Isabel Seligman – författare
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3 produkter
3 produkter
Inbunden, Engelska, 2020
345 kr
Skickas inom 5-8 vardagar
This book, which accompanies the first major exhibition devoted to David Hockney’s drawings inover 20 years,will explore Hockney as a draughtsman from the 1950s to now, with a focus on himself, his family and friends. From Ingres to the iPad –this book demonstrates the artist’s ingenuity in portrait drawing with reference to both tradition and technology.David Hockney is recognised as one of the master draughtsmen of our times and a champion of the medium. This book will feature Hockney’s work from the 1950s to now and focus on his depictions of himself and a smaller group of sitters close to him: his muse, Celia Birtwell; his mother, Laura Hockney; and his friends, the curator, Gregory Evans, and master printer, Maurice Payne.This book will examine not only how drawing is fundamental to Hockney’s distinctive way of observing the world around him, but also how it has been a testing ground for ideas and modes of expression later played out in his paintings.From Old Masters to modern masters, from Holbein to Picasso, Hockney’s portrait drawings reveal his admiration for his artistic predecessors and his continuous stylistic experimentation throughout his career.Alongside an in-depth essay from the curator, this book will feature an exclusive interview between author and curator, Sarah Howgate, and artist, David Hockney. In addition, an ‘In Focus’ essay by British Museum curator Isabel Seligman, will explore the relationship between Hockney, Ingres and Picasso drawings.
Häftad, Engelska, 2019
190 kr
Skickas inom 5-8 vardagar
Focusing on 56 selected works from the 1970s to today, Pushing paper examines why drawing has endured as a method of making art, and explores the vital and fundamental nature of drawing through themes such as systems and process, identity, place and space, time and memory, and power and protest. These broad themes allow for original connections to be made between images, which will inspire all practitioners of drawing. Supported by the Bridget Riley Art Foundation, the book showcases work by major contemporary artists from around the world, including Phyllida Barlow, Louise Bourgeois, Judy Chicago, Adel Daoud, Richard Deacon, Tacita Dean, Peter Doig, Tracey Emin, Richard Hamilton, Jacob El Hanani, David Hockney, Ellen Gallagher, Andrzej Jackowski, Anish Kapoor, Anselm Kiefer, Minjung Kim, Marcia Kure, Nja Mahdaoui, Sol LeWitt, Bahman Mohassess, David Nash, Eduardo Paolozzi, Cornelia Parker, Grayson Perry, Gerhard Richter, Bridget Riley, Susan Schwalb, Hamid Sulaiman, Imran Qureshi, Hajra Waheed and Rachel Whiteread, as well as exciting works by lesser-known artists. Aimed at admirers of drawing, and artists and students alike, Pushing paper provides an arresting analysis of the status of drawing in the world of contemporary art.
Häftad, Engelska, 2024
297 kr
Skickas inom 5-8 vardagar
‘A remarkable book… a precious album or scrapbook of ideas, insights and specially chosen images of objects that have a multitude of stories to tell.’ – Art Africa magazine ‘What have we here? presents us with the overlooked and excluded segments of British legacy, utilising the power of art to question what we already know, and what there is yet to learn.’ – Palatinate Together with his own artworks, contemporary artist Hew Locke uses the British Museum’s collection as a springboard to explore themes of colonialism and cultural interactions. Hew Locke is interested in dissecting the messy and complex ways in which museums are implicated in histories of empire. ‘This project has enabled me to engage with the museum’s collections in a much deeper way than ever before, and in a way few artists have had the privilege of doing. I have always been interested in the way objects are interpreted through display in museums. What story has been distilled and is being told or implied about the past? How does it relate to the present? How can this telling be questioned, disrupted, or complicated?’ The British Museum’s history and collections are closely linked to those of the British Empire, which this book addresses alongside a consideration of today’s often contentious and deeply felt debates around cultural heritage. Focusing on Britain’s historic interactions with Africa, India and the Caribbean from around 1600 onwards, all of which had an impact on Guyana (where Locke grew up), Locke creates a personal exploration of the subject, weaving in his own works such as the Souvenir series and a new commission titled The Watchers. Using interventionist techniques to reframe the collection’s historical objects, the artist hopes to leave readers with more questions than answers.