the tradition is common. Coyote coursing, hunting with greyhounds launched from specially made pickup rigs, is a hobby by locals, for locals, and it has remained a quintessentially vernacular enterprise occupying a rung below the Plains’ prestige forms of animal training and interaction—namely with horses and cattle. The coyote coursing tradition provides an ideal setting for exploring the relationship between animals and the study of folklore. The book examines the artistry, thrills, values, camaraderie, economy, and controversies of this uncommercialized and never-before-studied vernacular tradition. Through ethnographic photographs and authentic collected commentary from participants, this book uncovers how hunting dogs and coyotes both have shaped and been shaped by human aesthetic sensibilities in ongoing folkloric and biological processes. Author Eric A. Eliason and photographer Scott Squire discover deep and sophisticated local knowledge in a unique interaction with the natural ecologies of the great North American prairie.

To See Them Run explores how and why Great Plains hunters have chased coyotes with greyhounds and other sight hounds since before George Armstrong Custer. Though a well-developed, long-lived, widespread, and undeniably enthralling tradition, the practice remains little known, even to those living in Oklahoma, Nebraska, and South Dakota, where the tradition is common. Coyote coursing, hunting with greyhounds launched from specially made pickup rigs, is a hobby by locals, for locals, and it has remained a quintessentially vernacular enterprise occupying a rung below the Plains’ prestige forms of animal training and interaction—namely with horses and cattle. The coyote coursing tradition provides an ideal setting for exploring the relationship between animals and the study of folklore. The book examines the artistry, thrills, values, camaraderie, economy, and controversies of this uncommercialized and never-before-studied vernacular tradition. Through ethnographic photographs and authentic collected commentary from participants, this book uncovers how hunting dogs and coyotes both have shaped and been shaped by human aesthetic sensibilities in ongoing folkloric and biological processes. Author Eric A. Eliason and photographer Scott Squire discover deep and sophisticated local knowledge in a unique interaction with the natural ecologies of the great North American prairie.

Nicknamed the “Island of Lace,” the Caribbean island of Saba is the smallest special municipality in the Netherlands. Folklorist Eric A. Eliason, at the behest of the president of the Saba Lace Ladies’ Foundation and Saba’s director of tourism, traveled to the island with the intent to document the history and patterns of Saba lace. Born out of his research, The Island of Lace tells the story of lacework’s central role in Saba’s culture, economy, and history. Accompanied by over three hundred of Scott Squire’s intimate photographs of lace workers and their extraordinary island society, this volume brings together in one place an as-complete-as-possible catalog of the rich designs worked by Saban women. For 130 years, the practice of drawn threadwork—also known as Spanish work, fancy work, lacework, or Saba lace—has shaped the lives of Saban women. And yet, as the younger generation moves away from the island, it still survives. Sabans use drawn threadwork to symbolize the uniqueness of their island and express the ingenuity, diligence, bold inventiveness, pride in workmanship, love of beauty, and respect for tradition that define the Saban spirit. Along with recording and honoring the creative legacy of generations of Saban women, this book serves as a guide to folk-art lace patterns from Saba so that practitioners can reference and perhaps re-create this work. The Island of Lace is the most comprehensive volume on this singular tradition ever published.

Nicknamed the “Island of Lace,” the Caribbean island of Saba is the smallest special municipality in the Netherlands. Folklorist Eric A. Eliason, at the behest of the president of the Saba Lace Ladies’ Foundation and Saba’s director of tourism, traveled to the island with the intent to document the history and patterns of Saba lace. Born out of his research, The Island of Lace tells the story of lacework’s central role in Saba’s culture, economy, and history. Accompanied by over three hundred of Scott Squire’s intimate photographs of lace workers and their extraordinary island society, this volume brings together in one place an as-complete-as-possible catalog of the rich designs worked by Saban women. For 130 years, the practice of drawn threadwork—also known as Spanish work, fancy work, lacework, or Saba lace—has shaped the lives of Saban women. And yet, as the younger generation moves away from the island, it still survives. Sabans use drawn threadwork to symbolize the uniqueness of their island and express the ingenuity, diligence, bold inventiveness, pride in workmanship, love of beauty, and respect for tradition that define the Saban spirit. Along with recording and honoring the creative legacy of generations of Saban women, this book serves as a guide to folk-art lace patterns from Saba so that practitioners can reference and perhaps re-create this work. The Island of Lace is the most comprehensive volume on this singular tradition ever published.

