Sophocles – författare

Sophocles was the dominant Athenian playwright of the fifth century BCE. His best-known work, the three-play "Oedipus cycle" ("Oedipus the King", "Oedipus at Kolonos", and "Antigone"), traces three generations of a family ravaged by the inscrutably vindictive god Apollo, who manipulates his victims into committing unforgivable acts of incest, patricide, and kin murder. In "Elektra and the Women of Trakhis" Sophocles portrays two women who act righteously to save themselves and support those they love, yet do so in ways that betray and diminish their own humanity. In his less familiar but riveting war-zone dramas, "Philoktetes" and "Aias", Sophocles works through the political and moral crises of war-weary, traumatized soldiers-a fact of life not only for the Trojan War-era protagonists of these plays but for war veterans and their families in Sophocles' Athens. All are caught up in situations we recognize - including the feeling of being played by powers beyond our control. The effectiveness and timeliness of Sophocles' dramas depend on translations such as these to resonate, intellectually and emotionally, with a contemporary audience.For a new generation entering the turbulent arena of ancient Greek drama, translators Robert Bagg and James Scully have produced a vivid, dynamic, and eminently readable translation in "The Complete Plays of Sophocles".

Sophocles' immortal Oedipus plays personify both the cosmic and the all-too-human forces that wreak emotional and physical mayhem upon the lives of a stricken royal family. The three plays have continued to strike a chord with audiences throughout every era of history - yet their effectiveness today depends not only upon enduring themes but upon translations that will resonate, intellectually and emotionally, with a contemporary readership. Aristotle praised Oedipus the King as the finest single example of Greek tragedy; now, award-winning translator Robert Bagg presents the entire "Oedipus Cycle" in a vivid, dynamic, and eminently readable new translation that revitalizes the ancient classics for a new generation of readers.

Deianeira is an ordinary woman married to Herakles, the most feared and storied hero of the ancient world - and a canny and violent enforcer with a merciless temperament and legendary strength. To keep his affection and preserve her marriage, she must cope with her anxieties about his deadly labors and escapades, and must force herself to tolerate the conduct of a man whose volatile will is impossible to sway or question. But against the complex character of her husband, ultimately Deianeira's actions will lead each of them to an irredeemable downfall. In "Women of Trakhis", Sophocles challenges the very ideal of Greek manhood by giving equal notice to Herakles' valorous labors and to his savage acts of brutality and deceipt. In this phenomenal translation, Robert Bagg delivers an accurate but idiomatic, highly accessible rendering of the Greek original, suited for reading, teaching, or performing, and sure to open a new generation to the depth and power of Greek drama.

Spotlighting an endless cycle of bloodshed that consumes a royal family, "Elektra" masterfully explores the causes of hatred and the consequences of revenge - both for those who bear the brunt of violence and for those consumed by its influence. Orestes has returned to his homeland intent on exacting a bloody vengeance upon its rulers: his mother Klytemnestra and his step-father Aegisthus, who together murdered Orestes' father, Agamemnon. The prince's sister, Elektra, has long awaited his return, fueding constantly with Klytemnestra over her mother's moral justifications for killing Agamemnon - an act that, Klytemnestra insists, was itself a retaliation for an earlier wrong. The more they debate the validity of Agamemnon's murder, however, the more Elektra herself becomes overwhelmed by an obsession with revenge. Finally, as Orestes sets his plan into motion, the cycle of bloodshed will renew itself once more, claiming the lives of some and the very humanity of others before the drama is complete. This phenomenal translation by Robert Bagg achieves an accurate but idiomatic rendering of the Greek original that is suited for reading, teaching, or performing.Sure to strike a chord with contemporary audiences, this is Sophocles for a new generation.

