Eric Smadja - Böcker

In this book Eric Smadja explores the representations of society and culture that Freud developed in the course of his work. Distinct from contemporary sociological and anthropological conceptions, they led to his construction of a personal socio-anthropology that was virulently criticised by the social sciences. But what exactly is meant here by 'culture' and 'society'? Do we mean Freud's own Viennese society or Western, 'civilised' society in general? In addition, Freud was interested in historical and 'primitive' societies from the evolutionist perspective of the British anthropologists of his time. This book considers the interrelationship between these different societies and cultures, and raises many questions. What constitutes a culture? What are its essential traits, its functions, its relationships with society, with nature, and with other aspects of 'reality' or of the 'external world'? How did Freud construct the idea of culture? What roles does culture play in the development of the individual, in the construction and functioning of his or her psyche?

In On Symbolism and Symbolisation: The Work of Freud, Durkheim and Mauss, Éric Smadja returns to the end of the 19th century and explores how the concepts of symbolism and symbolisation have been discussed among theorists, and how this discussion has developed and revolutionised the human sciences as we know them today. Uniquely, he connects three key thinkers of psychoanalysis, sociology and ethnology – Freud, Durkheim and Mauss – and discusses how their diverse epistemological paths blend and have consequently shaped our representation of humanity, society and culture in the 20th and 21st centuries. In this innovative work, Smadja provides a complete biographical journey of these three influential founders, beginning with a dedicated chapter on Freud, followed by Durkheim and then Mauss. He explains each of their revolutionary creations – Freud’s psychoanalysis, Durkheim’s French school of sociology and Mauss’s modern French ethnology – before exploring their ground-breaking, yet differing, conceptions of symbolism and symbolisation, offering a discussion of specific and common aspects detected between these conceptions. In his conclusions, Smadja focusses on France to examine what became of their thoughts after the second half of the 20th century. He inspects the fields of French anthropology, sociology and psychoanalysis: Lévi-Strauss and his structuralist revolution, his colleagues Françoise Héritier and Maurice Godelier, Pierre Bourdieu, who was an ethnologist before becoming a sociologist, and, of course, Lacan. On Symbolism and Symbolisation: The Work of Freud, Durkheim and Mauss is a pioneering work that will appeal to psychoanalysts in practice and in training, and to academics and students of psychology, anthropology, sociology, philosophy and the history of ideas. It will also be of interest to anyone wanting to learn more about the life and work of these three major theorists and the connections between the human and social sciences.

In On Symbolism and Symbolisation: The Work of Freud, Durkheim and Mauss, Éric Smadja returns to the end of the 19th century and explores how the concepts of symbolism and symbolisation have been discussed among theorists, and how this discussion has developed and revolutionised the human sciences as we know them today. Uniquely, he connects three key thinkers of psychoanalysis, sociology and ethnology – Freud, Durkheim and Mauss – and discusses how their diverse epistemological paths blend and have consequently shaped our representation of humanity, society and culture in the 20th and 21st centuries. In this innovative work, Smadja provides a complete biographical journey of these three influential founders, beginning with a dedicated chapter on Freud, followed by Durkheim and then Mauss. He explains each of their revolutionary creations – Freud’s psychoanalysis, Durkheim’s French school of sociology and Mauss’s modern French ethnology – before exploring their ground-breaking, yet differing, conceptions of symbolism and symbolisation, offering a discussion of specific and common aspects detected between these conceptions. In his conclusions, Smadja focusses on France to examine what became of their thoughts after the second half of the 20th century. He inspects the fields of French anthropology, sociology and psychoanalysis: Lévi-Strauss and his structuralist revolution, his colleagues Françoise Héritier and Maurice Godelier, Pierre Bourdieu, who was an ethnologist before becoming a sociologist, and, of course, Lacan. On Symbolism and Symbolisation: The Work of Freud, Durkheim and Mauss is a pioneering work that will appeal to psychoanalysts in practice and in training, and to academics and students of psychology, anthropology, sociology, philosophy and the history of ideas. It will also be of interest to anyone wanting to learn more about the life and work of these three major theorists and the connections between the human and social sciences.

