Hannah Khalil – författare

I haven't hurt anyone, killed, raped, murdered - I just ran away - came here to be safe. But I'm locked up. I just - I can't believe this is England.They have run away from unimaginable horrors looking only for safety. But, imprisoned together at Yarl's Wood Dentention Centre, these women are stuck in a limbo that offers them exactly the opposite. Based on verbatim interviews from current and former detainees, The Scar Test takes you inside one of England's migrant detention centres, exposing the conditions the inmates must endure whilst awaiting a decision on their fate. Told with compassion, Hannah Khalil's play throws a spotlight on the harrowing ordeals of the female migrants seeking refuge in Britain and the obstacles they face in the process.Published to coincide with its 2017 London and regional tour, The Scar Test originally debuted in 2015 with Untold Arts company.

I haven''t hurt anyone, killed, raped, murdered - I just ran away - came here to be safe. But I''m locked up. I just - I can''t believe this is England.They have run away from unimaginable horrors looking only for safety. But, imprisoned together at Yarl''s Wood Dentention Centre, these women are stuck in a limbo that offers them exactly the opposite. Based on verbatim interviews from current and former detainees, The Scar Test takes you inside one of England''s migrant detention centres, exposing the conditions the inmates must endure whilst awaiting a decision on their fate. Told with compassion, Hannah Khalil''s play throws a spotlight on the harrowing ordeals of the female migrants seeking refuge in Britain and the obstacles they face in the process.Published to coincide with its 2017 London and regional tour, The Scar Test originally debuted in 2015 with Untold Arts company.

I haven''t hurt anyone, killed, raped, murdered - I just ran away - came here to be safe. But I''m locked up. I just - I can''t believe this is England.They have run away from unimaginable horrors looking only for safety. But, imprisoned together at Yarl''s Wood Dentention Centre, these women are stuck in a limbo that offers them exactly the opposite. Based on verbatim interviews from current and former detainees, The Scar Test takes you inside one of England''s migrant detention centres, exposing the conditions the inmates must endure whilst awaiting a decision on their fate. Told with compassion, Hannah Khalil''s play throws a spotlight on the harrowing ordeals of the female migrants seeking refuge in Britain and the obstacles they face in the process.Published to coincide with its 2017 London and regional tour, The Scar Test originally debuted in 2015 with Untold Arts company.

Can you ever really trust a machine? It is the near future. A couple are struggling to conceive, but fortunately their company has the perfect solution. A woman waits in a VR metaverse to do homework with her young daughter.In a care home staffed by advanced AIs, a woman struggles to make a connection with her android carer.Interference is a trilogy of near-future plays. Staged in an empty office block transformed with vivid projection and atmospheric soundscapes. It asks the question: will technology interfere with what we really need from each other? This edition was published to coincide with National Theatre of Scotland’s 2019 production.

Can you ever really trust a machine? It is the near future. A couple are struggling to conceive, but fortunately their company has the perfect solution. A woman waits in a VR metaverse to do homework with her young daughter.In a care home staffed by advanced AIs, a woman struggles to make a connection with her android carer.Interference is a trilogy of near-future plays. Staged in an empty office block transformed with vivid projection and atmospheric soundscapes. It asks the question: will technology interfere with what we really need from each other? This edition was published to coincide with National Theatre of Scotland''s 2019 production.

Can you ever really trust a machine? It is the near future. A couple are struggling to conceive, but fortunately their company has the perfect solution. A woman waits in a VR metaverse to do homework with her young daughter.In a care home staffed by advanced AIs, a woman struggles to make a connection with her android carer.Interference is a trilogy of near-future plays. Staged in an empty office block transformed with vivid projection and atmospheric soundscapes. It asks the question: will technology interfere with what we really need from each other? This edition was published to coincide with National Theatre of Scotland''s 2019 production.

