Glenda Daniels – författare

This timely collection of essays analyses the crisis of journalism in contemporary South Africa at a period when the media and their role are frequently at the centre of public debate. The transition to digital news has been messy, random and unpredictable. The spread of news via social media platforms has given rise to political propaganda, fake news and a flattening of news to banality and gossip. Media companies, however, continue to shrink newsrooms, ousting experienced journalists in favour of 'content producers'.Against this backdrop, Daniels points out the contribution of investigative journalists to exposing corruption and sees new opportunities emerging to forge a model for the future of non-profit, public-funded journalism. Engaging and dynamic, the book argues for the power of public interest journalism, including investigative journalism, and a diversity of voices and positions to be reflected in the news. It addresses the gains and losses from decolonial and feminist perspectives and advocates for a radical shift in the way power is constituted by the media in the South African postcolony.A valuable introduction to the confusion that confronts journalism students, it has much to offer practising media professionals. Daniels uses her years of experience as a newspaper journalist to write with authority and illuminate complex issues about newsroom politics. Interviews with alienated media professionals and a semi-autobiographical lens add a personal element that will appeal to readers interested in the inner life of the media.

This timely collection of essays analyses the crisis of journalism in contemporary South Africa at a period when the media and their role are frequently at the centre of public debate. The transition to digital news has been messy, random and unpredictable. The spread of news via social media platforms has given rise to political propaganda, fake news and a flattening of news to banality and gossip. Media companies, however, continue to shrink newsrooms, ousting experienced journalists in favour of ''content producers''. Against this backdrop, Daniels points out the contribution of investigative journalists to exposing corruption and sees new opportunities emerging to forge a model for the future of non-profit, public-funded journalism. Engaging and dynamic, the book argues for the power of public interest journalism, including investigative journalism, and a diversity of voices and positions to be reflected in the news. It addresses the gains and losses from decolonial and feminist perspectives and advocates for a radical shift in the way power is constituted by the media in the South African postcolony. A valuable introduction to the confusion that confronts journalism students, it has much to offer practising media professionals. Daniels uses her years of experience as a newspaper journalist to write with authority and illuminate complex issues about newsroom politics. Interviews with alienated media professionals and a semi-autobiographical lens add a personal element that will appeal to readers interested in the inner life of the media.

This timely collection of essays analyses the crisis of journalism in contemporary South Africa at a period when the media and their role are frequently at the centre of public debate. The transition to digital news has been messy, random and unpredictable. The spread of news via social media platforms has given rise to political propaganda, fake news and a flattening of news to banality and gossip. Media companies, however, continue to shrink newsrooms, ousting experienced journalists in favour of ''content producers''. Against this backdrop, Daniels points out the contribution of investigative journalists to exposing corruption and sees new opportunities emerging to forge a model for the future of non-profit, public-funded journalism. Engaging and dynamic, the book argues for the power of public interest journalism, including investigative journalism, and a diversity of voices and positions to be reflected in the news. It addresses the gains and losses from decolonial and feminist perspectives and advocates for a radical shift in the way power is constituted by the media in the South African postcolony. A valuable introduction to the confusion that confronts journalism students, it has much to offer practising media professionals. Daniels uses her years of experience as a newspaper journalist to write with authority and illuminate complex issues about newsroom politics. Interviews with alienated media professionals and a semi-autobiographical lens add a personal element that will appeal to readers interested in the inner life of the media.

This timely collection of essays analyses the crisis of journalism in contemporary South Africa at a period when the media and their role are frequently at the centre of public debate. The transition to digital news has been messy, random and unpredictable. The spread of news via social media platforms has given rise to political propaganda, fake news and a flattening of news to banality and gossip. Media companies, however, continue to shrink newsrooms, ousting experienced journalists in favour of 'content producers'.Against this backdrop, Daniels points out the contribution of investigative journalists to exposing corruption and sees new opportunities emerging to forge a model for the future of non-profit, public-funded journalism. Engaging and dynamic, the book argues for the power of public interest journalism, including investigative journalism, and a diversity of voices and positions to be reflected in the news. It addresses the gains and losses from decolonial and feminist perspectives and advocates for a radical shift in the way power is constituted by the media in the South African postcolony.A valuable introduction to the confusion that confronts journalism students, it has much to offer practising media professionals. Daniels uses her years of experience as a newspaper journalist to write with authority and illuminate complex issues about newsroom politics. Interviews with alienated media professionals and a semi-autobiographical lens add a personal element that will appeal to readers interested in the inner life of the media.

