Jacob Blumenfeld – författare

In an act of resistance against the usage of the word 'anarchist' as an insult and representations of anarchy as a recipe for pure disorder, The Anarchist Turn brings together innovative and fresh perspectives on anarchism to argue that in fact it represents a form of collective, truly democratic social organisation. In the last few decades the negative caricature of anarchy has begun to crack. As free market states and state socialism preserve social hierarchies and remain apathetic on matters of inequality, globalisation and the social movements it spawned have proved what anarchists have long been advocating: an anarchical order is not just desirable, but also feasible. A number of high profile contributors, including Judith Butler, Simon Critchley, Cinzia Arruzza and Alberto Toscano, discuss the anarchist hypothesis, referencing its many historical and geographical variants and analysing its relationship to feminism, politics, economics, history and sociology.

This book provides a detailed account of the role of property in German Idealism. It puts the concept of property in the center of the philosophical systems of Kant, Fichte, and Hegel and shows how property remains tied to their conceptions of freedom, right, and recognition.The book begins with a critical genealogy of the concept of property in modern legal philosophy, followed by a reconstruction of the theory of property in Kant’s Doctrine of Right, Fichte’s Foundations of Natural Right, and Hegel’s Jena Realphilosophie. By turning to the tradition of German Rechtsphilosophie as opposed to the more standard libertarian and utilitarian frameworks of property, it explores the metaphysical, normative, political, and material questions that make property intelligible as a social relation. The book formulates a normative theory of property rooted in practical reason, mutual recognition, and social freedom. This relational theory of property, inspired by German Idealism, brings a fresh angle to contemporary property theory. Additionally, it provides crucial philosophical background to 19th-century debates on private property, inequality, labor, socialism, capitalism, and the state.The Concept of Property in Kant, Fichte, and Hegel will appeal to scholars and advanced students interested in 19th-century German philosophy, social and political philosophy, philosophy of law, political theory, and political economy.

This book provides a detailed account of the role of property in German Idealism. It puts the concept of property in the center of the philosophical systems of Kant, Fichte, and Hegel and shows how property remains tied to their conceptions of freedom, right, and recognition.The book begins with a critical genealogy of the concept of property in modern legal philosophy, followed by a reconstruction of the theory of property in Kant’s Doctrine of Right, Fichte’s Foundations of Natural Right, and Hegel’s Jena Realphilosophie. By turning to the tradition of German Rechtsphilosophie as opposed to the more standard libertarian and utilitarian frameworks of property, it explores the metaphysical, normative, political, and material questions that make property intelligible as a social relation. The book formulates a normative theory of property rooted in practical reason, mutual recognition, and social freedom. This relational theory of property, inspired by German Idealism, brings a fresh angle to contemporary property theory. Additionally, it provides crucial philosophical background to 19th-century debates on private property, inequality, labor, socialism, capitalism, and the state.The Concept of Property in Kant, Fichte, and Hegel will appeal to scholars and advanced students interested in 19th-century German philosophy, social and political philosophy, philosophy of law, political theory, and political economy.

Max Stirner’s The Unique and Its Property (1844) is the first ruthless critique of modern society. In All Things are Nothing to Me, Jacob Blumenfeld reconstructs the unique philosophy of Max Stirner (1806–1856), a figure that strongly influenced—for better or worse—Karl Marx, Friedrich Nietzsche, Emma Goldman as well as numerous anarchists, feminists, surrealists, illegalists, existentialists, fascists, libertarians, dadaists, situationists, insurrectionists and nihilists of the last two centuries. Misunderstood, dismissed, and defamed, Stirner’s work is considered by some to be the worst book ever written. It combines the worst elements of philosophy, politics, history, psychology, and morality, and ties it all together with simple tautologies, fancy rhetoric, and militant declarations. That is the glory of Max Stirner’s unique footprint in the history of philosophy. Jacob Blumenfeld wanted to exhume this dead tome along with its dead philosopher, but discovered instead that, rather than deceased, their spirits are alive and quite well, floating in our presence. All Things are Nothing to Me is a forensic investigation into how Stirner has stayed alive throughout time.