Jamie Miller - Böcker

The demise of apartheid was one of the great achievements of postwar history, sought after and celebrated by a progressive global community. Looking at these events from the other side, An African Volk explores how the apartheid state strove to maintain power as the world of white empire gave way to a post-colonial environment that repudiated racial hierarchy. Drawing upon archival research across Southern Africa and beyond, as well as interviews with leaders of the apartheid order, Jamie Miller shows how the white power structure attempted to turn the new political climate to its advantage. Instead of simply resisting decolonization and African nationalism in the name of white supremacy, the regime looked to co-opt and invert the norms of the new global era to promote a fresh ideological basis for its rule. It adapted discourses of nativist identity, African anti-colonialism, economic development, anti-communism, and state sovereignty to rearticulate what it meant to be African. An African Volk details both the global and local repercussions. At the dawn of the 1970s, the apartheid state reached out eagerly to independent Africa in an effort to reject the mantle of colonialism and redefine the white polity as a full part of the post-colonial world. This outreach both reflected and fuelled heated debates within white society, exposing a deeply divided polity in the midst of profound economic, cultural, and social change. Situated at the nexus of African, decolonization, and Cold War history, An African Volk takes readers into the corridors of white power to detail the apartheid regime's campaign to break out of isolation and secure global acceptance.

The demise of apartheid was one of the great achievements of postwar history, sought after and celebrated by a progressive global community. Looking at these events from the other side, An African Volk explores how the apartheid state strove to maintain power as the world of white empire gave way to a post-colonial environment that repudiated racial hierarchy. Drawing upon archival research across Southern Africa and beyond, as well as interviews with leaders of the apartheid order, Jamie Miller shows how the white power structure attempted to turn the new political climate to its advantage. Instead of simply resisting decolonization and African nationalism in the name of white supremacy, the regime looked to co-opt and invert the norms of the new global era to promote a fresh ideological basis for its rule. It adapted discourses of nativist identity, African anti-colonialism, economic development, anti-communism, and state sovereignty to rearticulate what it meant to be African. An African Volk details both the global and local repercussions. At the dawn of the 1970s, the apartheid state reached out eagerly to independent Africa in an effort to reject the mantle of colonialism and redefine the white polity as a full part of the post-colonial world. This outreach both reflected and fuelled heated debates within white society, exposing a deeply divided polity in the midst of profound economic, cultural, and social change. Situated at the nexus of African, decolonization, and Cold War history, An African Volk takes readers into the corridors of white power to detail the apartheid regime's campaign to break out of isolation and secure global acceptance.

Raise a glass and a paddle to the nation’s favourite new pastime! Pickleball isn’t a game - it’s a lifestyle. And Dinking All Day is a guaranteed smash for court conquerors and sideline supporters alike. Serving a delightful blend of humour, expertise, inspiration, and refreshment, this irresistible ode to the game will paint the line with pickleball lovers.

Make It Your Own: Recipes and Inspiration for the Creative Cook"" is a new kind of cookbook. Written for those who love to create unique, exciting meals for family and friends, it is filled with wildly flavorful recipes that boldly combine tastes from the world over. It accomplishes this in exciting new ways that inspire a sense of adventure in cooking. Each recipe is followed by a minimum of two variations?Classic Combos and Daring Pairings?that show the reader how a few minor changes to a recipe can result in a completely new dish. For instance, the author's prize-winning Spice Dusted Salmon with Curried Orange-Apricot Sauce is paired as a classic combo with Mustard Seed Salmon with Lemon-Dill Aioli.""

Make It Your Own: Recipes and Inspiration for the Creative Cook"" is a new kind of cookbook. Written for those who love to create unique, exciting meals for family and friends, it is filled with wildly flavorful recipes that boldly combine tastes from the world over. It accomplishes this in exciting new ways that inspire a sense of adventure in cooking. Each recipe is followed by a minimum of two variations?Classic Combos and Daring Pairings?that show the reader how a few minor changes to a recipe can result in a completely new dish. For instance, the author's prize-winning Spice Dusted Salmon with Curried Orange-Apricot Sauce is paired as a classic combo with Mustard Seed Salmon with Lemon-Dill Aioli.""

The Mezhrabpom (International Workers’ Relief) studio was responsible for Soviet avant-garde classics such as Pudovkin’s The End of Saint Petersburg (1927) and Storm Over Asia (1928) and existed from 1924 until its closure in 1936. Employing an unusual – for the time – combination of Russian filmmakers and foreign communists, it produced some of the most popular films in the USSR in the first half of the twentieth century. Jamie Miller details the history of this organisation, often at the forefront of technological innovations, and how it both provided a source of creative talent for the state and established a crucial relationship with Germany and the West to fulfil Soviet propaganda ambitions. He reveals the multi-faceted reasons that the studio managed to preserve its autonomy and status, despite relentless attacks over suspicions that it put profit above ideology: unearthing the systems of power distribution, personal connections and patronage that kept it afloat. Unique in its visionary genre and style experiments, Mezhrabpom also stood out as an early pioneer in the fight against fascism, when the USSR and wider communist movement failed to act. Miller therefore provides a rich account of the production stories and the industrial and political context behind a major cultural institution in the Soviet story, one fundamental to our understanding of world cinema history.The studio intended to make popular literary adaptations, based on the actor-centred influences of the Moscow Art Theatre and Russia's pre-Revolutionary cinema. These movies and its productions of avant-garde classics were among some of the most popular films in the USSR in the first half of the twentieth century. Jamie Miller details the history of this organisation, arguing that personal connections and patronage among the Bolshevik political and cultural elite were vital in the creation and sustenance of the studio. They gave the organisation the opportunity to make box office hits and create outstanding films in a distinctive Mezhrabpom visual style. Miller recounts how the studio was often at the forefront of technological innovations, and how it both provided a source of creative talent for the state and established a crucial relationship with Germany and the West to fulfil Soviet propaganda ambitions. Mezhrabpom also stood out as an early pioneer in the fight against fascism, when the USSR and wider communist movement failed to act. Miller therefore provides a rich account of the production stories and the industrial and political context behind a major cultural institution in the Soviet story, one fundamental to our understanding of world cinema history.