Hank Davis - Böcker

The first important distinction between operant and Pavlovian conditioning was made in 1928 by Polish scientists Konorski and Miller. Unaware of their work, Skinner proposed a similar analysis in 1935 of the manner in which operant and Pavlovian conditioning might differ and interact. Konorski and Miller responded to Skinner’s statement, and by 1937 the now-classic debate over "two types of conditioned reflexes" was in high gear.In the years before publication, the attention of many learning theorists had returned to the fundamental question of whether there are identifiably different forms of learning. The present volume, originally published in 1977, contains chapters that reassess our basic learning paradigms of the time. They deal with the definitional problems of isolating operant and Pavlovian conditioning, as well as the attempt to analyze the inevitable interactions that follow. These issues are examined in a variety of settings: some authors deal with operant-Pavlovian interactions directly by devising procedures to generate them; others examine operant-Pavlovian interactions by examining their possible contribution to established conditioning paradigms.

The first important distinction between operant and Pavlovian conditioning was made in 1928 by Polish scientists Konorski and Miller. Unaware of their work, Skinner proposed a similar analysis in 1935 of the manner in which operant and Pavlovian conditioning might differ and interact. Konorski and Miller responded to Skinner’s statement, and by 1937 the now-classic debate over "two types of conditioned reflexes" was in high gear.In the years before publication, the attention of many learning theorists had returned to the fundamental question of whether there are identifiably different forms of learning. The present volume, originally published in 1977, contains chapters that reassess our basic learning paradigms of the time. They deal with the definitional problems of isolating operant and Pavlovian conditioning, as well as the attempt to analyze the inevitable interactions that follow. These issues are examined in a variety of settings: some authors deal with operant-Pavlovian interactions directly by devising procedures to generate them; others examine operant-Pavlovian interactions by examining their possible contribution to established conditioning paradigms.

In 1993 successful psychologist and journalist Hank Davis undertook an epic journey exploring the atmosphere and culture of both minor league baseball and the small towns that embrace it. Davis shows us the warmth, quirkiness, and desperate energy of minor league ball, from encounters with future stars to those who would never make it to the "show"; from the kids selling Cracker Jacks outside the park to the aging coaches who persevere out of sheer love for the game. As Davis says, "the minor leagues are full of stories," and he tells some of the best of them here. A new afterword by the author dis-cusses where the minor league players are now.

An unflinching look at the triumphs and tragedies of '50s rock and roll, from the biggest stars, like Chuck Berry and Carl Perkins, to those who barely grabbed the spotlight.They all tried, but few singers and musicians from the 1950s became stars. Yet many of them had stories to tell that were far more interesting than the ones you already know. Author Hank Davis was bitten by the music bug as a teenager. By the time he entered college in 1959, he was no stranger to New York's recording studios and had a few 45s of his own on the market.Spanning a 45 year career in music journalism, Davis has spent time backstage, in motel rooms, and on tour buses to uncover stories that rarely made the official annals of pop music history. Based on hundreds of hours of interviews and new research, Ducktails, Drive-Ins, and Broken Hearts offers a fascinating, behind-the-scenes look at the winners and losers during rock 'n' roll's formative era.How did a decade as uptight and puritanical as the '50s produce so much cringe-worthy, politically incorrect music? What was it like to see a pale cover version of your latest record climb the charts while yours sat unplayed by mainstream radio stations? How did precious Elvis tapes end up in a Memphis landfill? And who was that thirteen-year-old girl who made a five-dollar vanity record at Sun just two years after Elvis had-and ended up singing backup on "Suspicious Minds" and "In the Ghetto?" This book is a must-read for all fans of '50s music.In the words of Jerry Phillips, son of Sun Records founder, Sam Phillips, "Hank Davis is one of the few guys who really gets it."

Introducing twelve cosmic days of Christmas, with tales ranging fromvampires to robots, from the hills of Appalachia to a high orbit space station,all celebrating the holiday in off-beat ways from such sci-fi luminaries asNew York Times best seller Larry Correia, Darkship series creatorSarah A. Hoyt, and Sapphire Award Winner for urban fantasy WenSpencer.

