Ian Watt – författare

'Nothing short of a masterpiece...One of the great critical works produced since the 1950s' - "New York Times".

"The Rise of the Novel" is Ian Watt's classic description of the interworkings of social conditions, changing attitudes, and literary practices during the period when the novel emerged as the dominant literary form of the individualist era. In a new foreword, W.B. Carnochan accounts for the increasing interest in the English novel, including the contributions that Ian Watt's study made to literary studies: his introduction of sociology and philosophy to traditional criticism.

Conrad's great novel is a rich study not only of a typical South American country, but of the politics of any underdeveloped country, and for this reason it is permanently topical. Ian Watt addresses Conrad's concerns when writing the work, and provides an accessible introduction, taking account of background, history and politics, and reception and influence.

In this volume, Ian Watt examines the myths of Faust, Don Quixote, Don Juan and Robinson Crusoe, as the distinctive products of modern society. He traces the way the original versions of Faust, Don Quixote and Don Juan - all written within a forty-year period during the Counter Reformation - presented unflattering portrayals of the three figures, while the Romantic period two centuries later recreated them as admirable and even heroic. The twentieth century retained their prestige as mythical figures, but with a new note of criticism. Robinson Crusoe came much later than the other three, but his fate can be seen as representative of the new religious, economic and social attitudes which succeeded the Counter-Reformation. The four figures help to reveal problems of individualism in the modern period: solitude, narcissism, and the claims of the self versus the claims of society. They all pursue their own view of what they should be, raising strong questions about their heroes' character and the societies whose ideals they reflect.

In this volume, Ian Watt examines the myths of Faust, Don Quixote, Don Juan and Robinson Crusoe, as the distinctive products of modern society. He traces the way the original versions of Faust, Don Quixote and Don Juan - all written within a forty-year period during the Counter Reformation - presented unflattering portrayals of the three figures, while the Romantic period two centuries later recreated them as admirable and even heroic. The twentieth century retained their prestige as mythical figures, but with a new note of criticism. Robinson Crusoe came much later than the other three, but his fate can be seen as representative of the new religious, economic and social attitudes which succeeded the Counter-Reformation. The four figures help to reveal problems of individualism in the modern period: solitude, narcissism, and the claims of the self versus the claims of society. They all pursue their own view of what they should be, raising strong questions about their heroes' character and the societies whose ideals they reflect.

Ian Watt (1917-99) has long been acknowledged as one of the finest of post-War literary critics. The Rise of the Novel (1957) is still the landmark account of the way in which realist fiction developed in the eighteenth century and Watt's work on Conrad has been enormously influential. Conrad in the Nineteenth Century (1979) was to have been followed by a volume addressing Conrad's later work, but the material for this long-awaited second volume remains in essay form. It is these essays, as Frank Kermode points out in his foreword, which form the nucleus of Essays on Conrad. Watt's own worldview, as well as his insight into Conrad's work, was shaped by his experiences as a prisoner of war on the River Kwai. His personal, and painfully moving, account of these experiences forms part of his famous essay 'The Bridge over the River Kwai as Myth' which completes this essential collection.

Ian Watt (1917-99) has long been acknowledged as one of the finest of post-War literary critics. The Rise of the Novel (1957) is still the landmark account of the way in which realist fiction developed in the eighteenth century and Watt's work on Conrad has been enormously influential. Conrad in the Nineteenth Century (1979) was to have been followed by a volume addressing Conrad's later work, but the material for this long-awaited second volume remains in essay form. It is these essays, as Frank Kermode points out in his foreword, which form the nucleus of Essays on Conrad. Watt's own worldview, as well as his insight into Conrad's work, was shaped by his experiences as a prisoner of war on the River Kwai. His personal, and painfully moving, account of these experiences forms part of his famous essay 'The Bridge over the River Kwai as Myth' which completes this essential collection.

This is the story of a most ingenious invention: the novel. Desribed for the first time in The Rise of The Novel, Ian Watt's landmark classic reveals the origins and explains the success of the most popular literary form of all time.In the space of a single generation, three eighteenth-century writers -- Daniel Defoe, Samuel Richardson and Henry Fielding -- invented an entirely new genre of writing: the novel. With penetrating and original readings of their works, as well as those of Jane Austen, who further developed and popularised it, he explains why these authors wrote in the way that they did, and how the complex changes in society – the emergence of the middle-class and the new social position of women – gave rise to its success. Heralded as a revelation when it first appeared, The Rise of The Novel remains one of the most widely read and enjoyable books of literary criticism ever written, capturing precisely and satisfyingly what it is about the form that so enthrals us.