For more than 3,000 years, Egypt was home to the greatest civilization on earth. Illustrated with more than 1,500 photographs and specially commissioned illustrations, The Encyclopedia of Ancient Egypt is a celebration of the wonders of ancient Egypt, from the mask of Tutankhamun to the Valley of the Kings and the great pyramids of Giza, and from tomb hieroglyphs to golden treasures decorated with ankhs and scarabs. Exploring the history, religion, literature, and art of the ancient Egyptians, as well as the day-to-day experience of ordinary citizens such as pyramid builders, scribes, and craftsmen, this book brings to life the world of the pharaohs in vivid detail, providing a wealth of information about this fascinating and mysterious culture.

Recent research on all aspects of the Old Kingdom in Egypt is presented in this volume, ranging through the Pyramid Texts, tomb architecture, ceramics, scene choice and layout, field reports, cemetery layout, tomb and temple statuary. The contributions also show how Egyptology is not stuck in its venerable traditions but that newer forms of technology are being used to great effect by Egyptologists. For example, two papers show how GIS technology can shed light on cemetery arrangement and how 3D scanners can be employed in the process of producing facsimile drawings of reliefs and inscriptions. The authors cover a wide range of sites and monuments. A large part of the work presented deals with material from the great cemeteries of Saqqara and Giza of the Old Kingdom capital city of Memphis but all the smaller sites are discussed. The book also includes a paper on the architecture of mastabas from the lesser-known site of Abu Roasch. The provinces are by no means overlooked, with articles on material from Deir el-Bersha, el-Sheikh Said and Akhmim. Between them, the authors discuss material from the milieu of the king right down to that which concerned the tomb workmen and those who supplied their basic needs, such as bakers, brewers and potters. Containing papers presented at a conference at the Fitzwilliam Museum, Cambridge in May 2009, this book continues a series of publications of the latest research presented at previous meetings in Paris, Berlin and Prague. Much new material is published here and the papers are fully illustrated, with over 200 photographs and drawings.

'Death on the Nile: Uncovering the Afterlife of Ancient Egypt' reflects the continuing public fascination with Egyptian coffins, mummies and burials. This new volume draws on 100 objects from the Fitzwilliam Museum's Egyptian collection, and deepens our understanding of the lives and concerns of ancient Egyptians as they prepared themselves for death and burial. The book builds on the growing trend in Egyptology to use techniques of scientific analysis and imaging to examine artefacts from Egyptian antiquity. The Fitzwilliam Museum has carried out an extensive project, involving Egyptologists, research scientists and conservators, to investigate every aspect of its impressive collection of coffins and shed new light on their production in the workshops of ancient Egypt. 'Death on the Nile' traces the religious beliefs of the people for whom the coffins were created, and how those beliefs changed over time. Comparisons of contemporaneous coffins likewise reveal how the economic and political structure of the period determined the burial options available to individuals in different social strata. Choices of materials and methods used to create the coffins add to the human story of the daily concerns and aspirations of the customer, and practical realities for the craftsman. AUTHOR: Helen Strudwick is curator of the Egyptian galleries at the Fitzwilliam Museum, Cambridge. SELLING POINTS: . Features 90 objects from the Fitzwilliam's remarkable Egyptian collection, with additional contextual drawings, paintings, diagrams and photographs . A fascinating insight into the daily concerns and aspirations of the customer and practical realities for the craftsman. 200 colour illustrations

This book looks at the art and material culture of Ancient Egypt in a new way – by finding out who made it and how.The making of various kinds of Egyptian art was dictated by the different materials used: stone, ceramics, faience and glass, metalwork, jewellery, paint, linen, basketry, wood, papyrus and cartonnage. Each of these media is examined in turn, and the exquisite workmanship and knowledge of individual makers is here revealed and celebrated. The book accompanies a major exhibition at the Fitzwilliam Museum, Cambridge.Fully illustrated and full of new research, this book will appeal to enthusiasts and scholars alike. It approaches a familiar subject from a fresh angle, focusing on the artists and makers. The many scholars involved also reveal their personal appreciation and understanding of the different media that they have studied or, frequently, restored, seeking to get to the heart of the methods of the ancient craftsmen, whose work theyhave learned to respect and admire. These scholars have been aided, of course, by modern technology, which gives a holistic analysis of these objects that are now some 4,000 years old but which can now often be ‘read’ very nearly in their entirety. Almost 100 different objects are presented and discussed for their typical or unusual features. Besides the editor’s introduction, there is an essay on the difficulties of talking about individual artists in Ancient Egypt by Alessio delli Castelli and Dimitri Laboury, and conversations with contemporary makers working with the same materials today in much the same way as artists would have done in Ancient Egypt.Fitzwilliam Museum, Cambridge3 October 2025 – 25 January 2026Published by Paul Holberton Publishing

For more than 3,000 years, Egypt was home to the greatest civilization on earth. Illustrated with more than 1,500 photographs and specially commissioned illustrations, The Encyclopedia of Ancient Egypt is a celebration of the wonders of ancient Egypt, from the mask of Tutankhamun to the Valley of the Kings and the great pyramids of Giza, and from tomb hieroglyphs to golden treasures decorated with ankhs and scarabs. Exploring the history, religion, literature, and art of the ancient Egyptians, as well as the day-to-day experience of ordinary citizens such as pyramid builders, scribes, and craftsmen, this book brings to life the world of the pharaohs in vivid detail, providing a wealth of information about this fascinating and mysterious culture.