SIZE MATTERS! From the dragons of legend to Jack the Giant Killer’scolleague to King Kong and Godzilla, people have found the idea of giantcreatures both scary and fascinating. Why so many should find accounts of acritter big enough to gulp down a puny human like an insignificantly smallhor d’oeuvre or step on said human and leave a grease spot might beexplained by the psychologists, but such yarns are undeniable fun, andhere’s a book crammed full of things that you can’t outrun becausethey take big steps, by writers with equally large reputations, including ArthurC. Clark, H.P. Lovecraft, Robert Bloch, David Drake, Larry Correia, Wen Spencer,and Sarah A. Hoyt.

We see the face of the Virgin Mary staring up at us from a grilled cheese sandwich and sell the uneaten portion of our meal for $37,000 on eBay. While science offers a wealth of rational explanations for natural phenomena, we often prefer to embrace the fantasies that reassured our distant ancestors. And we'll even go to war to protect our delusions against those who do not share them.These are examples of what evolutionary psychologist Hank Davis calls "Caveman Logic." Although some examples are funny, the condition itself is no laughing matter. In this engagingly written book, Davis encourages us to transcend the mental default settings and tribal loyalties that worked well for our ancestors back in the Pleistocene age. Davis laments a modern world in which more people believe in ESP, ghosts, and angels than in evolution. Superstition and religion get particularly critical treatment, although Davis argues that religion, itself, is not the problem but "an inevitable by-product of how our minds misperform."Davis argues, "It's time to move beyond the one-size-fits-all, safety and comfort-oriented settings that got our ancestors through the terrifying Pleistocene night." In contrast, Davis advocates a world in which "spirituality" is viewed as a dangerous rather than an admirable quality, and suggests ways in which we can overcome our innate predisposition toward irrationality. He concludes by pointing out that "biology is not destiny." Just as some of us succeed in watching our diets, resisting violent impulses, and engaging in unselfish behavior, we can learn to use critical thinking and the insights of science to guide individual effort and social action in the service of our whole species.

Lawyers—pardon me, attorneys—may be portrayed in fiction as the good guys (and gals) or as greedy conniving shysters.In mundane fiction, the former are represented ably by Earle Stanley Gardner’s Perry Mason and by Harper Lee’s Atticus Finch in To Kill a Mockingbird (we’ll pass over her other novel, Go Set a Watchman, with a less inspiring portrait — consider it obviously set in a parallel world). The less favorable view was expressed by Edgar Rice Burroughs in his SF classic, A Princess of Mars, in which his doubly immortal John Carter observes that the Martians are very fortunate in that, while they may behave with savage cruelty, and are constantly at war, at least they have no lawyers.Both views of the legal profession have been explored in science fiction and fantasy since John Carter set foot on the Red Planet, as well as looking into possible ways that future punishment for crimes may change, not necessarily for the better. Some of science fiction’s greatest talents are included in this book, including classics by Robert A. Heinlein, Larry Niven, Clifford D. Simak, Robert Silverberg, and more, and newer stories by Sarah A. Hoyt, Alex Shvartsman, and Alvaro Zinos-Amaros, and still other stellar talents bringing down the judge’s gavel with a verdict of excellent entertainment.Praise for the contributors:Robert A. Heinlein: “[Stories] as sleekly engineered as a starship.” –Publishers WeeklyLarry Niven: “[A] writer of supreme talent . . .” –Tom ClancyClifford D. Simak: “[W]armth, imaginative detail . . . finely rendered . . .” –John Cllute, The Encyclopedia of Science FictionRobert Silverberg: “. . . when Silverberg is at the top of his form, no one is better.” –George R. R. MartinSarah A. Hoyt: “. . . fanciful and charming.” –Library JournalPraise for previous anthologies edited by Hank Davis:In Space No One Can Hear You Scream:“. . . the 13 tales in this collection blend sf with horror to demonstrate the resiliency of both genres . . . offers strong tales by the genre’s best storytellers.” —Library Journal“. . . first-rate science fiction, demonstrating how short stories can still entertain.” —Galveston County Daily NewsA Cosmic Christmas 2 You:“This creative and sprightly Christmas science fiction anthology spins in some surprising directions. . . . A satisfying read for cold winter evenings . . . a great stocking stuffer for SF fans.” —Publishers WeeklyAs Time Goes By:“As Time Goes By . . . does an excellent job of exploring not only romance through time travel—relationships enabled or imperiled by voyaging through time—but the intrinsic romance of time travel itself. . . . The range of styles and approaches is as wide as the authors' sensibilities and periods might suggest . . . full of entertaining and poignant stories . . .” —Alvaro Zinos-Amaro, IntergalacticMedicineShow.comAbout Star Destroyers, coedited by Christopher Ruocchio:“. . . spectacular space battles and alien contacts . . .  themes of military ethics, the uses of artificial intelligence, and the limits of the capacity of the human mind. . . . It is the human interactions and decisions that ultimately drive the stories. . . . Will appeal to fans of military and hard science fiction and any readers fascinated by the possibilities of space travel.”—Booklist“. . . stories of giant spaceships at war, at peace, and in the often-gray areas between. . . . A worthy addition to a long tradition of ship-based fiction, and its authors portray captains, arcane astrogators, and civilian child passengers with equal depth. It’s recommended for fans of military SF and space adventure.”—Publishers Weekly “. . . you’d probably expect some tight, action-filled space opera stories of giant space battles . . . and there’s some of that. But there are also espionage stories, rescue missions, political conflicts, alternate histories, even a few humorous tales. . . . Each author took the premise in a different direction . . . if I had to identify one common feature to all the stories, it would be that they’re all fun. . . . Like it says, big ships blowing things up. What’s not to like?”—Analog

