Frank J. Korom – författare

South Asia is a distant, exotic place to most American students. It is also a land of diverse and fascinating cultures, exemplified by the folklore of the region. This book gives students and general readers a thorough introduction to South Asian folklore. Included are chapters on different types of folklore, the place of folklore in popular culture, and the scholarly response to South Asian folklore. The volume also provides numerous legends, tales, myths, riddles, jokes, and other examples of folklore from South Asia. The book closes with a glossary and a bibliography of print and electronic resources.To most American students, South Asia is a distant and exotic world. It is the birthplace of Hinduism, Jainism, Buddhism, and Sikhism, and the home of hundreds of languages. It is also a region of growing economic importance. Students, travellers, and general readers increasingly need to understand the regions's cultures and customs, at the heart of which is a rich and varied folklore. This book is a brief but thorough introduction to folklore from South Asia, including Afghanistan, Pakistan, India, Nepal, Bhutan, Bangladesh, and Sri Lanka.The volume begins with an overview of the cultural background of South Asia, and examines different types of folklore and the difficulties of defining and classifying folklore genres. It then provides a substantial selection of legends, tales, myths, riddles, jokes, and other pieces of folklore from South Asia. This is followed by a look at research on the subject, along with an exploration of South Asian folklore in literature and popular culture. The volume closes with a glossary and a bibliography of print and electronic resources.

The Indian Subcontinent has been at the centre of folklore inquiry since the 19th century, yet, while much attention was paid to India by early scholars, folkloristic interest in the region waned over time until it virtually disappeared from the research agendas of scholars working in the discipline of folklore and folklife. This fortunately changed in the 1980s when a newly energized group of younger scholars, who were interested in a variety of new approaches that went beyond the textual interface, returned to folklore as an untapped resource in South Asian Studies.This comprehensive volume further reinvigorates the field by providing fresh studies and new models both for studying the “lore” and the “life” of everyday people in the region, as well as their engagement with the world at large. By bringing Muslims, material culture, diasporic horizons, global interventions and politics to bear on South Asian folklore studies, the authors hope to stimulate more dialogue across theoretical and geographical borders to infuse the study of the Indian Subcontinent’s cultural traditions with a new sense of relevance that will be of interest not only to areal specialists but also to folklorists and anthropologists in general.This book was originally published as a special issue of South Asian History and Culture.

The authors cross the boundaries between anthropology, folklore, and history to cast new light on the relation between songs and stories, reality and realism, and rhythm and rhetoric in the expressive traditions of South Asia.

The multivocalic rite known as Hosay in the Caribbean developed out of earlier practices originating in Iraq and Iran which diffused to Trinidad by way of South Asian indentured laborers brought to the Caribbean by the British from the mid-1800s to the early decades of the twentieth century. The rituals are important as a Shi'i religious observance, but they also are emblems of ethnic and national identity for Indo-Trinidadians. Frank Korom investigates the essential role of Hosay in the performance of multiple identities by historically and ethnographically situating the event in Middle Eastern, South Asian, and Caribbean contexts. Hosay Trinidad: Muharram Performances in an Indo-Caribbean Diaspora is the first detailed historical and ethnographic study of Islamic muharram rituals performed on the island of Trinidad.Korom's central argument is that the annual rite is a polyphonic discourse that is best understood by employing multiple levels of interpretation. On the symbolic level the observance provides esoteric meaning to a small community of Indo-Trinidadian Muslims. On another level, it is perceived to be representative of "transplanted" Indian culture as a whole. Finally, the rituals are becoming emblematic of Trinidad's polyethnic population. Addressing strategies used to resist integration and assimilation, Hosay Trinidad is engaged with theories concerning the notion of cultural creolization in the Caribbean as well as in the general study of global diasporas.

The Anthropology of Performance is an invaluable guide to this exciting and growing area.  This cutting-edge volume on the major advancements in performance studies presents the theories, methods, and practices of performance in cultures around the globe. Leading anthropologists describe the range of human expression through performance and explore its role in constructing identity and community, as well as broader processes such as globalization and transnationalism. Introduces new and advanced students to the task of studying and interpreting complex social, cultural, and political events from a performance perspectivePresents performance as a convergent field of inquiry that bridges the humanities and social sciences, with a distinctive cross-cultural perspective in anthropologyDemonstrates the range of human expression and meaning through performance in related fields of religious & ritual studies, folkloristics, theatre, language arts, and art & danceExplores the role of performance in constructing identity, community, and the broader processes of globalization and transnationalismIncludes fascinating global case studies on a diverse range of phenomenaContributions from leading scholars examine verbal genres, ritual and drama, public spectacle, tourism, and the performances embedded in everyday selves, communities and nations

The Anthropology of Performance is an invaluable guide to this exciting and growing area.  This cutting-edge volume on the major advancements in performance studies presents the theories, methods, and practices of performance in cultures around the globe. Leading anthropologists describe the range of human expression through performance and explore its role in constructing identity and community, as well as broader processes such as globalization and transnationalism. Introduces new and advanced students to the task of studying and interpreting complex social, cultural, and political events from a performance perspectivePresents performance as a convergent field of inquiry that bridges the humanities and social sciences, with a distinctive cross-cultural perspective in anthropologyDemonstrates the range of human expression and meaning through performance in related fields of religious & ritual studies, folkloristics, theatre, language arts, and art & danceExplores the role of performance in constructing identity, community, and the broader processes of globalization and transnationalismIncludes fascinating global case studies on a diverse range of phenomenaContributions from leading scholars examine verbal genres, ritual and drama, public spectacle, tourism, and the performances embedded in everyday selves, communities and nations