Ilana Nash – författare

Teenage girls seem to have been discovered by American pop culture in the 1930s. From that time until the present day, they have appeared in books and films, comics and television, as the embodied fantasies and nightmares of youth, women, and sexual maturation. Looking at such figures as Nancy Drew, Judy Graves, Corliss Archer, Gidget, Buffy the Vampire Slayer, and Britney Spears, American Sweethearts shows how popular culture has shaped our view of the adolescent girl as an individual who is simultaneously sexualized and infantilized. While young women have received some positive lessons from these cultural icons, the overwhelming message conveyed by the characters and stories they inhabit stresses the dominance of the father and the teenage girl's otherness, subordination, and ineptitude.As sweet as a cherry lollipop and as tangy as a Sweetart, this book is an entertaining yet thoughtful exploration of the image of the American girl.

Since the turn of the millennium, stories about young people with mystical abilities have enjoyed tremendous popularity. This volume is the first collection of essays to posit that such stories form a distinct teen- and young-adult-oriented genre, characterized by tales in which young people use ancient magic—not modern science—to solve problems and save the world.Scholars explore the cultural implications of this phenomenon, considering how media’s discourses about youthful gods, witches, fairies, and other magical beings address social change, youth, and modern identities. By examining stories whose protagonists stand at a crossroads between identities and states of being—human and not-quite-human, child and adult, mundane world and mythic world, old millennium and new—the volume invites readers to contemplate the cultural significance of the persistent mediated fantasy of magical youth.“This is an engrossing collection of studies about supernatural youth media (SYM), each of which explores collective fears and fantasies of young people: power, magic, death, sex, technology, the occult. The essays illuminate how recent generations, particularly around the turn of the millennium, have been represented by movies and television shows as both victims and masters of unknown mystical forces. With a particular emphasis on gender and racial identity, the book offers a revelatory and distinctive assessment of this broadly appealing genre.”—Prof. Timothy Shary, Eastern Florida State College