This is about my responsibility. Doing what is right. Being where I’m needed. I’ve started a job and I must finish it. I owe it to the people of Iraq. In 1926, the nation of Iraq is in its infancy, and British archaeologist Gertrude Bell is founding a museum in Baghdad. In 2006, Ghalia Hussein is attempting to reopen the museum after looting during the war.Decades apart, these two women share the same goals: to create a fresh sense of unity and nationhood, to make the world anew through the museum and its treasures. But in such unstable times, questions remain. Who is the museum for? Whose culture are we preserving? And why does it matter when people are dying?A story of treasured history, desperate choices and the remarkable Gertrude Bell. This edition of Hannah Khalil's epic new play was published to coincide with the world premiere at the RSC's The Other Place in 2019.

This is about my responsibility. Doing what is right. Being where I''m needed. I''ve started a job and I must finish it. I owe it to the people of Iraq. In 1926, the nation of Iraq is in its infancy, and British archaeologist Gertrude Bell is founding a museum in Baghdad. In 2006, Ghalia Hussein is attempting to reopen the museum after looting during the war.Decades apart, these two women share the same goals: to create a fresh sense of unity and nationhood, to make the world anew through the museum and its treasures. But in such unstable times, questions remain. Who is the museum for? Whose culture are we preserving? And why does it matter when people are dying?A story of treasured history, desperate choices and the remarkable Gertrude Bell. This edition of Hannah Khalil''s epic new play was published to coincide with the world premiere at the RSC''s The Other Place in 2019.

This is about my responsibility. Doing what is right. Being where I''m needed. I''ve started a job and I must finish it. I owe it to the people of Iraq. In 1926, the nation of Iraq is in its infancy, and British archaeologist Gertrude Bell is founding a museum in Baghdad. In 2006, Ghalia Hussein is attempting to reopen the museum after looting during the war.Decades apart, these two women share the same goals: to create a fresh sense of unity and nationhood, to make the world anew through the museum and its treasures. But in such unstable times, questions remain. Who is the museum for? Whose culture are we preserving? And why does it matter when people are dying?A story of treasured history, desperate choices and the remarkable Gertrude Bell. This edition of Hannah Khalil''s epic new play was published to coincide with the world premiere at the RSC''s The Other Place in 2019.

I’m his mother. A mother knows things - feels them. When her child isn’t well. Isn’t happy.The kitchen of a suburban house. A mother and daughter raise a child in the most normal way possible following the departure of a family member.Tensions rise as the pair skirt around issues that underpin their co-dependency, proving that what goes on inside a relationship is never clear to the people outside.This searing new play by award-winning writer Hannah Khalil is published in Methuen Drama’s Lost Plays series, celebrating new plays that had productions postponed due to the Covid-19 outbreak and the global shutdown of theatre spaces.

I''m his mother. A mother knows things - feels them. When her child isn''t well. Isn''t happy.The kitchen of a suburban house. A mother and daughter raise a child in the most normal way possible following the departure of a family member.Tensions rise as the pair skirt around issues that underpin their co-dependency, proving that what goes on inside a relationship is never clear to the people outside.This searing new play by award-winning writer Hannah Khalil is published in Methuen Drama''s Lost Plays series, celebrating new plays that had productions postponed due to the Covid-19 outbreak and the global shutdown of theatre spaces.

I''m his mother. A mother knows things - feels them. When her child isn''t well. Isn''t happy.The kitchen of a suburban house. A mother and daughter raise a child in the most normal way possible following the departure of a family member.Tensions rise as the pair skirt around issues that underpin their co-dependency, proving that what goes on inside a relationship is never clear to the people outside.This searing new play by award-winning writer Hannah Khalil is published in Methuen Drama''s Lost Plays series, celebrating new plays that had productions postponed due to the Covid-19 outbreak and the global shutdown of theatre spaces.

