Janet McAdams - Böcker

The two-hundred-year-old myth of the ""vanishing"" American Indian still holds some credence in the American Southeast, the region from which tens of thousands of Indians were relocated after passage of the Indian Removal Act in 1830. Yet, as the editors of this volume amply demonstrate, a significant Indian population remained behind after those massive relocations.The first anthology to focus on the literary work of Native Americans who trace their  ancestry to ""people who stayed"" in southeastern states after 1830, this volume represents every state and every genre, including short stories, excerpts from novels, poetry, essays, plays, and even Web postings. Although most works are contemporary, the collection covers the entire post-Removal era. Some of the contributors are well known, while others have only recently emerged as important literary voices.All of the writers in The People Who Stayed affirm their Indian ancestry, though many live outside the Southeast today. As this anthology demonstrates, indigenous Southeastern writing engages the local and the global, the traditional and the modern. While many speak to the prospects and perils of acculturation, all the writers bear witness to the ways, oblique or straightforward, that they and their families continue to honor their Indian identities despite the legacy of removal.In an introduction to the volume and in headnotes on each contributor, the editors provide historical context and literary insight on the diversity of writing and lived experiences found in these pages. All readers, from students to scholars, will gain newfound understanding of the literature - and the human experience - of Native people of the American Southeast.

This trip wasn't about her, her need to escape. She had been too young when it happened. Too young to understand what could be worth risking everything for. Even now they seemed naïve, foolish in their belief that anything could change. They had tried to save a generation. If she couldn't save them, she might find a way to finish their story.   Neva Greene is seeking answers.   The daughter of American Indian activists, Neva hasn't seen or heard from her parents since they vanished a decade earlier, after planning an act of resistance that went terribly wrong. Discovering a long-overlooked clue to their disappearance, Neva follows their trail to Central America, leaving behind an uncaring husband, an estranged brother, and a life of lukewarm commitments.   Determined to solve the mystery of her parents' disappearance, Neva finds work teaching English in the capital city of tiny Coatepeque, a country torn by its government's escalating war on its Indigenous population. As the violence and political unrest grow around her, Neva meets a man whose tenderness toward her seems to contradict his shadowy political connections.   Against the backdrop of Central American politics, this suspenseful first novel from award-winning poet Janet McAdams explores an important chapter in American Indian history. Through finely drawn,  compelling characters and lucidly beautiful prose, Red Weather explores the journey from loss to possibility, from the secrets of the past to the longings of the present.

“Seven Boxes for the Country After is a book about a way-making and way-finding. It is a journey, both internal and external, across a map, over borders, through a life, and in a body. It is passage and pilgrimage, odyssey and exile. Above all it is a book of questions. What do we carry with us and what do we leave behind? Where do we keep the past and what do we keep it in? How do we measure a person, a country, a love, a loss? What do we remember? What can’t we forget? What do we declare and what do we declare it with: our words and mouths? our bodies and hands? in blue ink or black? If as Eudora Welty wrote, ‘The memory is a living thing—it too is in transit,’ then McAdams is an honest and faithful courier. The poems serve as storage boxes into which a memory is placed, then wrapped and bound. In poem after poem McAdams guides us to our most intimate spaces, the candy tin nestled between the handkerchiefs in a dresser’s top drawer, the cigar box packed in the trunk and stored in the attic, and she allows us to open and sit with our deepest selves.”—Catherine Wing“In an ideal world, all books would marry the lyricism of poetry with the narrativity of prose. They would pose questions and provide answers. They would be both accessible and elusive. They would evoke a sense of place yet remain profoundly universal. They would elicit wonder and concepts we have known our whole lives. We know we don’t live in such a world because Janet McAdams’s gorgeous and mysterious Seven Boxes for the Country After gives us an idea of what we’ve been missing in much of what’s out there. This is a beautiful collection.”—Dean Rader