Henry Maguire – författare

In this interdisciplinary study, Henry Maguire examines the influence of several literary genres and rhetorical techniques on the art of narration in Byzantium. He reveals the important and wide-reaching influence of literature on the visual arts. In particular, he shows that the literary embellishments of the sermons and hymns of the church nourished the imaginations of artists, and fundamentally affected the iconography, style, and arrangement of their work. Using provocative material previously unfamiliar to art historians, he concentrates on religious art from A.D. 843 to 1453.Professor Maguire first considers the Byzantine view of the link between oratory and painting, and then the nature of rhetoric and its relationship to Christian literature. He demonstrates how four rhetorical genres and devices—description, antithesis, hyperbole, and lament—had a special affinity with the visual arts and influenced several scenes in the Byzantine art, including the Annunciation, the Nativity, the Massacre of the Innocents, the Presentation, Christ''s Passion, and the Dormition of the Virgin.Through the literature of the church, Professor Maguire concludes, the methods of rhetoric indirectly helped Byzantine artists add vividness to their narratives, structure their compositions, and enrich their work with languages. Once translated into visual language, the artifices of rhetoric could be appreciated by many.Henry Maguire is Assistant Professor of Art History at the University of Illinois at Urbana-Champaign.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

An entirely new perspective on Byzantine art and culture through the lens of secular artA winged centaur with the spotted body of a leopard playing a lute; a naked man with an animal head; a goat-footed Pan; a four-bodied lion; sphinxes and hippocamps. Few would associate these forms of art with the Byzantine era, a period dominated by religious art. However, art of strikingly secular expression was not only common to Byzantine culture but key to defining it. In Other Icons, Eunice Dauterman Maguire and Henry Maguire offer the first comprehensive view of this unofficial Byzantine art, demonstrating the role it played in dialogue with traditional Christian Byzantine art.With wide-ranging examples, this beautifully illustrated book vividly demonstrates how the surprise of this profane art is not only in its subjects of mythic creatures, exotic imagery, and eroticism but also in the ubiquity and beauty of their placement—within churches and without, woven into silk, illuminated on manuscripts, engraved into pottery, painted in frescoes, and taking life in marble, bone, and ivory.Presenting and exploring this profane art, Other Icons offers a surprising new way of seeing Byzantine art.