Gregory Betts – författare

In Avant-Garde Canadian Literature, Gregory Betts draws attention to the fact that the avant-garde has had a presence in Canada long before the country's literary histories have recognized, and that the radicalism of avant-garde art has been sabotaged by pedestrian terms of engagement by the Canadian media, the public, and the literary critics. This book presents a rich body of evidence to illustrate the extent to which Canadians have been producing avant-garde art since the start of the twentieth century.Betts explores the radical literary ambitions and achievements of three different nodes of avant-garde literary activity: mystical revolutionaries from the 1910s to the 1930s; Surrealists/Automatists from the 1920s to the 1960s; and Canadian Vorticists from the 1920s to the 1970s. Avant-Garde Canadian Literature offers an entrance into the vocabulary of the ongoing and primarily international debate surrounding the idea of avant-gardism, providing readers with a functional vocabulary for discussing some of the most hermetic and yet energetic literature ever produced in this country.

Experimental literature accelerated dramatically in Vancouver in the 1960s as the influence of New American poetics merged with the ideas of Marshall McLuhan. Vancouver poets and artists began thinking about their creative works with new clarity and set about testing and redefining the boundaries of literature. As new gardes in Vancouver explored the limits of text and language, some writers began incorporating collage and concrete poetics into their work while others delved deeper into unsettling, revolutionary, and Surrealist imagery. There was a presumption across the avant-garde communities that radical openness could provoke widespread socio-political change. In other words, the intermedia experimentation and the related destruction of the line between art and society pushed art to the frontlines of a broad socio-political battle of the collective imagination of Vancouver.Finding Nothing traces the rise of the radical avant-garde in Vancouver, from the initial salvos of the Tish group, through Blewointment’s spatial experiments, to radical Surrealisms and new feminisms. Incorporating images, original texts, and interviews, Gregory Betts shows how the VanGardes signalled a remarkable consciousness of the globalized forces at play in the city, impacting communities, orientations, races, and nations.

CBC BOOKS "CANADIAN POETRY COLLECTIONS TO WATCH FOR IN FALL 2024"For bpNichol’s 80th birthday, a selection of 80 pieces from his 1980s notebooks, an astounding trove of never-before-seen work.One of Canada’s most beloved poets, bpNichol (1944–1988), left a huge legacy of poetry, prose, scripts, comics, and playful interrogation of language after his untimely passing in 1988. In celebration of what would have been Nichol’s eightieth birthday, Some Lines of Poetry gathers excerpts from Nichol’s journals across the 1980s to give a unique perspective on craft, process, and a writer’s life. Featuring works in progress, insight into Nichol’s thinking, previously unpublished prose and lyric, visual, and sound poems, Some Lines of Poetry documents Nichol’s “apprenticeship to language” and his playful daily exploration of the limits of writing.Lovingly edited by noted poet-scholars Derek Beaulieu and Gregory Betts, who provide an afterword contextualizing Nichol’s practice, Some Lines of Poetry is a map of hidden corners, a guidebook to poetic play, and a tribute to Nichol’s ongoing influence."No other writer of our time and place was so diverse, attempted so much, and never lost sight of his intent." – Michael Ondaatje

Avant Canada presents a rich collection of original essays and creative works on a representative array of avant-garde literary movements in Canada from the past fifty years. From the work of Leonard Cohen and bpNichol to that of Jordan Abel and Liz Howard, Avant Canada features twenty-eight of the best writers and critics in the field.The book proposes four dominant modes of avant-garde production: ""Concrete Poetics,"" which accentuates the visual and material aspects of language; ""Language Writing,"" which challenges the interconnection between words and things; ""Identity Writing,"" which interrogates the self and its sociopolitical position; and ""Copyleft Poetics,"" which undermines our habitual assumptions about the ownership of expression. A fifth section commemorates the importance of the Centennial in the 1960s at a time when avant-garde cultures in Canada began to emerge.Readers of this book will become familiar with some of the most challenging works of literature - and their creators - that this country has ever produced. From Concrete Poetry in the 1960s through to Indigenous Literature in the 2010s, Avant Canada offers the most sweeping study of the literary avant-garde in Canada to date.