Janet Catherine Berlo – författare
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12 produkter
12 produkter
Häftad, Engelska, 1998
272 kr
Skickas inom 7-10 vardagar
An innovative survey of Native North American art history which fully incorporates substantive new research and scholarship, and examines such issues as gender, representation, the colonial encounter, and contemporary arts. By encompassing both the sacred and secular, political and domestic, the ceremonial and commercial, it shows the importance of the visual arts in maintaining the integrity of spiritual, social , political, and economic systems within Native North American societies. This exciting new investigation explores the indigenous arts of the US and Canada from the early pre-contact period to the present day, stressing the conceptual and iconographic continuities over five centuries and across an immensely diverse range of regions. The richness of Native American art is emphasized through discussions of basketry, wood and rock carvings, dance masks, and beadwork, alongside the contemporary vitality of paintings and installations by modern artists such as Robert Davidson, Emmi Whitehorse, and Alex Janvier. 'the best guide yet to understanding the complexities of Native North American art . . . a solidly ground, sophisticated history, combining art history, anthropology, and cultural studies . . . splendidly well-written . . . useful and timely.' Gerald McMaster, Curator of Art, Canadian Museum of Civilization
Häftad, Engelska
1 608 kr
Skickas inom 3-6 vardagar
Häftad, Engelska, 1996
535 kr
Skickas inom 10-15 vardagar
In this volume, anthropologists, art historians, fiber artists, and technologists come together to explore the meanings, uses, and fabrication of textiles in Mexico, Guatemala, Ecuador, Peru, and Bolivia from Precolumbian times to the present. Originally published in 1991 by Garland Publishing, the book grew out of a 1987 symposium held in conjunction with the exhibit "Costume as Communication: Ethnographic Costumes and Textiles from Middle America and the Central Andes of South America" at the Haffenreffer Museum of Anthropology, Brown University.
Inbunden, Engelska, 2023
440 kr
Skickas inom 3-6 vardagar
Explores the making and meaning of so-called Native American artThe faking of Native American art objects has proliferated as their commercial value has increased, but even a century ago experts were warning that the faking of objects ranging from catlinite pipes to Chumash sculpture was rampant. Through a series of historical and contemporary case studies, Janet Catherine Berlo engages with troubling and sometimes confusing categories of inauthenticity.Based on decades of research as well as interviews with curators, collectors, restorers, replica makers, reenactors, and Native artists and cultural specialists, Not Native American Art examines the historical and social contexts within which people make replicas and fakes or even invent new objects that then become "traditional." Berlo follows the unexpected trajectories of such objects, including Northwest Coast carvings, "Navajo" rugs made in Mexico, Zuni mask replicas, Lakota-style quillwork, and Mimbres bowl forgeries. With engaging anecdotes, the book offers a rich and nuanced understanding of a surprisingly wide range of practices that makers have used to produce objects that are "not Native American art."
Häftad, Engelska, 2004
168 kr
Skickas inom 10-15 vardagar
In the middle of a successful academic career, art historian Janet Catherine Berlo found herself literally at a loss for words. A severe case of writer's block forced her to abandon a book manuscript midstream; she found herself quilting instead. Scorning the logic, planning, and order of scholarship and writing, she immersed herself in freewheeling patterns and vivid colors. For eighteen months she spent all day, every day, quilting. This book penetrates to the very heart of women's lives, focusing on their relationships to family and friends, to work, to daily tasks. It is a search for meaning at midlife, a search for an integration of career and creativity.
Inbunden, Engelska
772 kr
Skickas inom 3-6 vardagar
Häftad, Engelska, 1983
391 kr
Skickas inom 3-6 vardagar
Del 12 - Dumbarton Oaks Pre-Columbian Symposia and Colloquia
Art, Ideology, and the City of Teotihuacan
Häftad, Engelska, 2024
529 kr
Skickas
Del 199 - BAR International
Teotihuacan Art Abroad, Part i
A study of metropolitan style and provincial transformation in incensario workshops
Häftad, Engelska, 1984
376 kr
Skickas inom 3-6 vardagar
Del 199 - BAR International
Teotihuacan Art Abroad, Part ii
A study of metropolitan style and provincial transformation in incensario workshops
Häftad, Engelska, 1984
391 kr
Skickas inom 3-6 vardagar
Inbunden, Engelska, 2024
451 kr
Kommande
Past Forward highlights Gilcrease Museum’s unique collection, which gathers together more than three millennia of Native American art. The richly illustrated catalogue features new scholarship on a diverse group of artworks, including dialogues between the curators and Native artists, scholars, and elders. Past Forward encompasses art historical, archeological, and archival objects, exploring visual motifs and knowledge systems across millennia and affirming this material as central to American art history. The texts within the book amplify Native American voices by enlisting Indigenous frameworks through new scholarship and dialogues with artists, scholars, and elders.
Inbunden, Engelska, 2024
512 kr
Skickas inom 5-8 vardagar
Sonya Kelliher-Combs offers a chronicle of the ongoing struggle for self-definition and identity in the Alaskan context. Her combination of shared iconography with intensely personal imagery demonstrates the generative power that each vocabulary has over the other. Similarly, her use of synthetic, organic, traditional and modern materials moves beyond oppositions between Western/Native culture, self/other and man/nature, to examine their interrelationships and interdependence while also questioning accepted notions of beauty. Kelliher-Combs' process dialogues the relationship of her work to skin, the surface by which an individual is mediated in culture. Sonya Kelliher-Combs was raised in the Northwest Alaska community of Nome. Her Bachelor of Fine Arts degree is from the University of Alaska Fairbanks and Master of Fine Arts is from Arizona State University. Through her mixed media painting and sculpture, Kelliher-Combs offers a chronicle of the ongoing struggle for self-definition and identity in the Alaskan context. Her combination of shared iconography with intensely personal imagery demonstrates the generative power that each vocabulary has over the other. Similarly, her use of synthetic, organic, traditional and modern materials moves beyond oppositions between Western/Native culture, self/other and man/nature, to examine their interrelationships and interdependence while also questioning accepted notions of beauty. Kelliher-Combs' process dialogues the relationship of her work to skin, the surface by which an individual is mediated in culture. Kelliher-Combs' work has been shown in numerous individual and group exhibitions in Alaska, the United States and internationally, including the national exhibition Changing Hands 2: Art without Reservation and SITELINES: Much Wider Than a Line. She is a recipient of the prestigious United States Arts Fellowship, Joan Mitchell Fellowship, Eiteljorg Fellowship for Native American Fine Art, and a Rasmuson Fellowship. Her work is included in the collections of the IAIA Museum of Contemporary Native Art, Anchorage Museum, Alaska State Museum, University of Alaska Museum of the North, Eiteljorg Museum, and The National Museum of the American Indian. Kelliher-Combs currently lives and works in Anchorage, Alaska.