Hugh Lloyd-Jones - Böcker

Sir Hugh Lloyd-Jones was Regius Professor of Greek at Oxford University from 1960 to 1989. A scholar of commanding intelligence and learning, he has made important contributions to our knowledge of ancient Greece across the full range from textual analysis to Greek religion and the classical tradition. In September 1997 a group of his friends, mostly former pupils and established scholars themselves, gathered to celebrate his seventy-fifth birthday and to offer him a set of papers on Sophocles, an author especially close to his heart. This volume collects those papers, which give very varied approaches to the poet, his work, and his influence. Professor Bernard Knox contributes a portrait of Sir Hugh as a scholar and a man as an introduction to the volume.

This volume is designed as a companion volume to the new text of Sophocles (published in the Oxford Classical Texts series). It aims to explain the editors' views about a large number of disputed passages that occur in the plays. Many of the discussions are too long and complex to be incorporated in the apparatus criticus of the Oxford Classical Texts, and are here expounded in full. The introduction, which gives a historical survey of Sophoclean scholarship, is followed by discussion and comment arranged play by play according to line number. In an appendix the editors offer a partial solution to the puzzle of the unknown manuscripts allegedly used by the sixteenth-century Flemish scholar Livineius.

This new Oxford Classical Text of Sophocles is the product of many years of close collaboration between the two editors. Most of the major difficulties of text and interpretation have been discussed in graduate seminars held in Oxford. The evidence of the manuscript tradition has been carefully assessed, and the results of one important discovery have been exploited for the first time. It has also been possible to take account of many little-known or forgotten conjectures, mostly due to critics of the nineteenth century, and some of these have been adopted or given a place in the apparatus criticus. A number of other conjectures are correctly attributed for the first time, and in a few passages the editors have ventured to offer proposals of their own.

Sir Hugh Lloyd-Jones has a worldwide reputation as one of the foremost classical scholars of his generation. This collection of papers, which follows on from the two volumes published in 1990, reflects his exceptionally wide interests in the fields of Greek epic, lyric, tragedy, comedy, Hellenistic literature, religion, and intellectual history.

"Lloyd-Jones here considers, in its general character, the outlook of early Greek religion from the Homeric poems to the end of the fifth century, through and analysis of what he takes to be its central constituent, the concept of Dike. The "justice of Zeus" turns out to be two things, the first basic, the second subsidiary: (1) something like natural law or "the divinely appointed order of the universe," an order not always or even usually open to human scrutiny, and (2) moral law, a concession to the insignificant creatures of a day that men are, whereby Zeus "punishes, late or soon, a man who has done injustice to another, either in his own person or in that of his descendants." Because Lloyd-Jones sees the first and basic notion of Dike as the prerequisite of the later rational speculation to which it led (smoothly and without violent discontinuities, as he claims), his book assumes the dimensions of Kulturgeschichte Griechenlands, and becomes the latest in a small but distinguished list of works with similarly broad scope..." From: Review The Justice of Zeus by Hugh Lloyd-Jones Review by: John Peradotto The Classical Journal Volume 70, Number 3 (Feb. - Mar., 1975) , pp.61-68 Published by: The Classical Association of the Middle West and South.

Ancient Athens’ most successful tragedian.Sophocles (497/6–406 BC), the second of the three great tragedians of Athens and by common consent one of the world's greatest poets, wrote more than 120 plays. Only seven of these survive complete, but we have a wealth of fragments, from which much can be learned about Sophocles' language and dramatic art. This volume presents a collection of all the major fragments, ranging in length from two lines to a very substantial portion of the satyr play The Searchers. Prefatory notes provide frameworks for the fragments of known plays.Many of the Sophoclean fragments were preserved by quotation in other authors; others, some of considerable size, are known to us from papyri discovered during the past century. Among the lost plays of which we have large fragments, The Searchers shows the god Hermes, soon after his birth, playing an amusing trick on his brother Apollo; Inachus portrays Zeus coming to Argos to seduce Io, the daughter of its king; and Niobe tells how Apollo and his sister Artemis punish Niobe for a slight upon their mother by killing her twelve children. Throughout the volume, as in the extant plays, we see Sophocles drawing his subjects from heroic legend.This is the final volume of Lloyd-Jones's Loeb Classical Library edition of Sophocles. In Volumes I and II he gives a faithful and very skillful translation of the seven surviving plays. Volume I contains Oedipus Tyrannus, Ajax, and Electra. Volume II contains Oedipus at Colonus, Antigone, The Women of Trachis, and Philoctetes.

Ancient Athens’ most successful tragedian.Sophocles (497/6–406 BC), with Aeschylus and Euripides, was one of the three great tragic poets of Athens, and is considered one of the world's greatest poets. The subjects of his plays were drawn from mythology and legend. Each play contains at least one heroic figure, a character whose strength, courage, or intelligence exceeds the human norm—but who also has more than ordinary pride and self-assurance. These qualities combine to lead to a tragic end.Hugh Lloyd-Jones gives us, in two volumes, a new translation of the seven surviving plays. Volume I contains Oedipus Tyrannus (which tells the famous Oedipus story), Ajax (a heroic tragedy of wounded self-esteem), and Electra (the story of siblings who seek revenge on their mother and her lover for killing their father). Volume II contains Oedipus at Colonus (the climax of the fallen hero's life), Antigone (a conflict between public authority and an individual woman's conscience), The Women of Trachis (a fatal attempt by Heracles' wife to regain her husband's love), and Philoctetes (Odysseus' intrigue to bring an unwilling hero to the Trojan War).Of his other plays, only fragments remain; but from these much can be learned about Sophocles' language and dramatic art. The major fragments—ranging in length from two lines to a very substantial portion of the satyr play The Searchers—are collected in Volume III of this edition. In prefatory notes Lloyd-Jones provides frameworks for the fragments of known plays.

Ancient Athens’ most successful tragedian.Sophocles (497/6–406 BC), with Aeschylus and Euripides, was one of the three great tragic poets of Athens, and is considered one of the world's greatest poets. The subjects of his plays were drawn from mythology and legend. Each play contains at least one heroic figure, a character whose strength, courage, or intelligence exceeds the human norm—but who also has more than ordinary pride and self-assurance. These qualities combine to lead to a tragic end.Hugh Lloyd-Jones gives us, in two volumes, a new translation of the seven surviving plays. Volume I contains Oedipus Tyrannus (which tells the famous Oedipus story), Ajax (a heroic tragedy of wounded self-esteem), and Electra (the story of siblings who seek revenge on their mother and her lover for killing their father). Volume II contains Oedipus at Colonus (the climax of the fallen hero's life), Antigone (a conflict between public authority and an individual woman's conscience), The Women of Trachis (a fatal attempt by Heracles' wife to regain her husband's love), and Philoctetes (Odysseus' intrigue to bring an unwilling hero to the Trojan War).Of his other plays, only fragments remain; but from these much can be learned about Sophocles' language and dramatic art. The major fragments—ranging in length from two lines to a very substantial portion of the satyr play The Searchers—are collected in Volume III of this edition. In prefatory notes Lloyd-Jones provides frameworks for the fragments of known plays.

The series publishes important new editions of and commentaries on texts from Greco-Roman antiquity, especially annotated editions of texts surviving only in fragments. Due to its programmatically wide range the series provides an essential basis for the study of ancient literature.