Jan-Peer Hartmann - Böcker
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4 produkter
4 produkter
Material Remains
Reading the Past in Medieval and Early Modern British Literature
Inbunden, Engelska, 2021
1 773 kr
Skickas inom 3-6 vardagar
Material Remains
Reading the Past in Medieval and Early Modern British Literature
Häftad, Engelska, 2024
737 kr
Skickas inom 5-8 vardagar
1 420 kr
Skickas inom 5-8 vardagar
Strange matter offers exciting new perspectives on the premodern fascination with materiality and the various ways in which the Middle Ages and subsequent periods experienced things in time. Drawing on a wide selection of examples that range from medieval texts and artefacts of both European and non-European origin to Macbeth’s highly evocative meditation on bubbles, the essays compiled in this volume look beyond the confines of the Anglophone world. As they engage critically with the specific temporal otherness modernity has so often ascribed to medieval texts and artefacts, the contributors also enter into productive dialogue with recent trends in criticism, such as thing studies and the growing field of ‘object biographies’ in cultural studies and museology.
1 334 kr
Skickas inom 7-10 vardagar
Argues for a new understanding of Old English responses to materiality and historical change. Human communities have interacted with the material remains of earlier periods for millennia. Such "archaeological objects" - including bones, coins, weapons, building materials and architectural landmarks - were physically handled, reused, transformed and reinterpreted; they were also depicted in literature. This book examines how Old English texts imagine such human encounters with the remnants of the past. It explores Elene's perspective on the discovery of the True Cross as a narrative of political, spiritual and epistemic translatio and the multiple ways in which The Wanderer and The Ruin use images of ruins and the poetic formula "work of giants'" to construct an unknown and unrecoverable past; it also considers the engagements with 'untimely objects' in Beowulf and the Anonymous Old English Legend of the Seven Sleepers and how the Ruthwell Cross Poem and The Dream of the Rood play off "figural'" against 'literal' history. As this study demonstrates, Old English texts combined and creatively adapted a broad variety of ways of conceptualizing not merely history, but indeed the very processes by which historical thought operates. Its careful readings show that these texts not only display a deep and conflicted understanding of the philosophical implications of viewing history and temporality through the prism of material objects, but also exhibit a powerful capacity for expressing such an understanding through aesthetic strategies.