Theatre has a complex history of responding to crises, long before they happen. Through stage plays, contemporary challenges can be presented, explored and even foreshadowed in ways that help audiences understand the world around them. Since the theatre of the Greeks, audiences have turned to live theatre in order to find answers in uncertain political, social and economic times, and through this unique collection questions about This anthology brings together a collection of 20 scenes from 20 playwrights that each respond to the world in crisis. Twenty of the world’s most prolific playwrights were asked to select one scene from across their published work that speaks to the current world situation in 2020. As COVID-19 continues to challenge every aspect of global life, contemporary theatre has long predicted a world on the edge. Through these 20 scenes from plays spanning from 1980 to 2020, we see how theatre and art has the capacity to respond, comment on and grapple with global challenges that in turn speak to the current time in which we are living. Each scene, chosen by the writer, is prefaced by an interview in which they discuss their process, their reason for selection and how their work reflects both the past and the present. From the political plays of Lucy Prebble and James Graham to the polemics of Philip Ridley and Tim Crouch. From bold works by Inua Ellams, Morgan Lloyd Malcom and Tanika Gupta to the social relevance of Hannah Khalil, Zoe Cooper and Simon Stephens this anthology looks at theatre in the present and asks the question: “how can theatre respond to a world in crisis?” The collection is prefaced by an introduction from Edward Bond, one of contemporary theatre’s most prolific dramatists.

Theatre has a complex history of responding to crises, long before they happen. Through stage plays, contemporary challenges can be presented, explored and even foreshadowed in ways that help audiences understand the world around them. Since the theatre of the Greeks, audiences have turned to live theatre in order to find answers in uncertain political, social and economic times, and through this unique collection questions about This anthology brings together a collection of 20 scenes from 20 playwrights that each respond to the world in crisis. Twenty of the world''s most prolific playwrights were asked to select one scene from across their published work that speaks to the current world situation in 2020. As COVID-19 continues to challenge every aspect of global life, contemporary theatre has long predicted a world on the edge. Through these 20 scenes from plays spanning from 1980 to 2020, we see how theatre and art has the capacity to respond, comment on and grapple with global challenges that in turn speak to the current time in which we are living. Each scene, chosen by the writer, is prefaced by an interview in which they discuss their process, their reason for selection and how their work reflects both the past and the present. From the political plays of Lucy Prebble and James Graham to the polemics of Philip Ridley and Tim Crouch. From bold works by Inua Ellams, Morgan Lloyd Malcom and Tanika Gupta to the social relevance of Hannah Khalil, Zoe Cooper and Simon Stephens this anthology looks at theatre in the present and asks the question: “how can theatre respond to a world in crisis?” The collection is prefaced by an introduction from Edward Bond, one of contemporary theatre''s most prolific dramatists.

Theatre has a complex history of responding to crises, long before they happen. Through stage plays, contemporary challenges can be presented, explored and even foreshadowed in ways that help audiences understand the world around them. Since the theatre of the Greeks, audiences have turned to live theatre in order to find answers in uncertain political, social and economic times, and through this unique collection questions about This anthology brings together a collection of 20 scenes from 20 playwrights that each respond to the world in crisis. Twenty of the world''s most prolific playwrights were asked to select one scene from across their published work that speaks to the current world situation in 2020. As COVID-19 continues to challenge every aspect of global life, contemporary theatre has long predicted a world on the edge. Through these 20 scenes from plays spanning from 1980 to 2020, we see how theatre and art has the capacity to respond, comment on and grapple with global challenges that in turn speak to the current time in which we are living. Each scene, chosen by the writer, is prefaced by an interview in which they discuss their process, their reason for selection and how their work reflects both the past and the present. From the political plays of Lucy Prebble and James Graham to the polemics of Philip Ridley and Tim Crouch. From bold works by Inua Ellams, Morgan Lloyd Malcom and Tanika Gupta to the social relevance of Hannah Khalil, Zoe Cooper and Simon Stephens this anthology looks at theatre in the present and asks the question: “how can theatre respond to a world in crisis?” The collection is prefaced by an introduction from Edward Bond, one of contemporary theatre''s most prolific dramatists.

