James M. Skibo – författare

There are many ways to study pots or the sherds of pots. In this book James Skibo has focused on the surface wear and tear found on the resin-coated, low-fired cooking pots of the Kalinga people in north­ western Luzon. This detailed analysis is part of a much larger evalua­ tion of Kalinga pottery production and use by the staff members and students at the University of Arizona that has been underway since 1972. Here he has analyzed the variants among the possible residual clues on pots that have endured the stresses of having been used for cooking meat and vegetables or rice; standing on supports in the hearth fire; wall scrapings while distributing the food; being transported to the water source for thorough washing and scrubbing; followed by storage until needed again-a repetitive pattern of use. This well-controlled study made use of new pots provided for cooking purposes to one Kalinga household, as well as those pots carefully observed in other households-- 189 pots in all. Such an ethnoarchaeological approach is not unlike follOwing the course of the firing of a kiln-load of pots in other cultures, and then purchasing the entire product of this firing for analysis. Other important aspects of this Kalinga study are the chemical analysis of extracts from the ware to deduce the nature of the food cooked in them, and the experimental study of soot deposited on cooking vessels when they are in use.

The study of the human-made world, whether it is called artifacts, material culture, or technology, has burgeoned across the academy. This book is an attempt by practitioners of one program – Behavioral Archaeology – to furnish between two covers some of our basic principles, heuristic tools, and illustrative case studies.

The study of the human-made world, whether it is called artifacts, material culture, or technology, has burgeoned across the academy. This book is an attempt by practitioners of one program – Behavioral Archaeology – to furnish between two covers some of our basic principles, heuristic tools, and illustrative case studies.

For centuries, the goal of archaeologists was to document and describe material artifacts, and at best to make inferences about the origins and evolution of human culture and about prehistoric and historic societies. During the 1960s, however, a number of young, primarily American archaeologists, including William Longacre, rebelled against this simplistic approach. Wanting to do more than just describe, Longacre and others believed that genuine explanations could be achieved by changing the direction, scope, and methodology of the field. What resulted was the New Archaeology, which blended scientific method and anthropology. It urged those working in the field to formulate hypotheses, derive conclusions deductively and, most important, to test them. While, over time the New Archaeology has had its critics, one point remains irrefutable: archaeology will never return to what has since been called its “state of innocence.”In this collection of twelve new chapters, four generations of Longacre protégés show how they are building upon and developing but also modifying the theoretical paradigm that remains at the core of Americanist archaeology. The contributions focus on six themes prominent in Longacre’s career: the intellectual history of the field in the late twentieth century, archaeological methodology, analogical inference, ethnoarchaeology, cultural evolution, and reconstructing ancient society.More than a comprehensive overview of the ideas developed by one of the most influential scholars in the field, however, Archaeological Anthropology makes stimulating contributions to contemporary research. The contributors do not unequivocally endorse Longacre’s ideas; they challenge them and expand beyond them, making this volume a fitting tribute to a man whose robust research and teaching career continues to resonate.

The 1992 publication of Pottery Function brought together the ethnographic study of the Kalinga and developed a method and theory for how pottery was actually used. Since then, there have been considerable advances in understanding how pottery was actually used, particularly in the area of residue analysis, abrasion, and sooting/carbonization. At the 20th anniversary of the book, it is time to assess what has been done and learned. One of the concerns of those working in pottery analysis is that they are unsure how to “do” use-alteration analysis on their collection. Another common concern is understanding intended pottery function—the connections between technical choices and function. This book is designed to answer these questions using case studies from the author and his colleagues for applying use-alteration analysis to infer actual pottery function. The focus of Understanding Pottery Function is on how practicing archaeologists can infer function from their ceramic collection.

The 1992 publication of Pottery Function brought together the ethnographic study of the Kalinga and developed a method and theory for how pottery was actually used. Since then, there have been considerable advances in understanding how pottery was actually used, particularly in the area of residue analysis, abrasion, and sooting/carbonization. At the 20th anniversary of the book, it is time to assess what has been done and learned. One of the concerns of those working in pottery analysis is that they are unsure how to “do” use-alteration analysis on their collection. Another common concern is understanding intended pottery function—the connections between technical choices and function. This book is designed to answer these questions using case studies from the author and his colleagues for applying use-alteration analysis to infer actual pottery function. The focus of Understanding Pottery Function is on how practicing archaeologists can infer function from their ceramic collection.

There are many ways to study pots or the sherds of pots. In this book James Skibo has focused on the surface wear and tear found on the resin-coated, low-fired cooking pots of the Kalinga people in north­ western Luzon. This detailed analysis is part of a much larger evalua­ tion of Kalinga pottery production and use by the staff members and students at the University of Arizona that has been underway since 1972. Here he has analyzed the variants among the possible residual clues on pots that have endured the stresses of having been used for cooking meat and vegetables or rice; standing on supports in the hearth fire; wall scrapings while distributing the food; being transported to the water source for thorough washing and scrubbing; followed by storage until needed again-a repetitive pattern of use. This well-controlled study made use of new pots provided for cooking purposes to one Kalinga household, as well as those pots carefully observed in other households-- 189 pots in all. Such an ethnoarchaeological approach is not unlike follOwing the course of the firing of a kiln-load of pots in other cultures, and then purchasing the entire product of this firing for analysis. Other important aspects of this Kalinga study are the chemical analysis of extracts from the ware to deduce the nature of the food cooked in them, and the experimental study of soot deposited on cooking vessels when they are in use.