James A. Boon - Böcker
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4 produkter
4 produkter
Affinities and Extremes
Crisscrossing the Bittersweet Ethnology of East Indies History, Hindu-Balinese Culture, and Indo-European Allure
Häftad, Engelska, 1990
282 kr
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Examining representations of Balinese culture in complex contexts of Indonesia's colonial history, Hindu ritual practice as opposed to Islam, and comparative Indo-European hierarchies, Boon offers a powerful critique of doctrinal approaches to culture, religion, literature, politics, and the history of ideas and disciplines.
Other Tribes, Other Scribes
Symbolic Anthropology in the Comparative Study of Cultures, Histories, Religions and Texts
Häftad, Engelska, 1983
428 kr
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Any interpretation of another culture is itself embedded in a specific cultural context and historical moment. In this book, James A. Boon investigates the history, dialectics and practice of the symbolic analysis of cultural diversity. His aim is to formulate a general comparative approach to the study of symbolic processes, integrating the major different theories about symbolic forms that have been developed by other writers. In so doing, he discusses the varying theories and practice of such figures as Durkheim, Weber, Marx, Mauss, Frazer, Saussure, Peirce, Lowie, Malinowski, Sapir, Hocart, Benedict, Parsons, Levi-Strauss, Geertz, Barthes, Foucault and others; and brings together a wide range of related issues in anthropology, linguistics, intellectual history, the sociology of religion and comparative mythology and literature. This original integration of social scientific and literary analysis will appeal to a wide range of readers interested in anthropology, history, philosophy and literature.
The Anthropological Romance of Bali 1597-1972
Dynamic Perspectives in Marriage and Caste, Politics and Religion
Häftad, Engelska, 1977
428 kr
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For centuries Bali has generated provocative - and often conflicting - images in the minds of ethnographers and travellers alike. Professor Boon places our current understanding of Bali within the context of historical views of Balinese life and religion, beginning with the initial Dutch contacts after 1597. He approaches Balinese culture as a 'social romance' of flexible values and actions keyed to native ideals of an enduring hierarchy. In this way, he explains the changing perspectives of Bali throughout the colonial era; the relationship between marriage and caste; the enthusiasm of various outsiders for Balinese arts and lifestyle; and recent political developments, including communist factions and parties modelled on the idea of an ancestral caste. Based on field work in Indonesia as well as historical research, this book is the first thorough study of Balinese social and cultural dynamics. Professor Boon consolidates approaches from structuralism, comparative literature, interaction theory and the analysis of social organisation and social change in order to demonstrate the complex principles that make this island of enduring interest to students of other societies.
Verging on Extra-Vagance
Anthropology, History, Religion, Literature, Arts . . . Showbiz
Häftad, Engelska, 1999
557 kr
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In this book, James Boon ranges through history and around the globe in a series of provocative reflections on the limitations, attractions, and ambiguities of cultural interpretation. The book reflects the unusual keyword of its title, extra-vagance, a term Thoreau used to refer to thought that skirts traditional boundaries. Boon follows Thoreau's lead by broaching subjects as diverse as Balinese ritual, Montaigne, Chaucer, Tarzan, Perry Mason, opera, and the ideas of Jacques Derrida, Ruth Benedict, Kenneth Burke, and Mary Douglas. He makes creative and often playful leaps among eclectic texts and rituals that do not hold single, fixed meanings, but numerous, changing, and exceedingly specific ones. Boon opens by exploring links between ritual and reading, focusing on commentaries about the seclusion of menstruating women in Native American culture, trance dances in Bali, and circumcision (or lack of it) in contrasting religions. He considers the ironies of "first-person ethnography" by telling stories from his own fieldwork, reflecting on ethnological museums, and making seriocomic connections between Mark Twain and Marcel Mauss.In expansive discussions that touch on Manhattan and Sri Lanka, the Louvre and the "World of Coca-Cola" museum, willfully obscure academic theory and shamelessly commercial show business, Boon underlines the inadequacies of simple ideologies and pat generalizations. The book is a profound and eloquent exploration of cultural comparison by one of America's most original and innovative anthropologists.