This is the first ever collection of plays by Palestinian-Irish playwright Hannah Khalil; the first woman of Arab heritage to have a main-stage play at the RSC. It encompasses a decade’s worth of plays exploring her Arab heritage, drawing on family histories as well as significant events in the Arab World. They were all written during a period that included the end of the war in Iraq, the intensification of the occupation of Palestine and the birth and disillusion of the so called Arab Spring. The plays included are set in both a historical and modern context. They include a feminist take on 1001 nights and the Scheherazade story; an exploration of Gertrude Bell, the Museum in Baghdad and Britain’s role in the birth of the Iraq; plus two plays looking at the Palestinian experience, one based on a family living through the creation of the State of Israel in 1948, the other an epic collage that moves in time from 1948 to present day. This anthology also includes a radio play set in Dubai and a monologue about the power and legacy of artefacts. It’s notable that these plays offer a plethora of non-stereotypical roles for actors of Arab heritage. Through the six plays included the reader can trace a variety of approaches to storytelling, a host of memorable characters and some unforgettable stories. Plays include:Plan DScenes from 73* Years A NegotiationMuseum in BaghdadLast of the Pearl FishersHakawatis

This is the first ever collection of plays by Palestinian-Irish playwright Hannah Khalil; the first woman of Arab heritage to have a main-stage play at the RSC. It encompasses a decade''s worth of plays exploring her Arab heritage, drawing on family histories as well as significant events in the Arab World. They were all written during a period that included the end of the war in Iraq, the intensification of the occupation of Palestine and the birth and disillusion of the so called Arab Spring. The plays included are set in both a historical and modern context. They include a feminist take on 1001 nights and the Scheherazade story; an exploration of Gertrude Bell, the Museum in Baghdad and Britain''s role in the birth of the Iraq; plus two plays looking at the Palestinian experience, one based on a family living through the creation of the State of Israel in 1948, the other an epic collage that moves in time from 1948 to present day. This anthology also includes a radio play set in Dubai and a monologue about the power and legacy of artefacts. It''s notable that these plays offer a plethora of non-stereotypical roles for actors of Arab heritage. Through the six plays included the reader can trace a variety of approaches to storytelling, a host of memorable characters and some unforgettable stories. Plays include:Plan DScenes from 73* Years A NegotiationMuseum in BaghdadLast of the Pearl FishersHakawatis

This is the first ever collection of plays by Palestinian-Irish playwright Hannah Khalil; the first woman of Arab heritage to have a main-stage play at the RSC. It encompasses a decade''s worth of plays exploring her Arab heritage, drawing on family histories as well as significant events in the Arab World. They were all written during a period that included the end of the war in Iraq, the intensification of the occupation of Palestine and the birth and disillusion of the so called Arab Spring. The plays included are set in both a historical and modern context. They include a feminist take on 1001 nights and the Scheherazade story; an exploration of Gertrude Bell, the Museum in Baghdad and Britain''s role in the birth of the Iraq; plus two plays looking at the Palestinian experience, one based on a family living through the creation of the State of Israel in 1948, the other an epic collage that moves in time from 1948 to present day. This anthology also includes a radio play set in Dubai and a monologue about the power and legacy of artefacts. It''s notable that these plays offer a plethora of non-stereotypical roles for actors of Arab heritage. Through the six plays included the reader can trace a variety of approaches to storytelling, a host of memorable characters and some unforgettable stories. Plays include:Plan DScenes from 73* Years A NegotiationMuseum in BaghdadLast of the Pearl FishersHakawatis

