Hala Alyan - Böcker

From the author of The Arsonists’ City and The Twenty-Ninth Year, a new collection of poetry that traces the fragmentation of memory, archive, and family–past, present, future–in the face of displacement and war.A diaspora of memories runs through this poetry collection—a multiplicity of voices, bodies, and houses hold archival material for one another, tracing paths between Brooklyn, Beirut, and Jerusalem. Boundaries and borders blur between space and time and poetic form—small banal moments of daily life live within geopolitical brutalities and, vice versa, the desire for stability lives in familiarity with displacement.These poems take stock of who and what can displace you from home and from your own body—and, conversely, the kind of resilience, tenacity, and love that can bring you back into yourself and into the context of past and future generations. Hala Alyan asks, What stops you from transforming into someone or something else? When you have lived a life in flux, how do you find rest?

'A piercingly elegant novel . . . with the power to both break and mend your heart.' Ru Freeman, author of On Sal Mal Lane'Epic in scope and uniquely relevant in its concern for displacement. Particularly well-suited for our times, then.' RedWhere do you go when you can’t go home? On the eve of her daughter Alia’s wedding, Salma reads the girl’s future in a cup of coffee dregs. Although she keeps her predictions to herself that day, they soon come to pass in the wake of the Six-Day War of 1967. Caught up in the resistance, Alia’s brother disappears, while Alia and her husband move from Nablus to Kuwait City. Reluctantly they build a life, torn between needing to remember and learning to forget.When Saddam Hussein invades Kuwait, Alia and her family yet again lose their home, their land, and their story as they know it. Scattering to Beirut, Paris and Boston, Alia’s children begin families of their own, once more navigating the burdens and blessings of beginning again.

"Feels revolutionary in its freshness." —Entertainment Weekly“The Arsonists’ City delivers all the pleasures of a good old-fashioned saga, but in Alyan’s hands, one family’s tale becomes the story of a nation—Lebanon and Syria, yes, but also the United States. It’s the kind of book we are lucky to have.”—Rumaan AlamA rich, sprawling family saga, a personal look at the legacy of war in the Middle East, and an indelible rendering of how we hold on to the people and places we call homeThe Nasr family is spread across the globe—Beirut, Brooklyn, Austin, the California desert. A Syrian mother, a Lebanese father, and three American children: all have lived a life of migration. Still, they’ve always had their ancestral home in Beirut—a constant touchstone—and the complicated, messy family love that binds them. But following his father's recent death, Idris, the family's new patriarch, has decided to sell.The decision brings the family to Beirut, where everyone unites against Idris in a fight to save the house. They all have secrets—lost loves, bitter jealousies, abandoned passions, deep-set shame—that distance has helped smother. But in a city smoldering with the legacy of war, an ongoing flow of refugees, religious tension, and political protest, those family secrets ignite, imperiling the fragile ties that hold this Lebanese-American family together.In a work of literary fiction teeming with wisdom, warmth, and characters born of remarkable human insight, award-winning author Hala Alyan shows us again that "fiction is often the best filter for the real world around us" (NPR).

In her third poetry collection, Hijra, Hala Alyan creates poems of migration and flight reflecting and bearing witness to the haunting particulars in her transnational journey as well as those of her mother, her mother’s sister, the lost aunts of her father in Gaza, and her Syrian grandmother.

In Atrium, award-winning Palestinian-American poet Hala Alyan traces lines of global issues in personal spaces, with fervently original imagery, and a fierce passion and intense intimacy that echoes long after initial reading. The book received the 2013 Arab American Book of the Year Award for Poetry, an astounding achievement for a first collection. In addition, Alyan was recently tapped as a finalist in the Nazim Himet Poetry Competition. Already in her young career, Alyan has etched her mark on other award-winning poets who are universal in their praise: "Don't miss the dazzling Hala Alyan. Wow. When she says 'the poetry like a spear,' she isn't kidding." --Naomi Shihab Nye; "Hala Alyan's poems startle us with their beautiful, enigmatic images and capture us with their passionate engagement with the world. A powerful debut." --Chitra Divakaruni; "For all the stunning angularity in this vision, we do not doubt that what we are seeing and sensing here is a surprising, sharp-edged sense of the real, of a world that had been there all along, just waiting for this poet and these poems to reveal.Start to finish, these poems convey a singular vision and represent an important new voice in the international poetry arena." --Fred Marchant Hala Alyan's Atrium is truly a remarkable debut by a poet of stunning virtuosity and range.

Wild, lyrical poems that examine the connections between physical and interior migration, from award-winning Palestinian American poet, novelist, and clinical psychologist Hala Alyan, author of Salt Houses.For Hala Alyan, twenty-nine is a year of transformation and upheaval, a year in which the past—memories of family members, old friends and past lovers, the heat of another land, another language, a different faith—winds itself around the present. Hala’s ever-shifting, subversive verse sifts together and through different forms of forced displacement and the tolls they take on mind and body. Poems leap from war-torn cities in the Middle East, to an Oklahoma Olive Garden, a Brooklyn brownstone; from alcoholism to recovery; from a single woman to a wife. This collection summons breathtaking chaos, one that seeps into the bones of these odes, the shape of these elegies. A vivid catalog of heartache, loneliness, love and joy, The Twenty-Ninth Year is an education in looking for home and self in the space between disparate identities.

One of TIME’s 100 Must-Read Books of 2025 and Electric Lit's Best Nonfiction of 2025At first, Hala’s baby is the size of a poppyseed. Then a grain of rice, then a lime. After years of trying for a baby, Hala watches from afar as her daughter grows in the body of another woman, in another country.Hala is not just awaiting news from the surrogate. She also holds her breath as Palestine and Lebanon, her estranged homelands, are under fire. She remembers family stories of grandmothers mapping their lives through a tangle of borders; of eradicated villages, invading armies and places of refuge that proved only temporary; of men who left, women who stayed, and the legacies passed down from one to another.Stunningly lyrical and unflinchingly honest, I’ll Tell You When I’m Home is a powerful story of unravelling and becoming, of homelands lost and reimagined, and of the intimate ways we learn to make a life when the ground beneath us shifts.

One of TIME’s 100 Must-Read Books of 2025 and Electric Lit's Best Nonfiction of 2025At first, Hala’s baby is the size of a poppyseed. Then a grain of rice, then a lime. After years of trying for a baby, Hala watches from afar as her daughter grows in the body of another woman, in another country.Hala is not just awaiting news from the surrogate. She also holds her breath as Palestine and Lebanon, her estranged homelands, are under fire. She remembers family stories of grandmothers mapping their lives through a tangle of borders; of eradicated villages, invading armies and places of refuge that proved only temporary; of men who left, women who stayed, and the legacies passed down from one to another.Stunningly lyrical and unflinchingly honest, I’ll Tell You When I’m Home is a powerful story of unravelling and becoming, of homelands lost and reimagined, and of the intimate ways we learn to make a life when the ground beneath us shifts.