Praised by Aristotle as the pinnacle of Greek drama, "Oedipus the King" is the ancient world's most shocking and memorable play: the story of a city's beloved hero and his royal family brought to hellish ruin by fate, supernatural manipulation, and all-too-human weakness. With a plague ravishing Thebes, it falls upon Oedipus, the king, to discover its cause. Yet in consulting the blind prophet Tiresias, Oedipus uncovers not only the roots of the gods' displeasure but also a dreadful secret about his own past. Prophesied from childhood to destroy his loved ones, Oedipus long ago left his homeland. In fleeing his fate, however, he has unwittingly fulfilled his grim destiny, for, as he is to discover, Thebes was always his true homeland; the stranger he slew on the road his true father; and the queen who bore his sons and daughters, his own mother. Oedipus' shame is irredeemable-and his revelation will have terrible consequences for all involved. Sophocles masterfully invokes the Western culture's most extreme taboos to explore our deepest questions about fate and free will, in a suspenseful story that still haunts audiences after 2,500 years.This phenomenal translation by Robert Bagg achieves an accurate but idiomatic rendering of the Greek original that is suited for reading, teaching, or performing.

The second chapter of Sophocles' spellbinding saga explores a fallen hero's redemption, as the aged king Oedipus surrenders himself to the will of the gods. Oedipus is an old man finally coming to terms with the terrible actions of his earlier life. Blind by his own hand and exiled from Thebes, Oedipus has been driven to Athens, where a prophesy has foretold of his death. As he struggles to accept his fate, he also questions his guilt in his past crimes - transgressions manipulated by the will of the gods. With war now raging over his succession, Oedipus must make his final decision alone - to greet his death in the grove of the Furies, bowing to destiny at last, or to flee from fate once again, rejecting the absolution of the gods.

The final chapter of Sophocles' classic Oedipus cycle, "Antigone" epitomizes the clash between law, social obligations, familial duty, and the honor of the gods. Oedipus' sons have slain each other on the battlefield, but Kreon, their uncle and Thebes' new ruler, has decreed that only Eteokles be buried. Polyneikes will be left to rot - the greatest dishonor imaginable for a Greek warrior. When their sister Antigone, however, attempts to see Polyneikes properly honored, she garners a death sentence for breaking Kreon's edict. Neither she nor Kreon's son Haemon can convince Kreon to reconsider, forcing the blind prophet Tiresias to reveal the terrible legacy that Kreon's hubris will bring to Thebes. Yet by then it is too late - Thebes will run with the blood of its ill-fated royal family, their fate for those who would act against the will of the gods. "Antigone" is Sophocles' classic investigation of the fallout that occurs when pride overwhelms social dignity - in Kreon's case - and when passion overwhelms perseverance - in Antigone's case.This phenomenal translation by Robert Bagg achieves an accurate but idiomatic rendering of the Greek original, suited for reading, teaching, or performing, and sure to open a new generation to the depth and power of Greek drama.

With the Trojan War won, the Greeks' last great hero, Arias, has suddenly become obsolete. The world is changing - as he witnesses when the armor of his fallen cousin Achilles is awarded not to him but to his crafty comrade Odysseus. When Aias swears vengeance, the goddess Athena clouds his mind with madness - and when his senses clear, he discovers that men he believed he fought and murdered were only the helpless animals and defenseless herdsmen seized by his own army as spoils of war. Shamed beyond redemption, Aias takes his own life, an act that leaves his friends and fellows to cope with the realities of his burial, the shock of his downfall, and the questions of whether a warrior can ever return from the wars that define his life. In "Aias", Sophocles challenges his society's ideals of heroism, exposing the unseen costs of war upon those who fight and those who are left behind. In this masterful translation, James Scully brings readers and actors inside the drama, enabling an exploration of these same issues within our modern cultural context - and offering a text that allows the emotions and arguments of Sophocles' era to strike a chord with a contemporary audience.

The soldier Philoktetes - with a festering, god-given wound in his foot - has been abandoned on the desolate island of Lemnos by the Greeks under Odysseus. They couldn't stand the stench, nor his screams of pain. That was ten years ago. Since then, they've learned they can't take Troy without Philoktetes and the bow given to him by Herakles - nor without Neoptolemos, son of the dead hero Achilles. Yet Philoktetes would rather kill Osysseus than return to Troy. It's up to Neoptolemos, persuaded by the crafty Odysseus, to trick Philoktetes into returning. Odysseus, an opportunistic character representing the Greek army, will use any means necessary to carry out his mission. Philoktetes and Neoptolemos, however, are constantly at sea: shifting and re-shifting amidst mixed feelings, deceptions, suspicions, and qualms as they struggle with themselves and their obscurely evolving relationship. Fate, free will, and the sacredness of the social bond are all challenged and re-assessed in this tale torn from the midst of the Trojan War.Robert Bagg's phenomenal translation of Sophocles' classic "Philoktetes" achieves an accurate but idiomatic rendering of the Greek original, suited for reading, teaching, or performing, that is sure to strike a chord with contemporary audiences, this is Sophocles for a new generation.

