Erik Barnouw – författare

Tells how radio and television became an integral part of American life, of how a toy became an industry and a force in politics, business, education, religion, and international affairs.

Tells how radio and television became an integral part of American life, of how a toy became an industry and a force in politics, business, education, religion, and international affairs.

This is the second major revision of a book universally acclaimed as the definitive history of the documentary film. The final section has been completely rewritten and expanded to take into account the major films and trends of the past nine years. Particular attention has been paid to the growth of documentary film-making in the Soviet Union since Glasnost and the corresponding expansion in the United States, including Ken Burns's The Civil War, which broke all audience records for Public Television in 1990.

This selection of essays, articles, lectures, and other writings by Erik Barnouw, dean of American media scholars, chronicles "the phenomenon of old media giving way to new, and then being replaced by them, as the ghosts of old media rise in new forms." In Media Lost and Found, the sixteenth century will introduce us to early stirrings of photography, as well as the rise of "black lists," which have a too-familiar ring within our own lifetime. The collection begins with an article on documentary film pioneer Robert Flaherty. Barnouw then moves to a discussion of his Dutch heritage and its role in Western civilization. This is followed by fascinating accounts of ingenious pioneers of camera obscura and magic lantern phantasmagoria, precursors of the magic of motion pictures. There are lively accounts of Barnouw's own experiences, an informative brief history of communications breakthroughs, and an examination of the foibles of media censorship. The final articles discuss the importance of Indian filmmaker Satyajit Ray and cinematographer Boris Kaufman, brother of Soviet filmmakers Djiga Vertov and Mikhail Kaufman. In his writing and in his life, Erik Barnouw has been consistently elegant, self-deprecating, affectionate, and redolent of great depths, encouraging us to look for and foster them in our own lives.

This selection of essays, articles, lectures, and other writings by Erik Barnouw, dean of American media scholars, chronicles "the phenomenon of old media giving way to new, and then being replaced by them, as the ghosts of old media rise in new forms." In Media Lost and Found, the sixteenth century will introduce us to early stirrings of photography, as well as the rise of "black lists," which have a too-familiar ring within our own lifetime. The collection begins with an article on documentary film pioneer Robert Flaherty. Barnouw then moves to a discussion of his Dutch heritage and its role in Western civilization. This is followed by fascinating accounts of ingenious pioneers of camera obscura and magic lantern phantasmagoria, precursors of the magic of motion pictures. There are lively accounts of Barnouw's own experiences, an informative brief history of communications breakthroughs, and an examination of the foibles of media censorship. The final articles discuss the importance of Indian filmmaker Satyajit Ray and cinematographer Boris Kaufman, brother of Soviet filmmakers Djiga Vertov and Mikhail Kaufman. In his writing and in his life, Erik Barnouw has been consistently elegant, self-deprecating, affectionate, and redolent of great depths, encouraging us to look for and foster them in our own lives.