Heather Milne – författare
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3 produkter
3 produkter
260 kr
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Nicole Brossard, Margaret Christakos, Susan Holbrook, Dorothy Lusk, Karen Mac Cormack, Daphne Marlatt, Erin Moure, M. NourbeSe Philip, Sina Queyras, Lisa Robertson, Gail Scott, Nathalie Stephens, Catriona Strang, Rita Wong, Rachel Zolf. These fifteen women are some of the best writers engaged in avant-garde literary production today, defining the contours of new movements and schools of writing in North America. By showcasing their work alongside extensive interviews, Prismatic Publics stages intimate encounters with these key figures as they work in and against Language, conceptual, post-conceptual, documentary, and investigative poetry traditions -- often across, between and at the interstices of genres. The writers in this anthology do not represent a single movement or tradition, although they all recognize language as inherently problematic and a perpetual subject of inquiry. Theirs is writing that demands a heightened level of attentiveness and attunement to what language can do on the page and in the social worlds of its making.Gathered in a single volume, these selections, some dating back to the early 1970s and others appearing in print for the first time, provide an opportunity to trace the diverse networks, influences, dialogues, dialectics, and interventions that continue make the work of Canada's innovative women writers a powerful force in avant-garde writing around the world.
Poetry Matters
Neoliberalism, Affect, and the Posthuman in Twenty-First Century North American Feminist Poetics
Häftad, Engelska, 2018
748 kr
Skickas inom 5-8 vardagar
Del 1 - Exhibiting Theory
Museum Queeries: Two-Spirit, Indigiqueer, and LGBTTQ* Interventions into Museums, Archives, and Curating
Häftad, Engelska, 2026
371 kr
Kommande
This book explores Two-Spirit and LGBTTQ* contributions to and interventions in museums and museum studies, both as a means of addressing structural exclusions and of opening new modes of productive inquiry and activism. Building on the inroads that have been made into existing museological practice and scholarship, the collection brings new voices and concerns to the field. For the contributors to this volume, “queering the museum” is not only about addressing representations of gender and sexuality, but also challenging white privilege, racism, and settler colonialism among other structures of oppression as they operate alongside and with heteronormativity, homophobia, and transphobia in and beyond museums, archives, and galleries. To challenge these norms in the context of museums and other knowledge producing institutions means that “queering” must also, simultaneously and inextricably, be decolonial. That is, queering and decolonizing are inseparable strategies if we understand that heteronormativity and gender binaries are constructions that stem from colonial logics and are upheld by colonial institutions. The book features essays by artists, curators, and scholars—emerging and established—from a range of disciplines including Art History, Cultural Studies, Curatorial Studies, English, Indigenous Studies, Museum Studies, and Women’s and Gender Studies.