Nominated for Outstanding Drama Education Resource at the 2024 Music & Drama Education AwardsA first-of-its-kind anthology, Beyond The Canon’s Plays for Young Activists combines plays, toolkits, and an online guide to empower young people into activism.With award-winning plays from the UK’s most revolutionary female writers of colour, as well as bespoke multimedia learning guides, this collection offers young global activists aged 16+, as well as teachers and creatives at any level, the opportunity to diversify their education and enhance their understanding of politically driven plays, world politics and social justice.Unique in how it amplifies these selected award-winning plays by incorporating learning guides that accommodate different learning styles (be they visual, auditory, reading/writing and kinaesthetic), Beyond The Canon dares readers to take a deeper dive into the world of the play, be inspired by the themes and provocations and use the anthology to evolve into the ultimate activist. The plays include:Muhammad Ali and Me by Mojisola AdebayoA Museum in Baghdad by Hannah KhalilAcceptance by Amy NgWith resources like top tips on creating a safe space, practical drama challenges and games, interviews with the writers, research guides and activism test sheets, Beyond The Canon’s Plays for Young Activists will spark the imagination of any and all readers, likely inspiring the next Mojisola Adebayo, Hannah Khalil and Amy Ng.

Nominated for Outstanding Drama Education Resource at the 2024 Music & Drama Education AwardsA first-of-its-kind anthology, Beyond The Canon''s Plays for Young Activists combines plays, toolkits, and an online guide to empower young people into activism. With award-winning plays from the UK''s most revolutionary female writers of colour, as well as bespoke multimedia learning guides, this collection offers young global activists aged 16+, as well as teachers and creatives at any level, the opportunity to diversify their education and enhance their understanding of politically driven plays, world politics and social justice. Unique in how it amplifies these selected award-winning plays by incorporating learning guides that accommodate different learning styles (be they visual, auditory, reading/writing and kinaesthetic), Beyond The Canon dares readers to take a deeper dive into the world of the play, be inspired by the themes and provocations and use the anthology to evolve into the ultimate activist. The plays include: Muhammad Ali and Me by Mojisola Adebayo A Museum in Baghdad by Hannah Khalil Acceptance by Amy Ng With resources like top tips on creating a safe space, practical drama challenges and games, interviews with the writers, research guides and activism test sheets, Beyond The Canon''s Plays for Young Activists will spark the imagination of any and all readers, likely inspiring the next Mojisola Adebayo, Hannah Khalil and Amy Ng.

Nominated for Outstanding Drama Education Resource at the 2024 Music & Drama Education AwardsA first-of-its-kind anthology, Beyond The Canon''s Plays for Young Activists combines plays, toolkits, and an online guide to empower young people into activism. With award-winning plays from the UK''s most revolutionary female writers of colour, as well as bespoke multimedia learning guides, this collection offers young global activists aged 16+, as well as teachers and creatives at any level, the opportunity to diversify their education and enhance their understanding of politically driven plays, world politics and social justice. Unique in how it amplifies these selected award-winning plays by incorporating learning guides that accommodate different learning styles (be they visual, auditory, reading/writing and kinaesthetic), Beyond The Canon dares readers to take a deeper dive into the world of the play, be inspired by the themes and provocations and use the anthology to evolve into the ultimate activist. The plays include: Muhammad Ali and Me by Mojisola Adebayo A Museum in Baghdad by Hannah Khalil Acceptance by Amy Ng With resources like top tips on creating a safe space, practical drama challenges and games, interviews with the writers, research guides and activism test sheets, Beyond The Canon''s Plays for Young Activists will spark the imagination of any and all readers, likely inspiring the next Mojisola Adebayo, Hannah Khalil and Amy Ng.

I want to know what the other trees knowGo where the other trees goWhere do they go?Writer Hannah Khalil collaborates with Shakespeare’s Globe in London in this magical re-imagining and re-wilding of Hans Christian Andersen’s classic fairy tale The Fir Tree.Written for just four actors this inventive and dynamic adaptation harnesses all of the joy of the Christmas season and reminds us that we can all make a difference in taking care of our planet. Music, song and storytelling combine in this accessible and enchanting adaptation that is suitable for families and young people to perform and read together in a story of hope.This edition was published to coincide with the premiere at the Globe Theatre, London, in December 2021.

