James Garrison - Böcker

For centuries the most revered poem in the Western literary canon, Vergil's Aeneid celebrates the Roman virtue of pietas. In the preface to his English translation of the poem, John Dryden attempts to explain all that this virtue includes: "Piety alone," he writes, "comprehends the whole Duty of Man towards the Gods, towards his Country, and towards his Relations." Dryden's definition belongs to a dialogue about meaning that reflects a history of contention over religious, political, and moral issues of enduring cultural significance. Because it is the site of antagonism between pagan and Christian, republican and imperialist, emperor and pope, Protestant and Catholic, pietas and its derivatives in the modern languages bring to literary works multiple contexts of ideological dispute. This book traces the history of the Vergilian ideal from classical Latin to neoclassical English literature. In the process of, it comparatively engages interpretation of a range of literary works diversely responsive to the Aeneid: from the histories and historical epics of the Silver Age, to the medieval mirrors for magistrates, to Renaissance adaptations of Aeneid 4 and 12, and finally to Dryden's complete translation.

The objective of the following collected volume is to encourage a critical reflection on the relationship between "power" and "non-power" in our contemporary "world" and, proceeding from various philosophical traditions, to investigate the multifaceted aspects of this relationship. The authors’ respective investigations proceed from an intercultural perspective and fall predominantly in the domain of political theory and philosophy.This volume takes an intercultural political perspective, which means, on the one hand, involving non-European philosophies in a global debate about power relations and their effects in the world and, on the other hand, confronting local traditions of thought with a global inquiry in order to enter into a philosophical-political dialogue with these traditions. An intercultural approach of this type to political philosophy seeks not only to join others in reflecting upon global problems, but also to decenter of our understanding of the world, drawing attention to new ways of thinking. Insofar as the authors of the planned volume deal with "concrete" philosophical-political problems unfolding in various regions of the world, they seek to shed light on burning issues like migration, human rights violations, dictatorship and language, global poverty, power asymmetries, experiences of injustice with the further goal of offering a particularly intercultural analysis of these problems along with approaches to resolving them. To date, there is no book that collects various essays from different countries and perspectives and poses political-philosophical problems from an intercultural point of view.

Dryden and the Tradition of Panegyric explores the intriguing relationship between two distinct literary forms: the epic and panegyric. The study begins with a question inspired by a remark made by John Dryden in his Account of Annus Mirabilis, where he suggests that the same images serve equally for the epic poesy, and for the historic and panegyric. This curious observation led the author to investigate the tradition of panegyric in the seventeenth century, which had been largely overlooked. By examining works that claimed to belong to this genre, the study uncovers a literary tradition that warrants serious consideration, particularly for those interested in Dryden's poetry. The book recovers this tradition in chapters 2 and 3, and explores its influence on Dryden’s work in chapters 4 and 5.The study draws on numerous lesser-known works, and the author includes generous excerpts for analysis. All quotes from Dryden’s poetry are taken from The Poems of John Dryden (1958) by James Kinsley. Classical authors are referenced through The Loeb Classical Library, and neo-Latin authors are cited from specialized editions of the works of figures such as Desiderius Erasmus, Thomas More, and Walter Haddon. The book also offers translations of Latin panegyrics and critical commentary on them, with most translations prepared by Salle Ann Schlueter. This work sheds new light on Dryden's connection to the tradition of panegyric and offers readers a deeper understanding of its role in his poetry and its broader significance in literary history.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1975.

Dryden and the Tradition of Panegyric explores the intriguing relationship between two distinct literary forms: the epic and panegyric. The study begins with a question inspired by a remark made by John Dryden in his Account of Annus Mirabilis, where he suggests that the same images serve equally for the epic poesy, and for the historic and panegyric. This curious observation led the author to investigate the tradition of panegyric in the seventeenth century, which had been largely overlooked. By examining works that claimed to belong to this genre, the study uncovers a literary tradition that warrants serious consideration, particularly for those interested in Dryden's poetry. The book recovers this tradition in chapters 2 and 3, and explores its influence on Dryden’s work in chapters 4 and 5.The study draws on numerous lesser-known works, and the author includes generous excerpts for analysis. All quotes from Dryden’s poetry are taken from The Poems of John Dryden (1958) by James Kinsley. Classical authors are referenced through The Loeb Classical Library, and neo-Latin authors are cited from specialized editions of the works of figures such as Desiderius Erasmus, Thomas More, and Walter Haddon. The book also offers translations of Latin panegyrics and critical commentary on them, with most translations prepared by Salle Ann Schlueter. This work sheds new light on Dryden's connection to the tradition of panegyric and offers readers a deeper understanding of its role in his poetry and its broader significance in literary history.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1975.

