George E. Haggerty - Böcker

This work offers a new perspective on Gothic fiction and reassesses its place in literary history. After defining his concept of "affective form" and summarizing the problematic assumptions behind recent critical approaches to the Gothic, George Haggerty introduces a startling theoretical discussion of the Gothic Tale, and he explains in what ways the tale, as a form with identifiable affective properties, is ideally suited to Gothic concerns. Having established a direct relation between this study and recent discussions of narratology and generic identity, Haggerty develops his argument as it applies to major Gothic works in both England and America, including works by Walpole, Radcliffe, Lewis, Maturin, Shelley, Bronte, Poe, Hawthorne, and James. He examines the Gothic Tale as a form that resolves the inconsistency and incoherence of many Gothic novels and offers even the best of them a center of focus and a way of achieving their fullest affective power. In this study, the Gothic Tale emerges as a means of heightening the emotional intelligibility of Gothic fiction and answering Walpole's confused desire to unite "two kinds of romance" in the Gothic. It is a form that can answer the ontological and epistemological, as well as the structural, challenge of the Gothic writers. From its first hints within the Gothic novel as an alternative literary mode offering the Gothicists various expressive advantages to its eerie success in a work such as James's "The Jolly Corner," the Gothic Tale offers insight into generic distinction and literary expression. This is a major statement about an important literary form.

Philip Brett's groundbreaking writing on Benjamin Britten altered the course of music scholarship in the later twentieth century. This volume is the first to gather in one collection Brett's searching and provocative work on the great British composer. Some of the early essays opened the door to gay studies in music, while the discussions that Brett initiated reinvigorated the study of Britten's work and inspired a generation of scholars to imagine 'the new musicology'. Addressing urgent questions of how an artist's sexual, cultural, and personal identity feeds into specific musical texts, Brett examines most of Britten's operas as well as his role in the British cultural establishment of the mid-twentieth century. With some of the essays appearing here for the first time, this volume develops a complex understanding of Britten's musical achievement and highlights the many ways that Brett expanded the borders of his field.

Professions of Desire includes examples of lesbian and gay literary analysis and thoughtful discussions about what it means to be lesbian, gay, or queer in the literature classroom. The four essays in the first section, ""Teaching Positions,"" examine teaching from a theoretical perspective, analyse the role of the professor in the classroom, and seek to redefine what instructors ask of their students as well as of themselves. In ""Canons and Closets,"" five essays discuss curricular and organisational shifts related to lesbian and gay studies. ""Sameness and Differences"" presents five essays that explore the influence of race, gender, and sexuality on gay and lesbian identity. Finally, the section ""Transgressing Subjects"" gathers four critical readings of various works.

Friendship in the classical world was celebrated as among the highest human achievements: nothing was more likely to lead to the divine than looking for it in the eyes of a friend. In exploring the complexities of male-male relations beyond the simple labels of sexuality, Queer Friendship shows how love between men has a rich and varied history in English literature. The friend could offer a reflection of one's own worth and a celebration of a kind of mutuality that was not connected to family or home. These same-sex friendships are memorable because they give shape to the novels of which they are a part, and question the assumption that the love between friends is different from the love between lovers. Queer Friendship explores English literary friendship in three ways: the elegiac, the erotic, and the platonic, by considering a myriad of works, including Sterne's Tristram Shandy, Tennyson's 'In Memoriam A. H. H.', and Dickens' Great Expectations.

A Companion to Lesbian, Gay, Bisexual, Transgender, and Queer Studies is the first single volume survey of current discussions taking place in this rapidly developing area of study. Recognizing the multidisciplinary nature of the field, the editors gather new essays by an international team of established and emerging scholarsAddresses the politics, economics, history, and cultural impact of sexualityEngages the future of queer studies by asking what sexuality stands for, what work it does, and how it continues to structure discussions in various academic disciplines as well as contemporary politics