Andrew Hemingway – författare

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16 produkter

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16 produkter

Marxism and the History of Art
From William Morris to the New Left
AvAndrew Hemingway
Häftad, Engelska, 2006
361 kr
Skickas inom 5-8 vardagar
This book is the first comprehensive introduction to Marxist approaches to art history. Although the aesthetic was a crucial part of Marx and Engels’s thought, they left no full statement on the arts. Although there is an abundant scholarship on Marxist approaches to literature, the historiography of the visual arts has been largely neglected. This book encompasses a range of influential thinkers and historians including William Morris, Mikhail Lifshits, Frederick Antal, Francis Klingender, Max Raphael, Meyer Schapiro, Walter Benjamin, Henri Lefebvre and Arnold Hauser. It also addresses the heritage of the New Left. In the spirit of Marxism, the authors interpret the achievements and limitations of Marxist art history in relation to the historical and political circumstances of its production, providing an indispensable introduction to contemporary radical practices in the field.
Art as Worldmaking
Critical Essays on Realism and Naturalism
AvMalcolm Baker,Andrew Hemingway
Inbunden, Engelska, 2018
1 308 kr
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Art as worldmaking is a response to Alex Potts’s provocative 2013 book Experiments in modern realism. Twenty essays by leading scholars test Potts’s recasting of realism through examinations of art produced in different media and periods, ranging from eighth-century Chinese garden aesthetics to video work by the contemporary Russian collective Radek Community. While the book does not neglect avatars of pictorial realism such as Menzel and Eakins, or the question of nineteenth-century realism’s historical antecedents, it is contemporary in orientation in that many contributors are particularly concerned with the questions that sculpture, photography and non-traditional media pose for realism as an aesthetic norm. It will be essential reading for students of art history concerned with art’s truth value or more broadly with conceptual problems of representation and the intersections of art and politics.
Art as worldmaking
Critical essays on realism and naturalism
AvMalcolm Baker,Andrew Hemingway
Häftad, Engelska, 2026
446 kr
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Art as worldmaking is a response to Alex Potts’s provocative 2013 book Experiments in modern realism. Twenty essays by leading scholars test Potts’s recasting of realism through examinations of art produced in different media and periods, ranging from eighth-century Chinese garden aesthetics to video work by the contemporary Russian collective Radek Community. While the book does not neglect avatars of pictorial realism such as Menzel and Eakins, or the question of nineteenth-century realism’s historical antecedents, it is contemporary in orientation in that many contributors are particularly concerned with the questions that sculpture, photography and non-traditional media pose for realism as an aesthetic norm. It will be essential reading for students of art history concerned with art’s truth value or more broadly with conceptual problems of representation and the intersections of art and politics.
Landscape Between Ideology And The Aesthetic
Marxist Essays on British Art and Art Theory, 1750-1850
AvAndrew Hemingway
Häftad, Engelska, 2017
483 kr
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This collection brings together for the first time many of the influential Marxist art-historian Andrew Hemingway's most important works on Romantic landscape painting. With a careful eye for both the ideological and aesthetic aspects of a wide range of pieces, Hemingway's keen insights offer stunning new perspectives on some of the most important painters of the era.
Can We Zoom Into God?
A Major Critique of New Church Worship--Causes and Effects
AvAndrew Hemingway
Häftad, Engelska, 2023
344 kr
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Can We Zoom Into God?
A Major Critique of New Church Worship--Causes and Effects
AvAndrew Hemingway
Inbunden, Engelska, 2023
521 kr
Skickas inom 5-8 vardagar
Can We Zoom into God?
A Major Critique of New Church Worship—Causes and Effects
AvAndrew Hemingway
E-bok
Engelska, 2023
467 kr
Läs direkt efter köp
When Zoom worship emerged in Britain during the COVID lockdown of 2020, Christians quickly turned to an art form, a form of theater, to deliver their worship. It was a quest for immanence, the very thing the Reformation dealt with by the elevation of transcendence. What an intriguing thought: Could John Calvin with his dictum regarding piety have practiced Zoom worship? Served as he was with the principle that the finite cannot contain the infinite, we must admit it looks very unlikely! At least in this Calvin saw eye-to-eye with Erasmus, but what of Luther? He may have been a comfortable Zoom worshiper, with his views that "Religious artworks are neither here nor there" and "We may have them or not as we please."Little did the church realize that it would be a step back into the past, because "what you permit you promote." The desire to use images was much more sinister than in Medieval times, as these were now images of ourselves! Regardless of the age, the image reigns supreme.What had caused the demise? Was it bereavement? It could not be bereavement of God; rather, it was the loss of the social, the bereavement of "one another." The need for "one-anothering" had forced the hand of Christians to turn to a practice completely untested. Zoom worship was born--the genie is out, and will never go back in. But in the face of the now-acceptable force of contemporary narcissism, who cares?
Marxism and the History of Art
From William Morris to the New Left
AvAndrew Hemingway
E-bok
Engelska, 2006
431 kr
Läs direkt efter köp
