James Werner – författare
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3 produkter
3 produkter
299 kr
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The Blues Brothers - The Escape of Joliet Jake: It’s 1997, almost two decades after the events in THE BLUES BROTHERS film and Chicago law enforcement is once again in pursuit of the notorious musical criminal, Jake Blues, after a mysterious jailbreak.In the case is Robert, an up and coming detective, whose world is turned upside down… While investigating, Robert receives a little help from Elwood Blues, and an unlikely partnership forms between Robert and Wolfie, an orphan from the Blues Brother’s alma-mater, St. Helen’s of the Blessed Shroud. Together, they unravel a web of mysteries tied to Blues Brothers adventures with Jake and Elwood that we’ve never seen before! Get back to the heart of recidivist mischief, soul and bombastic chases. Sink your teeth into a new Blues Brothers adventure.
813 kr
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American Flaneur investigates the connections between Edgar A. Poe and the nineteenth-century flaneur - or strolling urban observer - suggested in Walter Benjamin's discussion of Baudelaire. This study illustrates the centrality of the flaneur to Poe's literary aims, and uses the flaneur to illuminate Poe's intimate yet ambivalent relationship to his surrounding culture.While James V. Werner concentrates on Poe's fiction, this book treats many areas of nineteenth-century intellectual and popular culture, including science and pseudo-science, the American magazine marketplace, urban topology, the grotesque, labyrinths, narratives of exploration and discovery, and cosmological treatises. Werner draws on Marxist, reader response and periodical theories while reconstructing Poe through examinations of ephemeral texts of the time.
2 454 kr
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American Flaneur investigates the connections between Edgar A. Poe and the nineteenth-century flaneur - or strolling urban observer - suggested in Walter Benjamin's discussion of Baudelaire. This study illustrates the centrality of the flaneur to Poe's literary aims, and uses the flaneur to illuminate Poe's intimate yet ambivalent relationship to his surrounding culture. While James V. Werner concentrates on Poe's fiction, this book treats many areas of nineteenth-century intellectual and popular culture, including science and pseudo-science, the American magazine marketplace, urban topology, the grotesque, labyrinths, narratives of exploration and discovery, and cosmological treatises. Werner draws on Marxist, reader response and periodical theories while reconstructing Poe through examinations of ephemeral texts of the time.