Jan-Ulrich Sobisch – författare

The definitive presentation of one of the most unique and compelling works of classical Tibetan literature.This book presents an influential and extraordinary teaching of the Kagyü tradition of Tibetan Buddhism known as the Single Intention by the master Drigung Jikten Sumgön (1143–1217), along with its chief commentaries, principally the Light of the Sun by Rikzin Chökyi Drakpa (1595–1659). Early in the history of the Kagyü school, the teachings of Jikten Sumgön were condensed into 150 core formulations of philosophical wisdom called vajra statements. These pithy, revelatory statements comprise the Single Intention (dgongs gcig), which presents the thought of the Buddha and the nature of the “ineffable” (brjod du med pa) in concise and direct expression. Ineffable mahamudra is the essence of all vajra statements and the stuff that holds them all together. At the same time, the Single Intention also weaves the thread of mahamudra through the entire fabric of Buddhism. It presents mahamudra as pervading disciplined conduct, meditative concentration, and discriminative knowledge; ground, path, and result; view, practice, and conduct; and the “three vows” of pratimoksa, of the bodhisattvas, and of mantra. Jikten Sumgön teaches how the fundamental values and insights revealed by the Buddha are woven into reality and therefore accessible to all. Jan-Ulrich Sobisch is a meticulous scholar who manages to convey the unity of the Buddha’s message, both in its particulars and in its scope. His deep and authoritative skill makes this the definitive presentation of one of the most unique and compelling works of classical Tibetan literature.

Script and writing were among the most important inventions in human history, and until the invention of printing, the handwritten book was the primary medium of literary and cultural transmission. Although the study of manuscripts is already quite advanced for many regions of the world, no unified discipline of ‘manuscript studies’ has yet evolved which is capable of treating handwritten books from East Asia, India and the Islamic world equally alongside the European manuscript tradition. This book, which aims to begin the interdisciplinary dialogue needed to arrive at a truly systematic and comparative approach to manuscript cultures worldwide, brings together papers by leading researchers concerned with material, philological and cultural aspects of different manuscript traditions.

Script and writing were among the most important inventions in human history, and until the invention of printing, the handwritten book was the primary medium of literary and cultural transmission. Although the study of manuscripts is already quite advanced for many regions of the world, no unified discipline of ‘manuscript studies’ has yet evolved which is capable of treating handwritten books from East Asia, India and the Islamic world equally alongside the European manuscript tradition. This book, which aims to begin the interdisciplinary dialogue needed to arrive at a truly systematic and comparative approach to manuscript cultures worldwide, brings together papers by leading researchers concerned with material, philological and cultural aspects of different manuscript traditions.

Script and writing were among the most important inventions in human history, and until the invention of printing, the handwritten book was the primary medium of literary and cultural transmission. Although the study of manuscripts is already quite advanced for many regions of the world, no unified discipline of ‘manuscript studies’ has yet evolved which is capable of treating handwritten books from East Asia, India and the Islamic world equally alongside the European manuscript tradition. This book, which aims to begin the interdisciplinary dialogue needed to arrive at a truly systematic and comparative approach to manuscript cultures worldwide, brings together papers by leading researchers concerned with material, philological and cultural aspects of different manuscript traditions.

Divining with Achi and Tārā is a book on Tibetan methods of prognostics with dice and prayer beads (mālā). Jan-Ulrich Sobisch offers a thorough discussion of Chinese, Indian, Turkic, and Tibetan traditions of divination, its techniques, rituals, tools, and poetic language. Interviews with Tibetan masters of divination introduce the main part with a translation of a dice divination manual of the deity Achi that is still part of a living tradition. Solvej Nielsen contributes further interviews, a mālā divination of Tārā and its oral tradition, and very useful glossaries of the terminology of Tibetan divination and fortune telling. Appendices provide lists of deities and spirits and of numerous identified ritual remedies and supports that are an essential element of a still vibrant Tibetan culture.