I want to know what the other trees knowGo where the other trees goWhere do they go?Writer Hannah Khalil collaborates with Shakespeare''s Globe in London in this magical re-imagining and re-wilding of Hans Christian Andersen''s classic fairy tale The Fir Tree.Written for just four actors this inventive and dynamic adaptation harnesses all of the joy of the Christmas season and reminds us that we can all make a difference in taking care of our planet. Music, song and storytelling combine in this accessible and enchanting adaptation that is suitable for families and young people to perform and read together in a story of hope.This edition was published to coincide with the premiere at the Globe Theatre, London, in December 2021.

I want to know what the other trees knowGo where the other trees goWhere do they go?Writer Hannah Khalil collaborates with Shakespeare''s Globe in London in this magical re-imagining and re-wilding of Hans Christian Andersen''s classic fairy tale The Fir Tree.Written for just four actors this inventive and dynamic adaptation harnesses all of the joy of the Christmas season and reminds us that we can all make a difference in taking care of our planet. Music, song and storytelling combine in this accessible and enchanting adaptation that is suitable for families and young people to perform and read together in a story of hope.This edition was published to coincide with the premiere at the Globe Theatre, London, in December 2021.

‘Who knows yetBut from this Lady may proceed a gemTo lighten all this isle’You know the story: a King who turns his country upside down to try and secure a male heir. But it’s never been told this way before.A Queen fights for justice. A Lady provokes reformation. But in the absence of a son, cana Princess change the future?See the story of Henry VIII from a female perspective: this exploration of love, lineage and power by Shakespeare’s Globe Writer in Residence (2022) Hannah Khalil unfolds in a new way.

''Who knows yetBut from this Lady may proceed a gemTo lighten all this isle''You know the story: a King who turns his country upside down to try and secure a male heir. But it''s never been told this way before.A Queen fights for justice. A Lady provokes reformation. But in the absence of a son, cana Princess change the future?See the story of Henry VIII from a female perspective: this exploration of love, lineage and power by Shakespeare''s Globe Writer in Residence (2022) Hannah Khalil unfolds in a new way.

''Who knows yetBut from this Lady may proceed a gemTo lighten all this isle''You know the story: a King who turns his country upside down to try and secure a male heir. But it''s never been told this way before.A Queen fights for justice. A Lady provokes reformation. But in the absence of a son, cana Princess change the future?See the story of Henry VIII from a female perspective: this exploration of love, lineage and power by Shakespeare''s Globe Writer in Residence (2022) Hannah Khalil unfolds in a new way.

Hakawati Noun: Storyteller. From the Arabic terms 'hekaye' meaning story and 'haki' meaning to talk.A tyrant revenges his wife’s infidelity by wedding, bedding and beheading a new bride every day. Years later, only five brides-in-waiting remain.These women are unapologetic, and united in their fight to keep themselves – and the whole of womankind – alive. They’ve got other ideas for their future, and it starts with a story...This fearless new play, a co-production with Tamasha, is written by Globe Resident Writer Hannah Khalil. This edition is published to coincide with the world premiere at the Globe Theatre, London, in December 2022.

Hakawati Noun: Storyteller. From the Arabic terms ''hekaye'' meaning story and ''haki'' meaning to talk.A tyrant revenges his wife''s infidelity by wedding, bedding and beheading a new bride every day. Years later, only five brides-in-waiting remain.These women are unapologetic, and united in their fight to keep themselves – and the whole of womankind – alive. They''ve got other ideas for their future, and it starts with a story...This fearless new play, a co-production with Tamasha, is written by Globe Resident Writer Hannah Khalil. This edition is published to coincide with the world premiere at the Globe Theatre, London, in December 2022.