Gertrude Himmelfarb – författare

'Over himself, over his own body and mind, the individual is sovereign.' To this 'one very simple principle' the whole of Mill's essay On Liberty is dedicated. While many of his immediate predecessors and contemporaries, from Adam Smith to Godwin and Thoreau, had celebrated liberty, it was Mill who organized the idea into a philosophy, and put it into the form in which it is generally known today. The editor of this essay, Gertrude Himmelfarb records responses to Mill's books and comments on his fear of 'the tyranny of the majority'. Dr Himmelfarb concludes that the same inconsistencies which underlie On Liberty continue to complicate the moral and political stance of liberals today.

'Over himself, over his own body and mind, the individual is sovereign.' To this 'one very simple principle' the whole of Mill's essay On Liberty is dedicated. While many of his immediate predecessors and contemporaries, from Adam Smith to Godwin and Thoreau, had celebrated liberty, it was Mill who organized the idea into a philosophy, and put it into the form in which it is generally known today. The editor of this essay, Gertrude Himmelfarb records responses to Mill's books and comments on his fear of 'the tyranny of the majority'. Dr Himmelfarb concludes that the same inconsistencies which underlie On Liberty continue to complicate the moral and political stance of liberals today.

A wide-ranging collection of Victorian writings by John Stuart Mill, Charles Dickens, Oscar Wilde, and other leading lights of the eraNone of the stereotypes of Victorian England—narrow-minded, inhibited, moralistic, complacent—prepares us for the vitality, variety, and above all extraordinary quality of intellectual life displayed in this volume of essays. Selected and annotated by Gertrude Himmelfarb, a distinguished historian of Victorian thought, the writings address a wide range of subjects—religion, politics, history, science, art, socialism, and feminism—by eminent figures of the era, including Carlyle, Mill, Macaulay, Dickens, Eliot, Thackeray, Newman, Arnold, and Wilde. The selections reflect what Himmelfarb terms “the spirit of the age”—contentious as well as earnest, given to high aspirations and convictions, and at the same time subject to deep anxieties and doubts.The Victorians, undisputed masters of the long, serious essay, found the genre congenial to the expression of their most compelling and provocative views. This volume offers a representative sampling of essays from the early, middle, and late Victorian periods, each accompanied by an introductory note. Himmelfarb also introduces the volume with two enlightening essays, one on the evolving spirit of the age, and the other on the essay as a genre and on the important periodicals that attracted such a large and engaged audience.

In a provocative study that bristles with contemporary relevance, Himmelfarb demonstrates that the material and moral dimensions of poverty were inseparable in the minds of late Victorians, be they radical or conservative.From the Trade Paperback edition.

In these provocative essays, one of our most distinguished historians looks into the abyss of the present. Himmelfarb exposes the intellectual and spiritual impoverishment of some of our most fashionable current ideas--and shows how the vogue for historical structuralism has made it possible to trivialize the tragedy of the Holocaust.From the Trade Paperback edition.

In One Nation, Two Cultures, one of today''s most respected and articulate cultural critics gives us a penetrating examination of the gulf between the two sides of American society -- a divide that cuts across class, racial, ethnic, political, and sexual lines. While one side originated in the traditional idea of republican virtue, the other emerged from the counterculture of the late 1960s and has become the dominant culture of today.In clear and vigorous prose, Himmelfarb argues that while the dominant culture pervades journalism, academia, television, and film, a "dissident culture" continues to promote the values of family, a civil society, sexual morality, privacy, and patriotism. The clash between these two cultures affects all areas of American society.Despite her forceful critique, Himmelfarb sees encouraging signs for the future of American culture. She explores the place of religion, family, and the law in American life and proposes democratic remedies for the nation''s moral and cultural diseases. Though there are many legitimate grievances against government, she contends, our citizenry cannot afford to delegitimize it. And she concludes that it is a tribute to Americans that, without serious social strife, we remain one nation even as we are divided into two cultures.One Nation, Two Cultures is a stimulating work, one sure to provoke lively discussion and controversy.From the Hardcover edition.

For this updated edition of her acclaimed work on historians and the writing of history, Gertrude Himmelfarb adds four insightful and provocative essays dealing with changes in the discipline over the past twenty years.In examining the effects of postmodernism, the illusions of cosmopolitanism, A. J. P. Taylor and revisionism, and Francis Fukuyama’s “end of history,” Himmelfarb enriches her illuminating exploration of the myriad ways—new and old—in which historians make sense of the past.