Fight for Democracy is a penetrating and critical scrutiny of the ANC's treatment of the print media since the inception of democracy in 1994. In this book, Glenda Daniels does not hide behind a veil of detachment, but instead makes a passionate argument for the view that newspapers and journalists play a significant role in the deepening of democratic principles.Glenda Daniels examines the pattern of paranoia that has crept into public discourse about the media and the ANC, and their conflictual relationship. She analyses this fraught relationship through various popular media stories, such as Manto and Mondli, Zapiro and Zuma. Her argument is that there is some hysteria on the part of the ruling party and its allies, for instance the SACP, regarding the media's exposés, which partially rests on the problem of conflating party, state and 'the people'. Daniels presents her argument against the backdrop of the impending clamp down on media freedom, the twin threats of the Protection of State Information Bill (Secrecy Bill) and the media appeals tribunal, both of which, she asserts, signify closures in South Africa's democracy. The book challenges the view held by the ANC that journalists are anti-transformation and that they take instruction from the owners of the media houses; that they are 'capitalist bastards' and 'enemies of the people'.

Fight for Democracy is a penetrating and critical scrutiny of the ANC’s treatment of the print media since the inception of democracy in 1994. In this book, Glenda Daniels does not hide behind a veil of detachment, but instead makes a passionate argument for the view that newspapers and journalists play a significant role in the deepening of democratic principles.Glenda Daniels examines the pattern of paranoia that has crept into public discourse about the media and the ANC, and their conflictual relationship. She analyses this fraught relationship through various popular media stories, such as Manto and Mondli, Zapiro and Zuma. Her argument is that there is some hysteria on the part of the ruling party and its allies, for instance the SACP, regarding the media’s exposés, which partially rests on the problem of conflating party, state and ‘the people’. Daniels presents her argument against the backdrop of the impending clamp down on media freedom, the twin threats of the Protection of State Information Bill (Secrecy Bill) and the media appeals tribunal, both of which, she asserts, signify closures in South Africa’s democracy. The book challenges the view held by the ANC that journalists are anti-transformation and that they take instruction from the owners of the media houses; that they are ‘capitalist bastards’ and ‘enemies of the people’.

Fight for Democracy is a penetrating and critical scrutiny of the ANC’s treatment of the print media since the inception of democracy in 1994. In this book, Glenda Daniels does not hide behind a veil of detachment, but instead makes a passionate argument for the view that newspapers and journalists play a significant role in the deepening of democratic principles.Glenda Daniels examines the pattern of paranoia that has crept into public discourse about the media and the ANC, and their conflictual relationship. She analyses this fraught relationship through various popular media stories, such as Manto and Mondli, Zapiro and Zuma. Her argument is that there is some hysteria on the part of the ruling party and its allies, for instance the SACP, regarding the media’s exposés, which partially rests on the problem of conflating party, state and ‘the people’. Daniels presents her argument against the backdrop of the impending clamp down on media freedom, the twin threats of the Protection of State Information Bill (Secrecy Bill) and the media appeals tribunal, both of which, she asserts, signify closures in South Africa’s democracy. The book challenges the view held by the ANC that journalists are anti-transformation and that they take instruction from the owners of the media houses; that they are ‘capitalist bastards’ and ‘enemies of the people’.

This edited collection examines women journalists’ experiences and obstacles in South Africa’s (SA) democracy. They exercise power, and add a vital diversity, but they are routinely harassed in the online social media space of big tech companies such as Twitter and Facebook by populist and corrupt politicians and their supporters. Using SA as the case study, this book examines attempts to curb women journalists’ freedom combining theory and  first-hand accounts. The target audience for the book includes scholars of political philosophy, gender, media, communications, NGOs, media freedom activists and journalists.