Gregory Woods – författare

Arguing that homosexual poetry is part of the mainstream of poetic writing—not a distinct and differentiated category within it—Gregory Woods provides a fastidious study of homosexual poetry in the twentieth century that emphasizes the homo-erotic themes in the works of D.H. Lawrence, Hart Crane, W.H. Auden, Allen Ginsberg, and Thom Gunn. Woods’s controlled and elegant study demonstrates that a critic who ignores the sexual orientation of a poet, particularly a love poet, risks overlooking the significance of the poetry itself.

This important book is the first full-scale account of male gay literature across cultures, languages, and centuries. A work of reference as well as the definitive history of a tradition, it traces writing by and about homosexual men from ancient Greece and Rome to the twentieth-century gay literary explosion.“Woods’ own artistry is evident throughout this elegant and startling book. . . . These finely honed gay readings of selected Western (and some Eastern) literary texts richly reward the careful attention they demand. . . . Though grounded in the particulars of gay male identity, this masterpiece of literary (and social) criticism calls across the divides of sex and sexual orientation.”—Kirkus Reviews (a starred review)“An encyclopedic mapping of the intersection between male homosexuality and belles lettres . . . [that is] good reading, in part because Woods has foregone strict chronology to link writers across eras and cultures.”—Louis Bayard, Washington Post Book World“Encyclopedic and critical, evenhanded and interpretive, Woods has produced a study that stands as a monument to the progress of gay literary criticism. No one to date has attempted such a grand world-wide history. . . . It cannot be recommended highly enough.”—Library Journal (a starred review)“A bold, intelligent and gorgeously encyclopedic study.”—Philip Gambone, Lambda Book Report“An exemplary piece of work.”—Jonathan Bate, The Sunday Telegraph

Finalist for the Lambda Literary Awards in the LGBTQ Studies category: a landmark account of the seismic changes brought to twentieth-century culture by gay and lesbian networks"An avalanche of stories, ribald gossip, and lengthy asides . . . collectively confirm the book’s central thesis: gay culture, or at least gays and lesbians, did indeed liberate the modern world."—BooklistIn a hugely ambitious study which crosses continents, languages, and almost a century, Gregory Woods identifies the ways in which homosexuality has helped shape Western culture. Extending from the trials of Oscar Wilde to the gay liberation era, this book examines a period in which increased visibility made acceptance of homosexuality one of the measures of modernity.  Woods shines a revealing light on the diverse, informal networks of gay people in the arts and other creative fields. Uneasily called “the Homintern” (an echo of Lenin’s “Comintern”) by those suspicious of an international homosexual conspiracy, such networks connected gay writers, actors, artists, musicians, dancers, filmmakers, politicians, and spies. While providing some defense against dominant heterosexual exclusion, the grouping brought solidarity, celebrated talent, and, in doing so, invigorated the majority culture.  Woods introduces an enormous cast of gifted and extraordinary characters, most of them operating with surprising openness; but also explores such issues as artistic influence, the coping strategies of minorities, the hypocrisies of conservatism, and the effects of positive and negative discrimination. Traveling from Harlem in the 1910s to 1920s Paris, 1930s Berlin, 1950s New York and beyond, this sharply observed, warm-spirited book presents a surpassing portrait of twentieth-century gay culture and the men and women who both redefined themselves and changed history.