King Oedipus/Oedipus at Colonus/AntigoneThree towering works of Greek tragedy depicting the inexorable downfall of a doomed royal dynastyThe legends surrounding the house of Thebes inspired Sophocles to create this powerful trilogy about humanity's struggle against fate. King Oedipus is the devastating portrayal of a ruler who brings pestilence to Thebes for crimes he does not realize he has committed and then inflicts a brutal punishment upon himself. Oedipus at Colonus provides a fitting conclusion to the life of the aged and blinded king, while Antigone depicts the fall of the next generation, through the conflict between a young woman ruled by her conscience and a king too confident of his own authority.Translated with an Introduction by E. F. WATLING

Towering over the rest of Greek tragedy, Sophocles' The Three Theban Plays are among the most enduring and timeless dramas ever written. This Penguin Classics edition is translated by Robert Fagles with introductions and notes by Bernard Knox.Collected here are Antigone, Oedipus the King and Oedipus at Colonus, in a translation by Robert Fagles which retains all of Sophocles' lucidity and power: the cut and thrust of his dialogue, his ironic edge, the surge and majesty of his choruses and, above all, the agonies and triumphs of his characters. Oedipus in exile, searching for his identity, desperately trying to avoid his fate, seeking the truth of his origins and achieving immortality; his daughter, Antigone, defending her integrity and ideals to the death - these heroic, tragic figures have captivated theatregoers and readers since the fifth century BC. It is Sophocles' characterisation of Oedipus that would, in the nineteenth century, inspire Sigmund Freud to a revolutionary conception of the human mind, and the tragedies in this volume continue to move and inspire us to this day.Sophocles (496-405 BC) was born at Colonus, just outside Athens. His long life spanned the rise and decline of the Athenian Empire; he was a friend of Pericles, and though not an active politician he held several public offices, both military and civil. The leader of a literary circle and friend of Herodotus, Sophocles wrote over a hundred plays, drawing on a wide and varied range of themes, and winning the City Dionysia eighteen times; though only seven of his tragedies have survived, among them Antigone, Oedipus Rex, Ajax and Oedipus at Colonus.If you enjoyed The Three Theban Plays, you might like Aeschylus' The Oresteia, also available in Penguin Classics.'I know of no better English version'Sir Hugh Lloyd-Jones, Oxford University'The most impressive verse translations of Sophocles that have been made'Stephen Spender

Demonstrating Sophocles' aptitude for humanising figures from Greek myth and transforming simple fables into complex high tragedy, Electra and Other Plays is translated by David Raeburn with an introduction and notes by Pat Easterling.The plays collected in this volume show Sophocles' ability to create complex human characters struggling with profound moral issues. In Women of Trachis the agonizing death of the mighty Heracles is brought about by a tragic mistake made by his jealous wife Deianeira, as she attempts to regain his love. Set in the aftermath of the Trojan War, Ajax depicts a warrior driven into a homicidal rage that leads to his undoing, and Electra shows the grief-stricken children of the murdered Agamemnon and their plot to avenge him, while Philoctetes portrays the cunning Odysseus' attempt to convince a famed archer to rejoin the Greek expedition against Troy, undermined by the honesty of his young comrade Neoptolemus.David Raeburn's translation captures the rhythms of the original Greek, while remaining accessible to modern readers. Pat Easterling's general introduction discusses Athenian dramatic festivals, and the structure and tensions of the plays and their characters. This edition also includes a chronology, further reading, prefaces to each play and notes.Sophocles (496-405 BC) was born at Colonus, just outside Athens. His long life spanned the rise and decline of the Athenian Empire; he was a friend of Pericles, and though not an active politician he held several public offices, both military and civil. The leader of a literary circle and friend of Herodotus, Sophocles wrote over a hundred plays, drawing on a wide and varied range of themes, and winning the City Dionysia eighteen times; though only seven of his tragedies have survived, among them Antigone, Oedipus Rex, Ajax and Oedipus at Colonus.If you enjoyed Electra and Other Plays, you might like Sophocles' The Three Theban Plays, also available in Penguin Classics.