Contributions by Sandra Bartlett Atwood, Nathan E. Bender, London Brickley, Eric A. Eliason, Noah D. Eliason, Tim Frandy, Robert Glenn Howard, Jay Mechling, Annamarie O'Brien Morel, Raymond Summerville, Tok Thompson, and Megan L. ZahayGuns are a ubiquitous part of life in the United States. Arguably more pervasive than physical guns is ""gunlore,"" which refers to the many folklore genres related to firearms. Gunlore: Firearms, Folkways, and Communities is the first book to engage with the many narratives, rituals, folk-speech, customs, art, and handicraft encompassed by gunlore.Like most expressive cultures, gunlore emerges from specific communities. Groups with a shared interest around firearms may form for many reasons—self-protection, hunting, crime, work, political or social identity signaling, the desire to creatively modify guns, and even the resolve to oppose gun use and ownership. This collection explores a range of gunlore genres and the ""gunfolk"" groups that give rise to them. Contributors examine topics that include the fetishization of firearms, ""Moms Who Carry,"" online discussion boards, alternative history cosplay, survivalist communities, gunsmiths and gun craft, and more. Gun owners and gun enthusiasts, in all their varieties, are one of the largest avocational groups in America. The essays in Gunlore seek to expand our understanding of these communities by looking at the various roles firearms play, have played, and can play in our world.Gunlore, for better or worse, is a powerful and pervasive method of self-expression. In examining the folklore around these controversial and politically charged tools, weapons, and symbols, we can begin to understand aspects of American culture that will remain prominent for the foreseeable future.

Contributions by Sandra Bartlett Atwood, Nathan E. Bender, London Brickley, Eric A. Eliason, Noah D. Eliason, Tim Frandy, Robert Glenn Howard, Jay Mechling, Annamarie O'Brien Morel, Raymond Summerville, Tok Thompson, and Megan L. ZahayGuns are a ubiquitous part of life in the United States. Arguably more pervasive than physical guns is ""gunlore,"" which refers to the many folklore genres related to firearms. Gunlore: Firearms, Folkways, and Communities is the first book to engage with the many narratives, rituals, folk-speech, customs, art, and handicraft encompassed by gunlore.Like most expressive cultures, gunlore emerges from specific communities. Groups with a shared interest around firearms may form for many reasons—self-protection, hunting, crime, work, political or social identity signaling, the desire to creatively modify guns, and even the resolve to oppose gun use and ownership. This collection explores a range of gunlore genres and the ""gunfolk"" groups that give rise to them. Contributors examine topics that include the fetishization of firearms, ""Moms Who Carry,"" online discussion boards, alternative history cosplay, survivalist communities, gunsmiths and gun craft, and more. Gun owners and gun enthusiasts, in all their varieties, are one of the largest avocational groups in America. The essays in Gunlore seek to expand our understanding of these communities by looking at the various roles firearms play, have played, and can play in our world.Gunlore, for better or worse, is a powerful and pervasive method of self-expression. In examining the folklore around these controversial and politically charged tools, weapons, and symbols, we can begin to understand aspects of American culture that will remain prominent for the foreseeable future.

Contributions by Sandra Bartlett Atwood, Nathan E. Bender, London Brickley, Eric A. Eliason, Noah D. Eliason, Tim Frandy, Robert Glenn Howard, Jay Mechling, Annamarie O''Brien Morel, Raymond Summerville, Tok Thompson, and Megan L. ZahayGuns are a ubiquitous part of life in the United States. Arguably more pervasive than physical guns is “gunlore,” which refers to the many folklore genres related to firearms. Gunlore: Firearms, Folkways, and Communities is the first book to engage with the many narratives, rituals, folk-speech, customs, art, and handicraft encompassed by gunlore. Like most expressive cultures, gunlore emerges from specific communities. Groups with a shared interest around firearms may form for many reasons—self-protection, hunting, crime, work, political or social identity signaling, the desire to creatively modify guns, and even the resolve to oppose gun use and ownership. This collection explores a range of gunlore genres and the “gunfolk” groups that give rise to them. Contributors examine topics that include the fetishization of firearms, “Moms Who Carry,” online discussion boards, alternative history cosplay, survivalist communities, gunsmiths and gun craft, and more. Gun owners and gun enthusiasts, in all their varieties, are one of the largest avocational groups in America. The essays in Gunlore seek to expand our understanding of these communities by looking at the various roles firearms play, have played, and can play in our world. Gunlore, for better or worse, is a powerful and pervasive method of self-expression. In examining the folklore around these controversial and politically charged tools, weapons, and symbols, we can begin to understand aspects of American culture that will remain prominent for the foreseeable future.

