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2 produkter
336 kr
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For the past forty years, Paul Bowles has answered questions about the autobiographical references in his novels (The Sheltering Sky, Let It Come Down, The Spider's House, and Up Above the World) and about his work as a composer in New York, all the time insisting, ""I don't want anyone to know about me.""In these more than twenty interviews dating from 1952 to the present, Bowles gives a variety of answers that reveal as much as they conceal. Too gracious to refuse interviews, he regards inquiries with the same clear-eyed detachment that marks his prose, wondering, ""Why is it that Americans expect an artist's work to be a reflection of his life? They never seem to want to believe that the two can be independent of each other and go their separate ways."" Despite his reticence, Bowles frankly discusses his ""unconscious"" writing practice, his views on the ""illiterate imagination,"" existentialism, his various experiments with altered states of consciousness, and nearly fifty years of expatriate life in Morocco.Included are three interviews never before published, several interviews that originally appeared in now obscure journals, plus interviews by Jay Mclnerny for Vanity Fair, Jeffrey Bailey for The Paris Review, and Michael Rogers for Rolling Stone.
Signifyin(g), Sanctifyin' and Slam Dunking
A Reader in African American Expressive Culture
Häftad, Engelska, 1999
379 kr
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Observers of American society have long noted the distinctive contribution of African Americans to the nation's cultural life. We find references to African American music and dance, black forms of oral expression, even a black style of playing basketball. But what do such terms really mean? Is it legitimate to talk about a distinct African American aesthetic, or is it simply a vestige of an outmoded racial essentialism? What makes a particular form of cultural expression ""black"", other than the fact that some African Americans may practice it? These are some of the questions addressed in the readings gathered in this volume. The essays spring from a variety of disciplines and cover a range of topics, from the communal ritual of the ring shout to the evolution of rap to the improvisational genius of Michael Jordan. While each piece focuses on a different aspect of African American expressive culture, together they seek to reveal a set of creative principles, techniques and practices - a cultural aesthetic - that is consistent and resilient.