Gregory Jusdanis - Böcker

In this controversial look at nationalism, Gregory Jusdanis offers a sweeping defense of the nation as a protector of cultural difference and a catalyst for modernization. Since the end of the Cold War, the nation-state has undergone intense scrutiny among critics in the media and the academy. Many believe that civic nationalism may be fruitful but that cultural nationalism fosters xenophobia and backward thinking. Jusdanis, however, emphasizes the positive collaboration between nation-building and culture. Through a series of critical readings of multicultural, postcolonial, and globalization theories, the author reveals how nationalism enables people to defend their distinctive ways of life, to fight colonial oppression, and to build an independent society of citizens. He explains why people over the last two hundred years have politicized their ethnic identities and have sought a union of culture and power within an autonomous nation-state. While seeking to defend nationalism, Jusdanis also examines its potential to unleash extraordinary violence into the world. He thus proposes federalism as a political solution to the challenges posed by nationalism and globalization.Jusdanis applies the tools of disciplines ranging from anthropology to philosophy, as he explores the nation-building projects of numerous and diverse countries around the world. What emerges is a fresh perspective on the subjects of national culture, identity, political nations, globalization, postcolonialism, and diaspora.

This full-length theoretical examination of Constantine Cavafy breaks the study of this great Greek poet free from the narrow context of traditional scholarship and introduces the latest critical developments into the study of Greek poetry. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This full-length theoretical examination of Constantine Cavafy breaks the study of this great Greek poet free from the narrow context of traditional scholarship and introduces the latest critical developments into the study of Greek poetry. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

In this path-breaking new work, Gregory Jusdanis asks why literature matters. Why are we afraid to admit our pleasures of reading, to defend the arts to the school board, to discuss the importance of literature in life? Drawing on a wealth of references from Aristophanes to Eudora Welty, from Fernando Pessoa to Orhan Pamuk, from Cavafy to hypertext stories, Jusdanis reminds us that the arts have always been under attack. Instead of despair, however, he offers a pragmatic defense of literature, arguing that it performs a social function in dramatizing the break between illusion and reality, life and the life-like, permanence and metamorphosis. The ability to distinguish between the actual and the imaginary is essential to human beings. Our capacity to imagine something new, to project ourselves into the mind of another person, and to fight for a new world is based on this distinction. Literature allows us to imagine alternate possibilities of human relationships and political institutions, even in the watery world of the Internet. At once daring and lucid, Fiction Agonistes considers the place of art today with passion and optimism.

In this path-breaking new work, Gregory Jusdanis asks why literature matters. Why are we afraid to admit our pleasures of reading, to defend the arts to the school board, to discuss the importance of literature in life? Drawing on a wealth of references from Aristophanes to Eudora Welty, from Fernando Pessoa to Orhan Pamuk, from Cavafy to hypertext stories, Jusdanis reminds us that the arts have always been under attack. Instead of despair, however, he offers a pragmatic defense of literature, arguing that it performs a social function in dramatizing the break between illusion and reality, life and the life-like, permanence and metamorphosis. The ability to distinguish between the actual and the imaginary is essential to human beings. Our capacity to imagine something new, to project ourselves into the mind of another person, and to fight for a new world is based on this distinction. Literature allows us to imagine alternate possibilities of human relationships and political institutions, even in the watery world of the Internet. At once daring and lucid, Fiction Agonistes considers the place of art today with passion and optimism.

How does literature function in the formation of a nation-state? What are its pivotal contributions to national discourse and the production of ideological collective will? And, ultimately, how is literature institutionalized and aestheticized?Belated Modernity and Aesthetic Culture: Inventing National Literature addresses these questions and considers the role literature plays in the construction of a national cultural. Gregory Jusdanis examines the emergence of art and literature in Western Europe in the eighteenth century and traces their introduction to Greece, a stratified, noncapitalist society that was hostile to Enlightenment and secularism. This groundbreaking work explores the importation of national literatures into a largely non-Western society and the inherent resistance they faced.Arguing for the literary status of national culture at its inception, Jusdanis brilliantly demonstrates that in literature, the specific meanings in narratives and fiction form the process of nation building. Culture, history, and literature, he says, merge in those narratives, which in turn provide the imaginary mirror in which a nation reflects itself.

A gripping and revealing new biography of one of the greatest of modern poets, the queer, Greek-Egyptian Constantine Cavafy, whose admirers have ranged from E.M. Forster, T.S. Eliot and Virginia Woolf to Jackie Onassis, Leonard Cohen and Stephen Fry.Shortlisted for the Anglo-Hellenic League Runciman Award 'A deeply researched and engaging biography… Jeffreys and Jusdanis brilliantly recreate Cavafy’s world’ - Guardian‘A nuanced and original portrait’ - Literary Review‘A richly detailed and clear-sighted account of Cavafy’s life and work’ - Spectator'Melancholy and majesty. . . [an] extraordinary life story' - New StatesmanIn this illuminating book, Peter Jeffreys and Gregory Jusdanis reveal Cavafy as a troubled, brilliant poet who sacrificed love for his art and changed the course of world poetry. Alexandrian Sphinx chronicles the extraordinary story of his family, the vicissitudes of their fortunes, and their eventual poverty when they left Egypt and moved to Liverpool, London and Istanbul. As the poet reached adulthood, his story centred on his beloved Alexandria, the city that nourished his imagination and became for him a metaphor of both his poetry and modern life. Deep archival research uncovers the poet’s relationships with his teenage companions, his friends of middle age, and the individuals whom in later life he enlisted in his steadfast pursuit of fame.Alexandrian Sphinx tells not only of Cavafy’s life but of his work and his artistic journey, from his early poetic experiments to his startling reinvention in middle age, when he renounced much of what he had written and developed a radical new poetics. Erotic, philosophical, and linguistically suggestive, this widely imitated yet singular style is now recognized and revered as Cavafian.