'It's a dreadful thing to yield...but resist now?Lay my pride bare to the blows of ruin?That's dreadful too.'The remarkable story of Greek tragedy's most intrepid heroine.Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.Sophocles (496 BC-406 BC). Sophocles's works available in Penguin Classics are The Theban Plays and Electra and Other Plays.

Agememnon is the first part of the Aeschylus's Orestian trilogy in which the leader of the Greek army returns from the Trojan war to be murdered by his treacherous wife Clytemnestra. In Sophocles' Oedipus Rex the king sets out to uncover the cause of the plague that has struck his city, only to disover the devastating truth about his relationship with his mother and his father.Medea is the terrible story of a woman's bloody revenge on her adulterous husband through the murder of her own children.

Oedipus the King * Aias * Philoctetes * Oedipus at ColonusSophocles stands as one of the greatest dramatists of all time, and one of the most influential on artists and thinkers over the centuries. In these four tragedies he portrays the extremes of human suffering and emotion, turning the heroic myths into supreme works of poetry and dramatic action. Oedipus the King follows Oedipus, the 'man of sorrow', who has unwittingly chosen to enact his prophesied course by murdering his father and marrying his mother. In Aias, the great warrior confronts the harrowing humiliation inflicted upon him, while Philoctetes sees a once-noble hero nursing his resentment after ten years of marooned isolation. In Oedipus at Colonus the blind Oedipus, who has wandered far and wide as a beggar, finally meets his mysterious death.These original and distinctive verse translations convey the vitality of Sophocles' poetry and the vigour of the plays in performance. Each play is accompanied by an introduction and substantial notes on topographical and mythical references and interpretation.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Sophocles stands as one of the greatest dramatists of all time, and one of the most influential on artists and thinkers over the centuries. His plays are deeply disturbing and unpredictable, unrelenting and open-ended, refusing to present firm answers to the questions of human existence, or to provide a redemptive justification of the ways of gods to men or women. These three tragedies portray the extremes of human suffering and emotion, turning the heroic myths into supreme works of poetry and dramatic action.Antigone's obsession with the dead, Creon's crushing inflexibility, Deianeira's jealous desperation, the injustice of the gods witnessed by Hyllus, Electra's obsessive vindictiveness, the threatening of insoluble dynastic contamination... Such are the pains and distortions and instabilities of Sophoclean tragedy. And yet they do not deteriorate into cacophony or disgust or incoherence or silence: they face the music, and through that the suffering is itself turned into the coherence of music and poetry. These original and distinctive verse translations convey the vitality of Sophocles' poetry and the vigour of the plays in performance, doing justice to both the sound of the poetry and the theatricality of the tragedies. Each play is accompanied by an introduction and substantial notes on topographical and mythical references and interpretation.

Sophocles' Electra tells the story of the revenge Orestes and Electra take on their mother, Clytemnestra, for the murder of their father Agamemnon, after he returns from the Trojan War. In Sophocles' depiction of this myth, Electra admits that her actions are shameful even though they are just. Anne Carson a renowned poet, and Michael Shaw, a respected classicist, combine their talents to create this new addition to the Greek Tragedy in New Translations series. Each play in the series, meant for the non-specialist reader, is preceded by a critical introduction and is accompanied by notes designed to clarify obscure references and to explain the conventions of the Athenian stage.

In this highly-acclaimed translation of the most famous of all Greek tragedies, Stephen Berg – a well-known poet – and Diskin Clay – a distinguished classicist – combine their talents to produce a powerful version of Sophocles' timeless work. The volume also contains a critical introduction, commentary on difficult passages, stage directions, and glossaries of myythical and geographical terms.

Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. The series seeks to recover the entire extant corpus of Greek tragedy, quite as though the ancient tragedians wrote in the English of our own time. Under the editorship of Peter Burian and Alan Shapiro, each of these volumes includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the plays.This finely-tuned translation of Sophocles' Antigone by Richard Emil Braun, both a distinguished poet and a professional scholar-critic, offers, in lean, sinewy verse and lyrics of unusual intensity, an interpretation informed by exemplary scholarship and critical insight. Braun presents an Antigone not marred by excessive sentimentality or pietistic attitudes.His translation underscores the extraordinary structural symmetry and beauty of Sophocles' design by focusing on the balanced and harmonious view of tragically opposed wills that makes the play so moving. Unlike the traditionally gentle and pious protagonist opposed to a brutal and villainous Creon, Braun's Antigone emerges as a true Sophoclean heroine--with all the harshness and even hubris, as well as pathos and beauty, that Sophoclean heroism requires. Braun also reveals a Creon as stubbornly "principled" as Antigone, instead of simply the arrogant tyrant of conventional interpretations.

In this new translation, Sophocles early masterpiece comes boldly to life. In Greek tradition, Aias is the outmoded warrior whom time passes by. In Sophocles play, he becomes the man who moves resolutely beyond time. Most previous versions and interpretations have equivocated over Sophocles bold vision. This version attempts to translate precisely that transformation of the hero from the bygone figure to the man who stops time. In Homer, Aias is the immovable bulwark of the Achaians, second only to Achilles in battle prowess and size. But when Achilles dies, his armor is given to the wily Odysseus, not Aias. Shamed, and driven to madness, Aias dies a dishonorable death by suicide. He becomes, in death, the symbol of greatness lost; his death signals the end of a heroic age; in the visual arts, draped hideously over his huge sword, he becomes a momento mori. Sophocles plays upon his audiences expectation of all this. In the first scene Aias appears as the Homeric warrior turned mad butcher. It is harder to imagine a more degraded image of the hero. But with each scene, Aias moves from darkness into greater and greater light, and speaks, contrary to the audiences expectations, more like a Heraclitean philosopher of the worlds flux than the laconic figure known from Homer. In fact, Sophocles Aias clearly sees his madness and the betrayal by the Greeks as merely symptomatic of a world in which nothing remains constant, not loyalties, not oaths, not friendship, not love. Not content to live in a world where nothing lasts, he resolves to live and therefore to die in accord with the more absolute law of his own inner nature. He thereby transforms his death into destiny, dying with his grip on the absolute rather than living on in a world of uncertainties. In death, he thus becomes the paradigm of permanence, of the human possibility of snatching the eternal from the desperately fleeting. This version embodies, and the introduction and notes hope to elucidate, how Sophocles brings this tragic vision of human greatness powerfully to life.

The latest title to join the acclaimed Greek Tragedy in New Translations series, Sophocles' Oedipus at Colonus tells the story of the last day in the life of Oedipus. It was written at the end of the fifth century BCE in Athens, in the final years of the "Golden Age" of Athenian culture, and in the last year of Sophocles' own life. At the center of the play is the mysterious transformation of Oedipus from an old and blind beggar, totally dependent on his daughters, to the man who rises from his seat and, without help, leads everyone to the place where he is destined to die. In the background of this transformation stands the grove of the Furies, the sacred place of the implacable goddesses who pursue the violators of blood relationships. Although Oedipus, who killed his father and married his mother, is an obvious target of the Furies' vengeance, he enters their grove at the beginning of the play, sure that it is the resting place Apollo has predicted for him. The reversals and paradoxes in the play speak to the struggle that Oedipus' life and the action of the play bring vividly before us: how do we as humans, subject to constant change, find stable ground on which to stand and define our moral lives? Sophocles offers his play as a witness to the remarkable human capacity to persevere in this struggle.