Gertrude Himmelfarb's elegant and wonderfully readable work, The Roads to Modernity, reclaims the Enlightenment from historians who have downgraded its importance and from scholars who have given preeminence to the Enlightenment in France over concurrent movements in England and in America.Himmerlfarb demonstrates the primacy and wisdom of the British, exemplified in such thinkers as Adam Smith, David Hume, and Edmund Burke, as well as the unique and enduring contributions of the American Founders. It is their Enlightenments, she argues, that created a social ethic - humane, compassionate and realistic - that still resonates strongly today.

In The Moral Imagination, Gertrude Himmelfarb, one of America's most distinguished intellectual historians, explores the minds and lives of some of the most brilliant and provocative thinkers of modern times. In their distinctive ways, she argues, they exemplify what Burke two centuries ago and Trilling most recently have called the “moral imagination.” Himmelfarb describes how each of these thinkers, coming from different traditions, responding to different concerns, and writing in different genres, shared a moral passion that permeated their work. It is this passion that makes their reflections—on politics and literature, religion and society, marriage and sex—sometimes unpredictable, often controversial, always exciting, and as illuminating and pertinent today as they were then. The second edition includes a revised introduction and three new essays on Adam Smith, Lord Acton, and Alfred Marshall.

In The Moral Imagination, Gertrude Himmelfarb, one of America''s most distinguished intellectual historians, explores the minds and lives of some of the most brilliant and provocative thinkers of modern times. In their distinctive ways, she argues, they exemplify what Burke two centuries ago and Trilling most recently have called the “moral imagination.” Himmelfarb describes how each of these thinkers, coming from different traditions, responding to different concerns, and writing in different genres, shared a moral passion that permeated their work. It is this passion that makes their reflections—on politics and literature, religion and society, marriage and sex—sometimes unpredictable, often controversial, always exciting, and as illuminating and pertinent today as they were then. The second edition includes a revised introduction and three new essays on Adam Smith, Lord Acton, and Alfred Marshall.

Where "Victorianism" once conjured up an image of smugness, hypocrisy, and mindlessness, it now suggests quite the reverse: an age of high intellectual, moral, and spiritual tension, in which the typical problems of modernity were posed in their most acute forms. Gertrude Himmelfarb''s distinguished piece of intellectual history explores these tensions and problems with sympathy, candor, and critical subtlety. Victorian Minds is a study of intellectuals in crisis and of ideologies in transition, rendered with an elegance of style and thought. "Few works that I know convey the excitement of the intellectual life of 19th-century England as immediately. ... The essays are remarkable no less for the cogency of their wit than for the range and precision of their scholarship"-Lionel Trilling. "Precise and discriminating ... an exemplary study of the 19th century and a superb introduction to the 20th."-Robert A. Nisbet. "Miss Himmelfarb is a writer to whom the organization of ideas into intricate shapes and patterns is imperative, and like many of her subjects-and comparatively few modern intellectuals-she is capable of poised and meaningful generalization."- A. S. Byatt.

In her enduring study of the impact of Darwinism on the intellectual climate of the nineteenth century, Gertrude Himmelfarb brings massive documentation to bear in challenging the conventional view of Darwin's greatness. Touching on biography, history, and philosophy, she traces the origins and development of Darwin's views against the opinions of his time; assesses the influences on him; and shows what he intended his theory to mean, what his readers took it to mean, and what it has in fact meant. By such a route Ms. Himmelfarb recaptures "a sense of how a scientist, with the most innocent of intentions and the best of faith, can give birth to a theory that has an ancestry and a posterity of which he may be ignorant and a life of its own over which he has no control. "A thorough and masterly book punctuated with a delicate sense of humor.... Until he has read, marked, learnt and inwardly digested this authoritative volume, no one should presume henceforth to speak on Darwin and Darwinism." Times Literary Supplement "An illuminating contribution...a dramatic story."—Yale Review "Absorbing, well written, and splendidly organized."—I. Bernard Cohen

In these brilliant essays, Gertrude Himmelfarb, one of America’s most respected scholars of Victorian thought and culture, explores the many facets, public and private, of the Victorian idea of morality. Incisively and provocatively she illuminates the "moral imagination" of the Victorians, "the imagination that treasured the complexity of the heart and mind and that sought, by aesthetic means as well as ethical, to adorn and enhance rather than destroy the 'decent drapery of life.'" The conventional view of Victorianism—a Family Shakespeare purged of indelicacies, piano legs sheathed in pantaloons, and the works of male and female authors chastely residing on separate shelves—gives way to the subtle and sympathetic analysis of an ethos that combined a profound sense of social and moral responsibility with a remarkable tolerance for idiosyncrasy and individuality. Marriage and Morals Among the Victorians invites us to reconsider the complex and colorful panorama of ideas and attitudes, beliefs and behavior, that goes under the name of Victorianism—and it reconsiders well our own relation to that much abused and misunderstood culture. "An important book that deserves a wide readership. It deserves to be read for the critical quality of Miss Himmelfarb’s mind and the constant questioning of fashionable attitudes. One does not have to agree with her to enjoy the characteristic sharpness of her writing, or the characteristic breadth of her reading."—New York Times Book Review. "A collection of extraordinarily intelligent essays, held together not by a single thread of argument but by the sustained moral imagination of an acute student of nineteenth-century life and thought....Miss Himmelfarb’s essays make clear that there was nothing wrong with either the Victorians’ morality or their imaginations."—National Review.