The objective of the following collected volume is to encourage a critical reflection on the relationship between "power" and "non-power" in our contemporary "world" and, proceeding from various philosophical traditions, to investigate the multifaceted aspects of this relationship. The authors’ respective investigations proceed from an intercultural perspective and fall predominantly in the domain of political theory and philosophy.This volume takes an intercultural political perspective, which means, on the one hand, involving non-European philosophies in a global debate about power relations and their effects in the world and, on the other hand, confronting local traditions of thought with a global inquiry in order to enter into a philosophical-political dialogue with these traditions. An intercultural approach of this type to political philosophy seeks not only to join others in reflecting upon global problems, but also to decenter of our understanding of the world, drawing attention to new ways of thinking. Insofar as the authors of the planned volume deal with "concrete" philosophical-political problems unfolding in various regions of the world, they seek to shed light on burning issues like migration, human rights violations, dictatorship and language, global poverty, power asymmetries, experiences of injustice with the further goal of offering a particularly intercultural analysis of these problems along with approaches to resolving them. To date, there is no book that collects various essays from different countries and perspectives and poses political-philosophical problems from an intercultural point of view.

Offers a compelling intercultural perspective on body, art, self, and society.Reconsidering the Life of Power examines Chinese perspectives on bodily self-cultivation and explores how these can be resources for working past the ritual scripts of everyday life. In recent decades, European and American thinkers like Michel Foucault and Judith Butler have called attention to the way that people live out ritual scripts in order to be recognized by other people such that they might survive. Philosophers in China, however, have a long history of considering ritual not just in terms of confining power structures but also in terms of empowering artistic self-cultivation. Out of this convergence, a response to Butler's The Psychic Life of Power becomes possible, along with fascinating implications for improving real-world experience.James Garrison looks at art and aesthetics as a way of responding positively to the vicissitudes of everyday life. This means reframing ritual practice in domains like meditation, yoga, tai chi chuan, dance, calisthenics, fashion, and beyond as a kind of work that delves into and unearths society's long-accruing unconscious habits in a way that makes conscious one's everyday speech, comportment, countenance, and presence. The everyday body thus becomes an artwork, speaking in novel ways to the everyday self by revealing an alternative to the programmed ritual scripts through which most of us tend to survive. Reconsidering the Life of Power offers a compelling contemporary intercultural perspective on body, art, self, and society that bridges theory and practice by providing an actionable yet deeply philosophical approach to enhancing life.

Offers a compelling intercultural perspective on body, art, self, and society.Reconsidering the Life of Power examines Chinese perspectives on bodily self-cultivation and explores how these can be resources for working past the ritual scripts of everyday life. In recent decades, European and American thinkers like Michel Foucault and Judith Butler have called attention to the way that people live out ritual scripts in order to be recognized by other people such that they might survive. Philosophers in China, however, have a long history of considering ritual not just in terms of confining power structures but also in terms of empowering artistic self-cultivation. Out of this convergence, a response to Butler's The Psychic Life of Power becomes possible, along with fascinating implications for improving real-world experience.James Garrison looks at art and aesthetics as a way of responding positively to the vicissitudes of everyday life. This means reframing ritual practice in domains like meditation, yoga, tai chi chuan, dance, calisthenics, fashion, and beyond as a kind of work that delves into and unearths society's long-accruing unconscious habits in a way that makes conscious one's everyday speech, comportment, countenance, and presence. The everyday body thus becomes an artwork, speaking in novel ways to the everyday self by revealing an alternative to the programmed ritual scripts through which most of us tend to survive. Reconsidering the Life of Power offers a compelling contemporary intercultural perspective on body, art, self, and society that bridges theory and practice by providing an actionable yet deeply philosophical approach to enhancing life.

Responding to interconnected tragedies affecting minority populations in America, Black Bodies That Matter: Mourning, Rage, and Beauty brings together the Black Lives Matter movement with the framework developed by Judith Butler in Bodies That Matter. Butler’s analysis of subject life as a kind of melancholy—preempted mourning where loss itself is lost—and her advocacy of public forms of grieving like the AIDS Quilt, which brings lost lives out of the shadows, highlight the problematic connection between memory and loss when it comes to subjects who do not fully matter as they should. Taking her remarks on public memorials like the AIDS Quilt, her reading of Michel Foucault’s idea of the subject as a self-surveilling prisoner, and her examination of Louis Althusser’s scene where the voice of police authority bellows “Hey, you there!” and creates the “you” that turns around beholden to conscience, James Garrison examines resonances with black experience in America, which itself is marked by violence, surveillance, imprisonment, and encounters with the ominous voice of police authority. Investigating a wide array of black cultural expression, Black Bodies That Matter brings new insight to how mourning, vulnerability and invulnerability, rage, and beauty connect to human dignity and the depth and breadth of black loss.