SPACE PIRATES!Words that conjure up rousing tales of adventure, derring-do, and brave heroes battling the scurvy vermin of the galaxy. Those vermin have taken to pillaging cargo ships and, even worse, space liners, relieving the helpless passengers of their valuables, and worse with the comely women passengers, then spacing the lot—unless one or more of the aforementioned brave heroes arrive in the nick of time and turn the tables, making the spaceways safe again for the innocent and helpless. On the other hand, perhaps the pirate captain is a woman, and it’s the comely male passengers who need rescuing. And on the third hand (we’re talking space pirates here, possibly aliens with four or more arms), perhaps those ships traversing the interstellar void are not so innocent, and the pirates, fighting an evil despotic star empire and defending the freedom of the space lanes, are the good guys and gals. The possibilities are many, and the daring exploits set the blood racing in the veins of any reader with even a trace of buccaneering spirit in their hidden self.So board a battered but spaceworthy fighting starship with such star-spanning and award-winning crewmates as Robert Silverberg, Elizabeth Bear and Sarah Monette, Larry Niven, Fritz Leiber, and Sarah A. Hoyt, plus James H. Schmitz, Leigh Brackett, Stanley G. Weinbaum, and more, and set sail—er, thrusters—for a universe of freebooting adventure!About Cosmic Corsairs:“Who doesn’t like space pirates? (Well, their victims I guess, but that’s beside the point.) . . . Hank Davis has a fine sense for choosing a wide mix of stories, and this book is no exception. No story is like another, yet they manage to form a whole greater than the parts. From sapient ships to piratical sibling rivalry, pirate detectives to ingenious captives seeking freedom, from alien biology to orbital mechanics, the stories share some of the same elements—pragmatic thinking, moral complexity, loyalty, and betrayal. Definitely a fun one.”—AnalogPraise for previous anthologies edited by Hank Davis:In Space No One Can Hear You Scream:“[T]he 13 tales in this collection blend sf with horror to demonstrate the resiliency of both genres . . . offers strong tales by the genre’s best storytellers.” —Library Journal“[F]irst-rate science fiction, demonstrating how short stories can still entertain.” —The Galveston County Daily NewsA Cosmic Christmas 2 You:“This creative and sprightly Christmas science fiction anthology spins in some surprising directions. . . . A satisfying read for cold winter evenings . . . a great stocking stuffer for SF fans.” —Publishers WeeklyAs Time Goes By:“As Time Goes By . . . does an excellent job of exploring not only romance through time travel—relationships enabled or imperiled by voyaging through time—but the intrinsic romance of time travel itself. . . . The range of styles and approaches is as wide as the authors' sensibilities and periods might suggest . . . full of entertaining and poignant stories . . . ” —Alvaro Zinos-Amaro, IntergalacticMedicineShow.comAbout Star Destroyers, coedited by Christopher Ruocchio:“[S]pectacular space battles and alien contacts . . . themes of military ethics, the uses of artificial intelligence, and the limits of the capacity of the human mind. . . . It is the human interactions and decisions that ultimately drive the stories. . . . Will appeal to fans of military and hard science fiction and any readers fascinated by the possibilities of space travel.”—Booklist“[S]tories of giant spaceships at war, at peace, and in the often-gray areas between. . . . A worthy addition to a long tradition of ship-based fiction, and its authors portray captains, arcane astrogators, and civilian child passengers with equal depth. It’s recommended for fans of military SF and space adventure.”—Publishers Weekly “[Y]ou’d probably expect some tight, action-filled space opera stories of giant space battles . . . and there’s some of that. But there are also espionage stories, rescue missions, political conflicts, alternate histories, even a few humorous tales. . . . Each author took the premise in a different direction . . . if I had to identify one common feature to all the stories, it would be that they’re all fun. . . . Like it says, big ships blowing things up. What’s not to like?”—Analog