This book is the first comprehensive introduction to Marxist approaches to art history. Although the aesthetic was a crucial part of Marx and Engels’s thought, they left no full statement on the arts. Although there is an abundant scholarship on Marxist approaches to literature, the historiography of the visual arts has been largely neglected. This book encompasses a range of influential thinkers and historians including William Morris, Mikhail Lifshits, Frederick Antal, Francis Klingender, Max Raphael, Meyer Schapiro, Walter Benjamin, Henri Lefebvre and Arnold Hauser. It also addresses the heritage of the New Left. In the spirit of Marxism, the authors interpret the achievements and limitations of Marxist art history in relation to the historical and political circumstances of its production, providing an indispensable introduction to contemporary radical practices in the field.
As Radical as Reality Itself
Essays on Marxism and Art for the 21st Century
AvMatthew Beaumont,Andrew Hemingwaym. fl.
Häftad, Engelska, 2007
1 051 kr
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This collection of essays, by a number of established scholars and artists, proposes new directions for Marxist cultural theory and the criticism of modern visual culture. It addresses a diverse range of topics, including the state and revolution, Communist and post-Communist aesthetics, Situationist thought and the avant-garde, subjectivity and commodification, and the politics and problems of contemporary artistic practice. The contributions also consider several other pressing questions in the visual arts, from the practice of digital culture to appropriations of critical theory, from the relations of art and the spectacle to architecture in the age of global modernity. This book on Marxism and art is not offered in a spirit of nostalgia: on the contrary, it testifies to the continuing vitality and confidence of historical materialist thought in the field of cultural theory and practice in the 21st century.
Keywords for Marxist Art History Today
AvAndrew Hemingway,Larne Abse Gogarty
E-bok
PDF, Engelska, 2020
321 kr
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The mood of systemic crisis that has marked the early 21st century has been accompanied by an upsurge in Marxist thought in a whole range of domains and extends to art history. In this volume 19 scholars from different generations, different national contexts and with different relationships to Marxism reflect on the status of 18 "keywords" with special pertinence to Marxist art-historical inquiry today. Starting point of the researches was the knowledge that while certain keywords have been crucial to recent developments in Marxist art history and cultural theory more broadly, others seem to have slipped out of view. The scholars are not so much interested in the "historical semantics" of words – although that plays some role in the essays – as in the present state of Marxist art history.
Perspektiven einer kritischen Kunstwissenschaft / Perspectives in Critical Art History
AvMartin Papenbrock,Andrew Hemingway
E-bok
PDF, Tyska, 2022
321 kr
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Der Band ist Jutta Held (1933–2007) und Norbert Schneider (1945–2019), der Gründerin und dem langjährigen Herausgeber von »Kunst und Politik«, gewidmet. Beide gehörten zur Generation der kritischen Kunsthistorikerinnen und Kunsthistoriker, die sich seit den 1970er Jahren für eine neue Kunstgeschichte einsetzten, die die gesellschaftlichen Aspekte der Kunst ins Zentrum rückte. Der Band versammelt Beiträge von Freund:innen, Kolleg:innen und Schüler:innen, die – inspiriert von Jutta Held und Norbert Schneider, von ihren Schriften und dem Andenken an die beiden – nach den Perspektiven einer kritischen Kunstwissenschaft fragen.This volume is dedicated to Jutta Held (1933–2007) and Norbert Schneider (1945–2019), the founders and long-time publishers of the journal "Kunst und Politik". Since the 1970s, both were part of a movement of critical art historians, that advocated for a new art history, that integrated the social aspects of art. This volume includes contributions of both friends and students, who – inspired by Jutta Held and Norbert Schneider – explore perspectives of critical art studies based on their writings and remembrance.
Del 135 - Historical Materialism Book Series
Landscape between Ideology and the Aesthetic
Marxist Essays on British Art and Art Theory, 1750–1850
AvAndrew Hemingway
Inbunden, Engelska, 2016
3 746 kr
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At a time of growing interest in relations between Marxism and Romanticism, Andrew Hemingway’s essays on British art and art theory reopen the question of Romantic painting’s ideological functions and, in some cases, its critical purchase. Half the volume exposes the voices of competing class interests in aesthetics and art theory in the tumultuous years of British history between the American Revolution and the 1832 Parliamentary Reform Act. Half offers new perspectives on works by some of the most important landscape painters of the time: John Constable, J.M.W. Turner, John Crome, and John Sell Cotman. Four essays are hitherto unpublished, and the remainder have been updated and in several cases substantially rewritten for this volume.
Hauptwerke Politischer Kunst Im 20. Jahrhundert: Icons of 20th-Century Political Art
AvAndrew Hemingway,Norbert Schneider
Häftad, Tyska
530 kr
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Realism in Modern British and American Art
AvAndrew Hemingway,Alex Potts
Häftad, Tyska, 2017
423 kr
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Der Band versammelt in seinem Schwerpunktteil Fallstudien von namhaften Kennern zu dem hierzulande nur wenig bekannten britischen Realismus des 20. Jahrhunderts. Es werden nicht nur exemplarisch Oeuvres einzelner Künstler sowie Kunsttendenzen und Sujets untersucht, sondern auch Ausstellungspraktiken und Forderungen einer das Projekt realistischer Kunst begleitenden Kunstkritik (u. a. von John Berger). Mit Beiträgen von James Finch, Brian Foss, Jacqueline Francis, Alex Potts, Brendan Prendeville, Rachel Sanders, Blake Stimson und Rebecca Zurier sowie Jost Hermand, Martin Papenbrock und Elke Wüst-Kralowetz.