Couple Work, Work with Couples provides a new exploration of psychoanalysis with couples. Éric Smadja takes two key approaches, first providing a metapsychological exploration of couple work – at intrapsychic-individual, intersubjective and group levels – and investigating love, being in love and the principal structural phases and psychic organisers of couples, then exploring the work of the choice of conjugal object and its historicity. He also introduces and develops useful notions such as intertransferential neurosis at work at the intersubjective level. Smadja continues by rethinking psychoanalytic work with couples, with reference to the work of leading French psychoanalysts, group analysts and couple analysts. The book highlights specific features of working with couples, such as the creation of a specific analytic situation – “the therapeutic group” – and then considers the benefits and expected effects of this kind of work.With clinical material from the author’s work throughout, Couple Work, Work with Couples will appeal to psychoanalysts and psychoanalytically informed clinicians working with couples.

Couple Work, Work with Couples provides a new exploration of psychoanalysis with couples. Éric Smadja takes two key approaches, first providing a metapsychological exploration of couple work – at intrapsychic-individual, intersubjective and group levels – and investigating love, being in love and the principal structural phases and psychic organisers of couples, then exploring the work of the choice of conjugal object and its historicity. He also introduces and develops useful notions such as intertransferential neurosis at work at the intersubjective level. Smadja continues by rethinking psychoanalytic work with couples, with reference to the work of leading French psychoanalysts, group analysts and couple analysts. The book highlights specific features of working with couples, such as the creation of a specific analytic situation – “the therapeutic group” – and then considers the benefits and expected effects of this kind of work.With clinical material from the author’s work throughout, Couple Work, Work with Couples will appeal to psychoanalysts and psychoanalytically informed clinicians working with couples.

This book examines the contentious relationship between psychoanalysis and anthropology as it has played out in disputes surrounding the Oedipus complex. Here, Éric Smadja explores the complicated historical and epistemological conditions leading up to the emergence of the conflict between the two disciplines. He considers the origins of each science, the "creation" of the Oedipus complex, and the place, role and influence of Freud’s key and controversial work Totem and Taboo, both in the history of psychoanalysis and as it connects with anthropology internationally.Focusing on such key figures as Bronislaw Malinowski, Ernest Jones, Franz Boas, Georges Devereux, Emile Durkheim, Claude Levi-Strauss and Jacques Lacan, Smadja charts the course of the debate as it unfolded during the twentieth century and tracks its contemporary status of the debate, with a focus on figures in both France and the United States. Discussing the divergences and convergences between the two fields, he compares and contrasts their historical, epistemological and methodological features and reflects on the new "acculturative" disciplines emerging from their interaction. The book concludes with a look at what the conflictual history of these two human sciences can tell us about the history of ideas and their processes and modes of communication.Exploring a dispute which reaches back to the very beginnings of psychoanalysis and anthropology, The Oedipus Complex will appeal to psychoanalysts in practice and in training, psychotherapists and academics and students of psychoanalytic studies, anthropology and the history of ideas.

This book examines the contentious relationship between psychoanalysis and anthropology as it has played out in disputes surrounding the Oedipus complex. Here, Éric Smadja explores the complicated historical and epistemological conditions leading up to the emergence of the conflict between the two disciplines. He considers the origins of each science, the "creation" of the Oedipus complex, and the place, role and influence of Freud’s key and controversial work Totem and Taboo, both in the history of psychoanalysis and as it connects with anthropology internationally.Focusing on such key figures as Bronislaw Malinowski, Ernest Jones, Franz Boas, Georges Devereux, Emile Durkheim, Claude Levi-Strauss and Jacques Lacan, Smadja charts the course of the debate as it unfolded during the twentieth century and tracks its contemporary status of the debate, with a focus on figures in both France and the United States. Discussing the divergences and convergences between the two fields, he compares and contrasts their historical, epistemological and methodological features and reflects on the new "acculturative" disciplines emerging from their interaction. The book concludes with a look at what the conflictual history of these two human sciences can tell us about the history of ideas and their processes and modes of communication.Exploring a dispute which reaches back to the very beginnings of psychoanalysis and anthropology, The Oedipus Complex will appeal to psychoanalysts in practice and in training, psychotherapists and academics and students of psychoanalytic studies, anthropology and the history of ideas.