It is one of the curiosities of history that the most remarkable novel about Jews and Judaism, predicting the establishment of the Jewish state, should have been written in 1876 by a non-Jew -- a Victorian woman and a formidable intellectual, who is generally regarded as one of the greatest of English novelists. And it is still more curious that Daniel Deronda, George Eliot's last novel, should have been dismissed, by many of her admirers at the time and by some critics since, as something of an anomaly, an inexplicable and unfortunate turn in her life and work. Yet Eliot herself was passionately committed to that novel, having prepared herself for it by an extraordinary feat of scholarly research in five languages (including Hebrew), exploring the ancient, medieval, and modern sources of Jewish history. Three years later, to reenforce that commitment, she wrote an essay, the very last of her writing, reaffirming the heritage of the Jewish "nation" and the desirability of a Jewish state -- this well before the founders of Zionism had conceived of that mission.Why did this Victorian novelist, born a Christian and an early convert to agnosticism, write a book so respectful of Judaism and so prescient about Zionism? And why at a time when there were no pogroms or persecutions to provoke her? What was the general conception of the "Jewish question," and how did Eliot reinterpret that "question," for her time as well as ours? Gertrude Himmelfarb, a leading Victorian scholar, has undertaken to unravel the mysteries of Daniel Deronda. And the mysteries of Eliot herself: a novelist who deliberately wrote a book she knew would bewilder many of her readers, a distinguished woman who opposed the enfranchisement of women, a moralist who flouted the most venerable of marital conventions -- above all, the author of a novel that is still an inspiration or provocation to readers and critics alike.

It is one of the curiosities of history that the most remarkable novel about Jews and Judaism, predicting the establishment of the Jewish state, should have been written in 1876 by a non-Jew – a Victorian woman and a formidable intellectual, who is generally regarded as one of the greatest of English novelists. And it is still more curious that Daniel Deronda, George Eliot’s last novel, should have been dismissed, by many of her admirers at the time and by some critics since, as something of an anomaly, an inexplicable and unfortunate turn in her life and work.Yet Eliot herself was passionately committed to that novel, having prepared herself for it by an extraordinary feat of scholarly research in five languages (including Hebrew), exploring the ancient, medieval, and modern sources of Jewish history. Three years later, to reenforce that commitment, she wrote an essay, the very last of her writing, reaffirming the heritage of the Jewish “nation” and the desirability of a Jewish state – this well before the founders of Zionism had conceived of that mission.Why did this Victorian novelist, born a Christian and an early convert to agnosticism, write a book so respectful of Judaism and so prescient about Zionism? And why at a time when there were no pogroms or persecutions to provoke her? What was the general conception of the “Jewish question,” and how did Eliot reinterpret that “question,” for her time as well as ours? Gertrude Himmelfarb, a leading Victorian scholar, has undertaken to unravel the mysteries of Daniel Deronda. And the mysteries of Eliot herself: a novelist who deliberately wrote a book she knew would bewilder many of her readers, a distinguished woman who opposed the enfranchisement of women, a moralist who flouted the most venerable of marital conventions – above all, the author of a novel that is still an inspiration or provocation to readers and critics alike.

The history of Judaism has for too long been dominated by the theme of antisemitism, reducing Judaism to the recurrent saga of persecution and the struggle for survival. The history of philosemitism provides a corrective to that abysmal view, a reminder of the venerable religion and people that have been an inspiration for non-Jews as well as Jews.There is a poetic justice – or historic justice – in the fact that England, the first country to expel the Jews in medieval times, has produced the richest literature of philosemitism in modern times.From Cromwell supporting the readmission of the Jews in the 17th century, to Macaulay arguing for the admission of Jews as Members of Parliament in the 19th century, to Churchill urging the recognition of the state of Israel in the 20th, some of England''s most eminent writers and statesmen have paid tribute to Jews and Judaism. Their speeches and writing are powerfully resonant today. As are novels by Walter Scott, Disraeli, and George Eliot, which anticipate Zionism well before the emergence of that movement and look forward to the state of Israel, not as a refuge for the persecuted, but as a "homeland" rooted in Jewish history.A recent history of antisemitism in England regretfully observes that English philosemitism is "a past glory." This book may recall England – and not only England – to that past glory and inspire other countries to emulate it. It may also reaffirm Jews in their own faith and aspirations.