The focal point of this volume brings together case studies carried out by acclaimed experts on a subject little known in Germany – 20th century British realism. This collection examines exemplary oeuvres of individual artists, artistic tendencies, subjects as well as exhibition practices. Calls for a type of art criticism that accompanies realistic art projects – la John Berger and contemporaries are similarly illuminated. The contributors include James Finch, Brian Foss, Jacqueline Francis, Alex Potts, Brendan Prendeville, Rachel Sanders, Blake Stimson, Rebecca Zurier, Jost Hermand, Martin Papenbrock and Elke Wüst-Kralowetz.
Keywords for Marxist Art History Today
AvLarne Abse Gogarty,Andrew Hemingway
Häftad, Engelska, 2020
423 kr
Tillfälligt slut
The mood of systemic crisis that has marked the early 21st century has been accompanied by an upsurge in Marxist thought in a whole range of domains and extends to art history. In this volume 19 scholars from different generations, different national contexts and with different relationships to Marxism reflect on the status of 18 "keywords" with special pertinence to Marxist art-historical inquiry today. Starting point of the researches was the knowledge that while certain keywords have been crucial to recent developments in Marxist art history and cultural theory more broadly, others seem to have slipped out of view. The scholars are not so much interested in the "historical semantics" of words – although that plays some role in the essays – as in the present state of Marxist art history.
Bildwissenschaft Und Visual Culture Studies in Der Diskussion
AvAndrew Hemingway,Norbert Schneider
Häftad, Tyska
583 kr
Tillfälligt slut

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Andrew Hemingway – författare

Marxism and the History of Art

Art as Worldmaking

Art as worldmaking

Landscape Between Ideology And The Aesthetic

Can We Zoom Into God?

Can We Zoom Into God?

Can We Zoom into God?

Marxism and the History of Art

As Radical as Reality Itself

Keywords for Marxist Art History Today

Perspektiven einer kritischen Kunstwissenschaft / Perspectives in Critical Art History

Landscape between Ideology and the Aesthetic

Hauptwerke Politischer Kunst Im 20. Jahrhundert: Icons of 20th-Century Political Art

Realism in Modern British and American Art

Keywords for Marxist Art History Today

Bildwissenschaft Und Visual Culture Studies in Der Diskussion

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