The Couple: A pluridisciplinary story asks two questions and endeavours to answer them: What is the couple? And what story are we talking about? Éric Smadja presents his view of "the couple" as a composite, sexual-bodily, socio-cultural and psychic living reality in diverse and variable interrelationships, unfolding within a complex temporality. Ambivalently invested in by each partner, the couple is structurally and dynamically as conflictual as it is critical. Smadja sees the couple as situated at the intersection of several histories: socio-cultural; epistemological (the construction of this object of knowledge and of psychoanalytic treatment); "natural" (that of the cycle of conjugal life marked out by critical and mutative stages); and therapeutic (that of the suffering couple that will consult a specialist and undergo psychoanalytic therapy). The Couple: A pluridisciplinary story follows the narrative division of these histories following a pluri- and interdisciplinary investigation combining historical, anthropological, sociological and psychoanalytic approaches. It enables the reader to structure the outline of a general, but irreducibly heterogeneous, picture of the couple, and by so doing, Smadja is able to develop new interdisciplinary concepts, in particular those of couple work and conjugal culture. In the final part of the book, he presents a full case study and introduces new technical aspects of this psychoanalytic work. This unique approach to the study of the couple as a unit will appeal to psychoanalysts, especially those working with couples, psychologists, psychotherapists, psychiatrists, medical doctors, students and academics of psychoanalytic studies, anthropology and sociology.

The Couple: A pluridisciplinary story asks two questions and endeavours to answer them: What is the couple? And what story are we talking about? Éric Smadja presents his view of "the couple" as a composite, sexual-bodily, socio-cultural and psychic living reality in diverse and variable interrelationships, unfolding within a complex temporality. Ambivalently invested in by each partner, the couple is structurally and dynamically as conflictual as it is critical. Smadja sees the couple as situated at the intersection of several histories: socio-cultural; epistemological (the construction of this object of knowledge and of psychoanalytic treatment); "natural" (that of the cycle of conjugal life marked out by critical and mutative stages); and therapeutic (that of the suffering couple that will consult a specialist and undergo psychoanalytic therapy). The Couple: A pluridisciplinary story follows the narrative division of these histories following a pluri- and interdisciplinary investigation combining historical, anthropological, sociological and psychoanalytic approaches. It enables the reader to structure the outline of a general, but irreducibly heterogeneous, picture of the couple, and by so doing, Smadja is able to develop new interdisciplinary concepts, in particular those of couple work and conjugal culture. In the final part of the book, he presents a full case study and introduces new technical aspects of this psychoanalytic work. This unique approach to the study of the couple as a unit will appeal to psychoanalysts, especially those working with couples, psychologists, psychotherapists, psychiatrists, medical doctors, students and academics of psychoanalytic studies, anthropology and sociology.

In this book Eric Smadja explores the representations of society and culture that Freud developed in the course of his work. Distinct from contemporary sociological and anthropological conceptions, they led to his construction of a personal socio-anthropology that was virulently criticised by the social sciences. But what exactly is meant here by 'culture' and 'society'? Do we mean Freud's own Viennese society or Western, 'civilised' society in general? In addition, Freud was interested in historical and 'primitive' societies from the evolutionist perspective of the British anthropologists of his time. This book considers the interrelationship between these different societies and cultures, and raises many questions. What constitutes a culture? What are its essential traits, its functions, its relationships with society, with nature, and with other aspects of 'reality' or of the 'external world'? How did Freud construct the idea of culture? What roles does culture play in the development of the individual, in the construction and functioning of his or her psyche? This book offers some answers and presents the Freudian central notion of Kulturarbeit, which is constructed from a strictly Freudian perspective.