Henry Wiencek – författare

Stanford White was a louche man-about-town and a canny cultural entrepreneur - the creator of landmark buildings that elevated American architecture to new heights. Augustus Saint-Gaudens was the son of an immigrant shoemaker, a moody introvert, and a committed procrastinator whose painstaking work brought emotional depth to American sculpture. They met when Stan was walking down the street and heard Gus whistling Mozart in his studio. They pursued their own careers in Italy and France, then came together again in New York, where they maintained an intimate friendship and partnership that defined the art of the Gilded Age. Over the course of decades, White would help sustain his friend's troubled spirits and vouch for Saint-Gaudens when he failed to complete projects. Meanwhile, Saint-Gaudens would challenge White to take his artistic gifts seriously - and so it went amid brilliant commissions and sordid debaucheries all the way to White’s sensational murder by an enraged husband in 1906.In Stan and Gus, the acclaimed historian Henry Wiencek sets the two men’s relationship within the larger story of the American Renaissance, where millionaires’ commissions and delusions of grandeur collided with secret upper-class clubs, new aesthetic ideas, and two ambitious young men to yield work of lasting beauty.

Is there anything new to say about Thomas Jefferson and slavery? The answer is a resounding yes. Master of the Mountain, Henry Wiencek's eloquent, persuasive book - based on new information coming from archaeological work at Monticello and on hitherto overlooked or disregarded evidence in Jefferson's papers - opens up a huge, poorly understood dimension of Jefferson's world. We must, Wiencek suggests, follow the money. So far, historians have offered only easy irony or paradox to explain this extraordinary Founding Father who was an emancipationist in his youth and then recoiled from his own inspiring rhetoric and equivocated about slavery; who enjoyed his renown as a revolutionary leader yet kept some of his own children as slaves. But Wiencek's Jefferson is a man of business and public affairs who makes a success of his debt-ridden plantation thanks to what he calls the "silent profits" gained from his slaves - and thanks to a skewed moral universe that he and thousands of others readily inhabited. The pursuit of happiness had been badly distorted, and an oligarchy was getting very rich. Is this the quintessential American story?