BATTLEZONE: ETERNITYOnce, military actions were entirely two dimensional, confined to the surface of land and sea, but then submarines and aircraft added a third dimension, vastly extended by spaceflight. Now, consider that if time travel is possible, the fourth dimension of time opens up new possibilities for combat, necessitating new defenses, new strategies and tactics. A battle that was once decisively won might be refought, or a narrow victory might be subtly tilted to the other side. Never mind the history books, they’re only works in progress. There might be even more than four dimensions involved, if parallel universes and alternate realities exist and can be accessed. Imagine a universe where Rome never fell and its troops want to do something about our universe, where it did fall. Or another where more recent wars turned out very differently. Battle is a recurrent motif in the Earth of this universe, and would alternate realities be different or all too similar, with the tune the same, but different lyrics. Supplying the lyrics for spacetime combat in these pages is an all-star general staff including Robert Silverberg, Poul Anderson, Fritz Leiber, John C. Wright, H. Beam Piper and more. It’s zero hour, in whatever time stream, so grab your time-appropriate weapon, be it sword or ray blaster, buckle on your general issue timeporter belt, and follow the Time Troopers into action across strange aeons!Praise for previous anthologies edited by Hank Davis: Cosmic Corsairs:“Who doesn’t like space pirates? (Well, their victims I guess, but that’s beside the point.) . . . Hank Davis has a fine sense for choosing a wide mix of stories, and this book is no exception. No story is like another, yet they manage to form a whole greater than the parts. From sapient ships to piratical sibling rivalry, pirate detectives to ingenious captives seeking freedom, from alien biology to orbital mechanics, the stories share some of the same elements—pragmatic thinking, moral complexity, loyalty, and betrayal. Definitely a fun one.”—AnalogIn Space No One Can Hear You Scream:“[T]he 13 tales in this collection blend sf with horror to demonstrate the resiliency of both genres . . . offers strong tales by the genre’s best storytellers.” —Library Journal“[F]irst-rate science fiction, demonstrating how short stories can still entertain.” —The Galveston County Daily NewsA Cosmic Christmas 2 You:“This creative and sprightly Christmas science fiction anthology spins in some surprising directions. . . . A satisfying read for cold winter evenings . . . a great stocking stuffer for SF fans.” —Publishers WeeklyAs Time Goes By:“As Time Goes By . . . does an excellent job of exploring not only romance through time travel—relationships enabled or imperiled by voyaging through time—but the intrinsic romance of time travel itself. . . . The range of styles and approaches is as wide as the authors' sensibilities and periods might suggest . . . full of entertaining and poignant stories . . . ” —Alvaro Zinos-Amaro, IntergalacticMedicineShow.comAbout Star Destroyers, coedited by Christopher Ruocchio:“. . . spectacular space battles and alien contacts . . .  themes of military ethics, the uses of artificial intelligence, and the limits of the capacity of the human mind. . . . it is the human interactions and decisions that ultimately drive the stories. . . . will appeal to fans of military and hard science fiction and any readers fascinated by the possibilities of space travel.”—Booklist“. . . stories of giant spaceships at war, at peace, and in the often-gray areas between. . . . a worthy addition to a long tradition of ship-based fiction, and its authors portray captains, arcane astrogators, and civilian child passengers with equal depth. It’s recommended for fans of military SF and space adventure.”—Publishers Weekly “. . . you’d probably expect some tight, action-filled space opera stories of giant space battles . . . and there’s some of that. But there are also espionage stories, rescue missions, political conflicts, alternate histories, even a few humorous tales. . . . each author took the premise in a different direction . . . if I had to identify one common feature to all the stories, it would be that they’re all fun. . . . Like it says, big ships blowing things up. What’s not to like?”—Analog