Past and Present brings together almost two dozen newly collected essays by the distinguished American historian and cultural critic, Gertrude Himmelfarb. Their common theme is the intriguing, often unexpected ways in which the past illuminates the present. The novelist William Faulkner wrote that “The past is never dead. It''s not even past.” In these essays, Himmelfarb shows the truth of this statement. She helps us find a new perspective on contemporary issues by bringing to bear a trenchant analysis of debates and thinkers of the past. She allows the past to inform the present without distorting either past or present. The essays, unified by the common theme of present and past, are varied. The topics range from the disorders of modern democracy to the challenges of postmodernism, from the Victorian ethos to the Jewish question. The thinkers range from Edmund Burke to Leo Strauss, from Cardinal Newman to Lionel Trilling. The political figures range from Benjamin Disraeli to Winston Churchill, from the American founders to Queen Elizabeth II.   The underlying premise and principle of the essays is the conviction that the pursuit of knowledge and truth, however difficult or discomforting, eminently matters, in the “practical life,” as Trilling put it, as in the “moral life.” Past and Present is a notable contribution to this endeavor—to understanding where we have been, where we are now, and where we may be—or should be—going.   

Milton Himmelfarb, perhaps best known for his quip that Jews earned like Episcopalians but voted like Puerto Ricans, was one of the most unfairly neglected essayists of his time. Now his sister, the distinguished historian Gertrude Himmelfarb, brings together the essential core of his social, political, and theological essays in this wide-ranging collection. From Leo Strauss and Spinoza to Hitler, Israel, and the place of religion in the public square, the sixteen essays in Jews and Gentiles offer readers a feast that is a literary delight as well as an intellectual revelation and a political education.

The history of Judaism has for too long been dominated by the theme of antisemitism, reducing Judaism to the recurrent saga of persecution and the struggle for survival. The history of philosemitism provides a corrective to that abysmal view, a reminder of the venerable religion and people that have been an inspiration for non-Jews as well as Jews. There is a poetic justice -- or historic justice -- in the fact that England, the first country to expel the Jews in medieval times, has produced the richest literature of philosemitism in modern times. From Cromwell supporting the readmission of the Jews in the 17th century, to Macaulay arguing for the admission of Jews as Members of Parliament in the 19th century, to Churchill urging the recognition of the state of Israel in the 20th, some of England's most eminent writers and statesmen have paid tribute to Jews and Judaism. Their speeches and writing are powerfully resonant today. As are novels by Walter Scott, Disraeli, and George Eliot, which anticipate Zionism well before the emergence of that movement and look forward to the state of Israel, not as a refuge for the persecuted, but as a "homeland" rooted in Jewish history.A recent history of antisemitism in England regretfully observes that English philosemitism is "a past glory." This book may recall England -- and not only England -- to that past glory and inspire other countries to emulate it. It may also reaffirm Jews in their own faith and aspirations.

It is one of the curiosities of history that the most remarkable novel about Jews and Judaism, predicting the establishment of the Jewish state, should have been written in 1876 by a non-Jew -- a Victorian woman and a formidable intellectual, who is generally regarded as one of the greatest of English novelists. And it is still more curious that Daniel Deronda, George Eliot's last novel, should have been dismissed, by many of her admirers at the time and by some critics since, as something of an anomaly, an inexplicable and unfortunate turn in her life and work. Yet Eliot herself was passionately committed to that novel, having prepared herself for it by an extraordinary feat of scholarly research in five languages (including Hebrew), exploring the ancient, medieval, and modern sources of Jewish history. Three years later, to reenforce that commitment, she wrote an essay, the very last of her writing, reaffirming the heritage of the Jewish "nation" and the desirability of a Jewish state -- this well before the founders of Zionism had conceived of that mission.Why did this Victorian novelist, born a Christian and an early convert to agnosticism, write a book so respectful of Judaism and so prescient about Zionism? And why at a time when there were no pogroms or persecutions to provoke her? What was the general conception of the "Jewish question," and how did Eliot reinterpret that "question," for her time as well as ours? Gertrude Himmelfarb, a leading Victorian scholar, has undertaken to unravel the mysteries of Daniel Deronda. And the mysteries of Eliot herself: a novelist who deliberately wrote a book she knew would bewilder many of her readers, a distinguished woman who opposed the enfranchisement of women, a moralist who flouted the most venerable of marital conventions -- above all, the author of a novel that is still an inspiration or provocation to readers and critics alike.