Christian Bök – författare

A wide-ranging anthology of experimental writing—prose, poetry, and hybrid—from its most significant practitioners and innovators  A variety of names have been used to describe fiction, poetry, and hybrid writing that explore new forms and challenges mainstream traditions. Those phrases include experimental, conceptual, avant-garde, hybrid, surfiction, fusion, radical, slip-stream, avant-pop, postmodern, self-conscious, innovative, L=A=N=G=U=A=G=E writing, alternative, and anti- or new literature. Conceptualisms: The Anthology of Prose, Poetry, Visual, Found, E- & Hybrid Writing as Contemporary Art is the first major anthology of writing that offers readers an overview of this other tradition as it lives in the early decades of the 21st century.Featuring over 100 pieces from more than 90 authors, this anthology offers a plethora of aesthetics and approaches to a wide variety subjects. Editor Steve Tomasula has gathered poems, prose, and hybrid pieces that all challenge our understanding of what literature means. Intended as a collection of the most exciting and bold literary work being made today, Tomasula has put a spotlight on the many possibilities available to writers and readers wishing for a glimpse of literature’s future.Readers will recognize authors who have shaped contemporary writing, as among them Lydia Davis, Charles Bernstein, Jonathan Safran Foer, Shelley Jackson, Nathaniel Mackey, David Foster Wallace, and Claudia Rankine. Even seasoned readers will find authors, and responses to the canon, not yet encountered. Conceptualisms is a book of ideas for writers, teachers and scholars, as well as readers who wonder how many ways literature can live.The text features headnotes to chapters on themes such as sound writing, electronic literature, found text, and other forms, offering accessible introductions for readers new to this work. An online companion presents statements about the work and biographies of the authors in addition to audio, video, and electronic writing that can’t be presented in print. Visit www.conceptualisms.info to read more.

"Many artists seek to attain immortality through their art, but few would expect their work to outlast the human race and live on for billions of years. As Canadian poet Christian Bök has realized, it all comes down to the durability of your materials."—The GuardianInternationally best-selling poet Christian Bök has spent more than ten years writing what promises to be the first example of "living poetry." After successfully demonstrating his concept in a colony of E. coli, Bök is on the verge of enciphering a beautiful, anomalous poem into the genome of an unkillable bacterium (Deinococcus radiodurans), which can, in turn, "read" his text, responding to it by manufacturing a viable, benign protein, whose sequence of amino acids enciphers yet another poem. The engineered organism might conceivably serve as a post-apocalyptic archive, capable of outlasting our civilization.Book I of The Xenotext constitutes a kind of "demonic grimoire," providing a scientific framework for the project with a series of poems, texts, and illustrations. A Virgilian welcome to the Inferno, Book I is the "orphic" volume in a diptych, addressing the pastoral heritage of poets, who have sought to supplant nature in both beauty and terror. The book sets the conceptual groundwork for the second volume, which will document the experiment itself. The Xenotext is experimental poetry in the truest sense of the term.Christian Bök is the author of Crystallography (1994) and Eunoia (2001), which won the Griffin Poetry Prize. He teaches at the University of Calgary in Alberta, Canada.

The first work of ‘living poetry’ in the world, by the author of the bestselling book Eunoia.Christian Bök in Book 1 of The Xenotext outlined his plan to encode a poem into the genome of a deathless bacterium, thereby writing a text durable enough to outlive any apocalypse, surviving until the death of the Sun itself. After more than two decades of effort, Bök has, at last, succeeded at this incredible experiment, and Book 2 of The Xenotext situates his enterprise within the deep time of the cosmos.Bök rehearses some of the techniques likely to be used in the future to preserve the cultural heritage of our civilization against a potential planetary disaster (be it thermonuclear warfare or astrophysical barrage); moreover, Bök speculates that, buried within the biochemistry of Life itself, there really does exist an innate beauty, if not a hidden poetry – a literal message that we might read, if we deign to seek it.

Avant Canada presents a rich collection of original essays and creative works on a representative array of avant-garde literary movements in Canada from the past fifty years. From the work of Leonard Cohen and bpNichol to that of Jordan Abel and Liz Howard, Avant Canada features twenty-eight of the best writers and critics in the field.The book proposes four dominant modes of avant-garde production: ""Concrete Poetics,"" which accentuates the visual and material aspects of language; ""Language Writing,"" which challenges the interconnection between words and things; ""Identity Writing,"" which interrogates the self and its sociopolitical position; and ""Copyleft Poetics,"" which undermines our habitual assumptions about the ownership of expression. A fifth section commemorates the importance of the Centennial in the 1960s at a time when avant-garde cultures in Canada began to emerge.Readers of this book will become familiar with some of the most challenging works of literature - and their creators - that this country has ever produced. From Concrete Poetry in the 1960s through to Indigenous Literature in the 2010s, Avant Canada offers the most sweeping study of the literary avant-garde in Canada to date.

My Works, Ye Mighty expands upon the conceptual literature of Christian Bök, particularly his ongoing project, entitled The Xenotext. Based upon work conducted during his tenure as the Writer-in-Residence at Athabasca University, this essay addresses the concept of "scale" in poetry, meditating on this topic with an abundance of imagery; moreover, his essay appears, alongside an epic poem, especially written by him for this publication.

Published in 1994, Crystallography was a gem of a book, an instant hit that was nominated for the Gerald Lampert Award. It has been unavailable for an ice age, and Coach House Books is proud to bring it back. 'Crystallography' means the study of crystals, but also, taken literally, 'lucid writing.' The book exists in the intersection of poetry and science, exploring the relationship between language and crystals - looking at language as a crystal, a space in which the chaos of individual parts align to expose a perfect formation of structure. As Bok himself says, 'a word is a bit of crystal in formation,' suggesting there is a space in which words, like crystals, can resonate pure form. Lucid, sparkling, a diamond of a book: Crystallography is a crystal-clear approach to the science of poetry from the author of Eunoia.

Now you can invite that jazzman into the comfort of your own home! Reading Eunoia to yourself was fun, sure, but now you can hear it as it was meant to be read -- by the author himself! Listen as he wraps his mouth around page after page of the most convoluted tongue twister you've ever heard! You can even follow along in your copy of Eunoia as he trips the vowels fantastic! Recorded in the studio by Torpor Vigilante and Coach House author Steve Venright, this CD features Bok reading Eunoia in its entirety -- in his uniquely energetic, well enunciated dadaist style. This CD is a must for anyone interested in the way Eunoia tangos with the English language.