Based on the conviction that only translators who write poetry themselves can properly re-create the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Under the general editorship of Peter Burian and Alan Shapiro, each volume includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the play.En route to fight the Trojan War, the Greek army has abandoned Philoctetes, after the smell of his festering wound made it unbearable to keep him on ship. Ten years later, an oracle makes it clear that the war cannot be won without the assistance of Philoctetes and his famous bow, inherited from Hercules himself. Philoctetes focuses on the attempt of the heroes Odysseus and Neoptolemus to persuade the bowman to sail with them to Troy. First, though, they must assuage his bitterness over having been abandoned, then win his trust. But how should they do this--through trickery, or with the truth? To what extent do the ends justify the means? To what degree should private interest be compromised for the sake of public duty? These are among the questions that Sophocles puts forward in this, one of his most morally complex and penetrating plays.

For readers, actors, students, teachers, and theatrical directors, this new translation of one of the greatest plays in the history of the western world provides the best combination of contemporary, powerful language, along with superb background and notes on meaning, interpretation, and ancient beliefs, attitudes, and contexts.

Based on the conviction that only translators who write poetry themselves can properly re-create the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. The volume brings together four major works by one of the greatest classical dramatists: Electra, translated by Anne Carson and Michael Shaw, a gripping story of revenge, manipulation, and the often tense conflict of the human spirit; Aias, translated by Herbert Golder and Richard Pevear, an account of the heroic suicide of the Trojan war hero better known as Ajax; Philoctetes, translated by Carl Phillips and Diskin Clay, a morally complex and penetrating play about the conflict between personal integrity and public duty; and The Women of Trachis, translated by C.K. Williams and Gregory W. Dickerson, an urgent tale of mutability in a universe of precipitous change. These four tragedies were originally available as single volumes. This new volume retains the informative introductions and explanatory notes of the original editions and adds a single combined glossary and Greek line numbers.

Based on the conviction that only translators who write poetry themselves can properly re-create the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. The volume brings together four major works by one of the greatest classical dramatists: Electra, translated by Anne Carson and Michael Shaw, a gripping story of revenge, manipulation, and the often tense conflict of the human spirit; Aias, translated by Herbert Golder and Richard Pevear, an account of the heroic suicide of the Trojan war hero better known as Ajax; Philoctetes, translated by Carl Phillips and Diskin Clay, a morally complex and penetrating play about the conflict between personal integrity and public duty; and The Women of Trachis, translated by C.K. Williams and Gregory W. Dickerson, an urgent tale of mutability in a universe of precipitous change. These four tragedies were originally available as single volumes. This new volume retains the informative introductions and explanatory notes of the original editions and adds a single combined glossary and Greek line numbers.

Based on the conviction that only translators who write poetry themselves can best re-create the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. The tragedies collected here were originally available as single volumes. This new collection retains the informative introductions and explanatory notes of the original editions, with Greek line numbers and a single combined glossary added for easy reference. This volume collects for the first time three of Sophocles most moving tragedies, all set in mythical Thebes: Oedipus the King, perhaps the most powerful of all Greek tragedies; Oedipus at Colonus, a story that reveals the reversals and paradoxes that define moral life; and Antigone, a touchstone of thinking about human conflict and human tragedy, the role of the divine in human life, and the degree to which men and women are the creators of their own destiny.

This volume collects for the first time three of Sophocles most moving tragedies, all set in mythical Thebes: Oedipus the King, perhaps the most powerful of all Greek tragedies; Oedipus at Colonus, a story that reveals the reversals and paradoxes that define moral life; and Antigone, a touchstone of thinking about human conflict and human tragedy, the role of the divine in human life, and the degree to which men and women are the creators of their own destiny.

This new Oxford Classical Text of Sophocles is the product of many years of close collaboration between the two editors. Most of the major difficulties of text and interpretation have been discussed in graduate seminars held in Oxford. The evidence of the manuscript tradition has been carefully assessed, and the results of one important discovery have been exploited for the first time. It has also been possible to take account of many little-known or forgotten conjectures, mostly due to critics of the nineteenth century, and some of these have been adopted or given a place in the apparatus criticus. A number of other conjectures are correctly attributed for the first time, and in a few passages the editors have ventured to offer proposals of their own.