Contributions by Sandra Bartlett Atwood, Nathan E. Bender, London Brickley, Eric A. Eliason, Noah D. Eliason, Tim Frandy, Robert Glenn Howard, Jay Mechling, Annamarie O''Brien Morel, Raymond Summerville, Tok Thompson, and Megan L. ZahayGuns are a ubiquitous part of life in the United States. Arguably more pervasive than physical guns is “gunlore,” which refers to the many folklore genres related to firearms. Gunlore: Firearms, Folkways, and Communities is the first book to engage with the many narratives, rituals, folk-speech, customs, art, and handicraft encompassed by gunlore. Like most expressive cultures, gunlore emerges from specific communities. Groups with a shared interest around firearms may form for many reasons—self-protection, hunting, crime, work, political or social identity signaling, the desire to creatively modify guns, and even the resolve to oppose gun use and ownership. This collection explores a range of gunlore genres and the “gunfolk” groups that give rise to them. Contributors examine topics that include the fetishization of firearms, “Moms Who Carry,” online discussion boards, alternative history cosplay, survivalist communities, gunsmiths and gun craft, and more. Gun owners and gun enthusiasts, in all their varieties, are one of the largest avocational groups in America. The essays in Gunlore seek to expand our understanding of these communities by looking at the various roles firearms play, have played, and can play in our world. Gunlore, for better or worse, is a powerful and pervasive method of self-expression. In examining the folklore around these controversial and politically charged tools, weapons, and symbols, we can begin to understand aspects of American culture that will remain prominent for the foreseeable future.

Jesus, matadors, panthers, bandits, Native Americans, movie stars, waifs, and, of course, Elvis are recognized icons of the oft-despised, uber-kitsch art form of black velvet painting. In Black Velvet Art author Eric A. Eliason and photographer Scott Squire present a comprehensive overview of this covertly loved and overtly reviled tradition. In cooperation with a network of artists, collectors, importers, and gallery owners in Tijuana, Los Angeles, Seattle, and Calgary, this book draws from the largest survey of velvet painting ever undertaken. The book traces velvet''s historical development as a folk art shaped by both Indigenous traditions as well as Western consumer expectations in such markets as the South Pacific, Southeast Asia, and particularly the US-Mexico border and the black velvet capital of Tijuana. In black velvet, class and taste challenge art as a consumer phenomenon, democratic spirit faces down elitism, reproduction questions originality, and sexuality seduces and provokes religiosity. What is most significant about black velvet art to many Americans is its signaling of the nadir of bad taste. Black velvet is the “anti-art” in many ways. Eliason seeks to explore how and why black velvet serves this function and to examine ways it deserves a glowing redemption.

Like other Christian denominations, the Church of Jesus Christ of Latter-day Saints (Mormons) has been engaged in the battle for the Bible since challenges to biblical authority began to exert significant influence in America toward the end of the nineteenth century. Other believing communities have responded with various reevaluations of biblical text. Latter-day Saints have experimented with similar approaches, often taking liberal positions on biblical authority and conservative positions on history and authorship. However, Latter-day Saints accept additional scripture as well as embracing a theology notably distinct from traditional Christianity. Hence, Latter-day Saints relate to the Bible differently from other Christians, creating gaps with mainstream biblical studies. This volume bridges that gap.From comparing the Book of Mormon to the Bible or the Dead Sea Scrolls, to Mormon feminists’ biblical studies approaches to the Gospels, this volume takes a comprehensive and inclusive approach to understanding Bible scholarship’s role in Mormon history and exploring these differences for both scholars and students. A diverse group of contributors presents an accessible resource to mediate between Latter-day Saint traditions and the broader context of biblical history, literature, and scholarship. Each essay provides a synopsis of relevant major scholarly views and delivers new insights into a wide variety of Bible receptions.