THE ALIENS ARE AMONG US!“Where is everybody?” Nobel Prize–winning physicist Enrico Fermi once asked after a discussion about the possibility of intelligent life elsewhere in the universe. To sum up the Fermi Paradox, if the billions of stars in our galaxy have planets with intelligent life on them, why hasn’t anyone visited us?But maybe they have, and we just haven’t noticed—and that’s the way they want it. And if they are here in secret, why are they here? Are they tourists? Anthropologists, perhaps? Or journalists sending stories back about the quaint habits of the primitives? Or maybe the extraterrestrial equivalent of hunters or fishermen? (Any odd disappearances in your neighborhood lately?) An enemy already within the gates? Or a refugee seeking sanctuary? Gourmets looking for exotic foreign food? Alien criminals hiding out? Alien cops looking for those alien criminals? No missionaries—at least not yet—and there doesn’t seem to be a Galactic Peace Corps. They might happen to look close enough to human to pass, or they might be masters of disguise. Or they might be so incomprehensibly different that we don’t even notice that they’re here.The secret visitors are revealed by such luminaries as Larry Niven, Poul Anderson, Spider Robinson, William Tenn, and more. And if any alien visitors want to check out the local natives’ speculations herein, feel free. Please pay with local currency, of course.

BATTLEZONE: ETERNITYOnce, military actions were entirely two dimensional, confined to the surface of land and sea, but then submarines and aircraft added a third dimension, vastly extended by spaceflight. Now, consider that if time travel is possible, the fourth dimension of time opens up new possibilities for combat, necessitating new defenses, new strategies and tactics. A battle that was once decisively won might be refought, or a narrow victory might be subtly tilted to the other side. Never mind the history books, they’re only works in progress. There might be even more than four dimensions involved, if parallel universes and alternate realities exist and can be accessed. Imagine a universe where Rome never fell and its troops want to do something about our universe, where it did fall. Or another where more recent wars turned out very differently. Battle is a recurrent motif in the Earth of this universe, and would alternate realities be different or all too similar, with the tune the same, but different lyrics. Supplying the lyrics for spacetime combat in these pages is an all-star general staff including Robert Silverberg, Poul Anderson, Fritz Leiber, John C. Wright, H. Beam Piper and more. It’s zero hour, in whatever time stream, so grab your time-appropriate weapon, be it sword or ray blaster, buckle on your general issue timeporter belt, and follow the Time Troopers into action across strange aeons!

MEN, MACHINES, AND TOMORROW’S BATTLEFIELDSWar is planned violence . . . or, at least, it starts out that way. And even if plans go awry, the violence is indispensable. Today’s soldiers have far more firepower on a per-man basis than the doughboys of a century ago, and there is no reason to believe that this trend will not extend into the future.Imagine a revival of suits of armor, but with structural strength undreamed of by medieval knights, and powered by built-in motors, giving each soldier the invulnerability of a tank, but even more mobility, and mechanical muscle strong enough to carry light artillery, rocket launchers, laser cannon, and weapons not even on the drawing boards yet. Add on the ability to fly, or at least jump for a kilometer at a time, using rocket boosters, or even powerful leg motors, or a combination of both. The stuff that superheroes are made of, hanging in every fighting man or woman’s closet, ready to wear.If it’s possible, history teaches us, it will be done. But don’t expect a nation or planet possessing such battalions of super-powered soldiers to not worry about attack by an enemy . . . there’s no reason why the enemy won’t have its own armored infantry. Keep the midnight oil burning and the R&D rolling. In the meantime, here’s a sneak peek by expert dreamers putting the battle-hardened reader at the sharp end of tomorrow.Praise for anthologies edited by Hank Davis and David Afsharirad:“This intriguing anthology explores the human race’s violent potential [but] also bends toward exploration and the triumph of the human spirit, with brave tales [that] take the reader on a fascinating, thoughtprovoking, enjoyable journey . . .” —Publishers Weekly on The Year’s Best Military SF and Space Opera, starred review