Recent research on all aspects of the Old Kingdom in Egypt is presented in this volume, ranging through the Pyramid Texts, tomb architecture, ceramics, scene choice and layout, field reports, cemetery layout, tomb and temple statuary. The contributions also show how Egyptology is not stuck in its venerable traditions but that newer forms of technology are being used to great effect by Egyptologists. For example, two papers show how GIS technology can shed light on cemetery arrangement and how 3D scanners can be employed in the process of producing facsimile drawings of reliefs and inscriptions. The authors cover a wide range of sites and monuments. A large part of the work presented deals with material from the great cemeteries of Saqqara and Giza of the Old Kingdom capital city of Memphis but all the smaller sites are discussed. The book also includes a paper on the architecture of mastabas from the lesser-known site of Abu Roasch. The provinces are by no means overlooked, with articles on material from Deir el-Bersha, el-Sheikh Said and Akhmim. Between them, the authors discuss material from the milieu of the king right down to that which concerned the tomb workmen and those who supplied their basic needs, such as bakers, brewers and potters. Containing papers presented at a conference at the Fitzwilliam Museum, Cambridge in May 2009, this book continues a series of publications of the latest research presented at previous meetings in Paris, Berlin and Prague. Much new material is published here and the papers are fully illustrated, with over 200 photographs and drawings.

'Death on the Nile: Uncovering the Afterlife of Ancient Egypt' reflects the continuing public fascination with Egyptian coffins, mummies and burials. This new volume draws on 100 objects from the Fitzwilliam Museum's Egyptian collection, and deepens our understanding of the lives and concerns of ancient Egyptians as they prepared themselves for death and burial. The book builds on the growing trend in Egyptology to use techniques of scientific analysis and imaging to examine artefacts from Egyptian antiquity. The Fitzwilliam Museum has carried out an extensive project, involving Egyptologists, research scientists and conservators, to investigate every aspect of its impressive collection of coffins and shed new light on their production in the workshops of ancient Egypt. 'Death on the Nile' traces the religious beliefs of the people for whom the coffins were created, and how those beliefs changed over time. Comparisons of contemporaneous coffins likewise reveal how the economic and political structure of the period determined the burial options available to individuals in different social strata. Choices of materials and methods used to create the coffins add to the human story of the daily concerns and aspirations of the customer, and practical realities for the craftsman. AUTHOR: Helen Strudwick is curator of the Egyptian galleries at the Fitzwilliam Museum, Cambridge. SELLING POINTS: . Features 90 objects from the Fitzwilliam's remarkable Egyptian collection, with additional contextual drawings, paintings, diagrams and photographs . A fascinating insight into the daily concerns and aspirations of the customer and practical realities for the craftsman. 200 colour illustrations

This book looks at the art and material culture of Ancient Egypt in a new way – by finding out who made it and how.The making of various kinds of Egyptian art was dictated by the different materials used: stone, ceramics, faience and glass, metalwork, jewellery, paint, linen, basketry, wood, papyrus and cartonnage. Each of these media is examined in turn, and the exquisite workmanship and knowledge of individual makers is here revealed and celebrated. The book accompanies a major exhibition at the Fitzwilliam Museum, Cambridge.Fully illustrated and full of new research, this book will appeal to enthusiasts and scholars alike. It approaches a familiar subject from a fresh angle, focusing on the artists and makers. The many scholars involved also reveal their personal appreciation and understanding of the different media that they have studied or, frequently, restored, seeking to get to the heart of the methods of the ancient craftsmen, whose work theyhave learned to respect and admire. These scholars have been aided, of course, by modern technology, which gives a holistic analysis of these objects that are now some 4,000 years old but which can now often be ‘read’ very nearly in their entirety. Almost 100 different objects are presented and discussed for their typical or unusual features. Besides the editor’s introduction, there is an essay on the difficulties of talking about individual artists in Ancient Egypt by Alessio delli Castelli and Dimitri Laboury, and conversations with contemporary makers working with the same materials today in much the same way as artists would have done in Ancient Egypt.Fitzwilliam Museum, Cambridge3 October 2025 – 25 January 2026Published by Paul Holberton Publishing