Irene McKinney – författare
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4 produkter
4 produkter
Häftad, Engelska, 1989
282 kr
Skickas inom 3-6 vardagar
The speaker in Irene McKinney’s poems is most often alone, sitting at the side of a stream, or standing at her own chosen gravesite in the Appalachian mountains, and the meditations spoken out of this essential solitude are powerfully clear, witty, and wide-ranging in content and tone. The center sequence of poems in the Emily Dickinson persona explores and magnifies that great and enigmatic figure. The poems are firmly grounded in concern for the ways in which the elemental powers are at work in the earth and in us: on the surface of our lives, and deeper in the underworld of the coalmines. In McKinney’s poems, the human world is never seen as separate from the natural one.
Häftad, Engelska, 2002
305 kr
Skickas inom 10-15 vardagar
This is as closely-knit an anthology as you are ever likely to see. It is as though a large, extended family were drawing on the same store of family stories, jokes, symbols, landscapes, animals, trees, language, and vernacular. How many snakes are in this book? How many foxes, possums? Fossils? And how very many coal mines? But it is not merely local references that unites these writers. There is a larger vision that ties these works together.
Häftad, Engelska, 2004
211 kr
Skickas inom 10-15 vardagar
This fifth collection of poetry from West Virginia's poet laureate and author of Six O'Clock Mine Report is an extraordinary set of poems which reflects the complexity, the magnanimity, and the resilience of the human spirit. McKinney writes with candor, precision, and compassion; most importantly, though, her poems are accessible to all types of readers.
Häftad, Engelska, 2009
222 kr
Tillfälligt slut
Irene McKinney's work of three decades is represented here. Her language is direct, vernacular, forceful, and unmistakable. These poems are directed to a listener, not overheard, in a tone and with a stance of honest intimacy. These poems occur in the rhythm of speech, not of written discourse. From the beginning, McKinney has been aware of the modulations of the spoken voice, and much of the power of these poems derives from that awareness. Her themes are the ancient ones: connections with the land, with animals, with other people, with loss, with joy. Her work should be seen in the context of such poets as Denise Levertov, Wislawa Symborska, or Ruth Stone, who worked in a tradition of independent spirit powered by clarity, compassion, and a willingness to take unpopular stances. These poems are rooted in a consciousness that draws on a wide range of poetic and spiritual traditions, but there is a remarkable consistence of concerns over these three decades.