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This book brings together an international group of artists and writers to respond to the question of how our new world orders force us to reconsider urban walking and urban spaces in ways which extend into the digital sphere of online dialogue and screen sharing. In their reflections on walking cities in lockdown, the artists and writers contributing to this book share a number of complementary themes. Key to this is the question of how we walk in post-pandemic cities and how such walking might motivate or be motivated by transgressive, atomised or collective thoughts, affects, relations and experiences. Here we see how navigating cities in lockdown requires us to re-territorialise, improvise, create and de- or re-politize. There is, for example, a clear distinction between the severe lockdown measures that were introduced in Cape Town and the liberal appeal to good citizenship that northern hemisphere cities such as Stockholm chose to rely on. These measures impact on the way we experience urban walking and, in each case, lead to deeper reflections about the heightened presence of ideological structures embedded within the urban.
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This book brings together an international group of artists and writers to respond to the question of how our new world orders force us to reconsider urban walking and urban spaces in ways which extend into the digital sphere of online dialogue and screen sharing. In their reflections on walking cities in lockdown, the artists and writers contributing to this book share a number of complementary themes. Key to this is the question of how we walk in post-pandemic cities and how such walking might motivate or be motivated by transgressive, atomised or collective thoughts, affects, relations and experiences. Here we see how navigating cities in lockdown requires us to re-territorialise, improvise, create and de- or re-politize. There is, for example, a clear distinction between the severe lockdown measures that were introduced in Cape Town and the liberal appeal to good citizenship that northern hemisphere cities such as Stockholm chose to rely on. These measures impact on the way we experience urban walking and, in each case, lead to deeper reflections about the heightened presence of ideological structures embedded within the urban.
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Vad skulle en motståndets estetik kunna vara i dag? Texterna i den här boken förhåller sig alla på olika sätt till Peter Weiss stora, antifascistiska roman Motståndets estetik (1975–81) och till frågan om dess betydelse och relevans i vår tid, när en ny ytterhöger och nya fascismer intar offentlighetens scener och politikens rum.
Boken innehåller tidigare otillgängliga artiklar av Peter Weiss och Gunilla Palmstierna-Weiss, kontextualiserande essäer av de tongivande Weisskännarna Magnus Bergh och Werner Schmidt, samt nyskrivna texter av några av samtidens mest framstående internationella poeter, kritiker och intellektuella, däribland Jacques Rancière, Anna Hallberg, Alberto Toscano, Sven Lütticken och Esther Leslie.
Motståndets estetik hävdar att det är genom att tillägna sig konst och kultur som ett effektivt motstånd mot fascismen kan formas. Från sitt eget perspektiv, sin egen tid, insisterar den på att historien om det motståndet fortfarande måste kunna vara vår historia, i läsandets nu. Den här boken frågar: vad kan en sådan idé betyda i dag, hösten 2026?
Boken ges ut i samband med utställningen De besegrade: Motståndets estetik 2026, som visas på Bonniers Konsthall i Stockholm mellan den 25 augusti och den 8 november, 2026. Texterna i boken svarar på olika sätt på samma utmaning som har ställts till konstverken i konsthallens rum. De förlänger utställningens montage i nya riktningar och mot andra varaktigheter.
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What might an aesthetics of resistance look like today? The essays in this book all engage in different ways with Peter Weiss s major anti-fascist novel The Aesthetics of Resistance (1975–81) and with the question of its significance and relevance in our time, when a new far right and new forms of fascism are taking centre stage in public life and the political arena.
The book contains previously unpublished articles by Peter Weiss and Gunilla Palmstierna-Weiss, contextualising essays by the leading Weiss scholars Magnus Bergh and Werner Schmidt, as well as newly written texts by some of today s most prominent international poets, critics and intellectuals, including Jacques Rancière, Anna Hallberg, Alberto Toscano, Sven Lütticken and Esther Leslie.
The Aesthetics of Resistance argues that it is through engaging with art and culture that effective resistance to fascism can be forged. From its own perspective, its own time, it insists that the history of that resistance must still be able to be our history, in the present moment of reading. This book asks: what might such an idea mean today, in the autumn of 2026?
The book is published to coincide with the exhibition The Defeated: The Aesthetics of Resistance 2026, on display at Bonniers Konsthall in Stockholm from 25 August to 8 November 2026. The texts in the book respond in various ways to the same challenge posed to the artworks in the gallery s spaces. They extend the exhibition s montage in new directions and towards other durations.