Frank Ormsby – författare

‘… the universal poet, servant of the medium, renewer of the forms, discoverer of the nugget of harmony in the language of ourselves.' Seamus Heaney'He brings to Irish poetry an invaluable chronicle of mixed allegiances and lost worlds of the ambiguities of the colony and the defeats of victory. No one else has quite had his themes; no one else has quite ventured on his enquiries.' Eavan BolandEdited, with a new introduction, by acclaimed poets Michael Longley and Frank Ormsby, 'Selected Poems' is a testament to John Hewitt’s remarkable literary legacy, and a celebration of a unique, compelling and still urgent voice in 20th century Irish poetry.

Introduced by Michael Longley, Goat's Milk is a comprehensive retrospective of the work of Frank Ormsby, a central figure in the poetry of Northern Ireland for the past forty years. As well as a whole collection of new poems, it includes work from his four previous collections: A Store of Candles (1977), A Northern Spring (1986), The Ghost Train (1995) and Fireflies (2009). In his most recent poems Ormsby brings a new directness and simplicity to bear on the rural Fermanagh of his boyhood. A series of vignettes evokes his formative years, both his experience of division and loss (the impact of his father's death is a constant theme in his work), but also the enriching aspects of family and community and of the natural world. These poems deepen and extend themes central to the earlier work. They also reflect what The Oxford Companion to Irish Literature describes as Ormsby's gift for a 'poetry of resonant minutiae' which 'celebrates the neglected recesses of the commonplace'. Goat's Milk was shortlisted for the Christopher Ewart-Biggs Memorial Prize 2018.

The Darkness of Snow is Frank Ormsby's most varied and versatile collection to date. It includes three substantial sets of poems whose themes are refreshingly and sometimes painfully new. One is a suite of poems - sombre, good-humoured, flippant - about the early stages of Parkinson's Disease. Ormsby was diagnosed as having the disease in 2011. Another was prompted by the work of Irish painters in Normandy, Brittany and Belgium at the end of the 19th century. There are also further explorations of his boyhood years in Fermanagh, while poems set in Belfast reflect the aftermath of the Troubles and celebrate the city's current phase of recovery and restoration. The book ends with a narrative poem about the trial of an unnamed tyrant in which we learn about the Accused (as he is called), about the villagers who have travelled to bear witness to the atrocities carried out in the village, and about one of the interpreters, who understands the slipperiness of Truth. The Darkness of Snow covers work written since Frank Ormsby's retrospective, Goat's Milk: New & Selected Poems (2015). His broad range and eye for the particular combine to make this an exceptional collection. Poetry Book Society Recommendation. Shortlisted for a National Book Circle Critics Award.

Frank Ormsby's seventh collection of poems reflects not only the beauty of the Irish landscape and the sensuous and aesthetic impact of the small farms among which he grew up, but also the continuing violence of the 'Troubles'. Close to the surface of mountain and bogland lie the hidden graves of the 'Disappeared'. Ormsby continues to make vivid use of the short, resonant poems which were a striking feature of Goat's Milk and The Darkness of Snow. Here too the content is often delivered and reinforced through rich, contrasting images within or between poems: the scarlet flowers growing in a black kettle, the fuchsia that is both 'redolent of old battles' or a 'peaceful tapestry in the annals of stone'. Among the personae of the collection is the obliging father who volunteers to be buried by his children up to the neck in sand within sight of but some distance from the 'cold shadow of the mountain'. The elegiac note that echoes through the poems rarely darkens the mood. Ormsby’s wit and humour, his sly sense of the absurd and what might be called his affection for the living and the dead draw the reader into considering the conviction that it is sometimes 'possible to believe / that joy grows irresistibly at the roots of everything'.