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23 produkter
23 produkter
Inbunden, Engelska, 2019
2 842 kr
Skickas inom 5-8 vardagar
The Oxford Handbook of Canadian Cinema is a rich, diverse overview of Canadian cinema. Responding to the latest developments in Canadian film studies this volume takes into account the variety of artistic voices, media technologies and places which have marked cinema in Canada throughout its history. Drawing on a range of established and emerging scholars from a range of disciplines, this volume will be useful to teachers, scholars and to a general readership interested in cinema in Canada. Moving beyond the director-focused approach of much previous scholarship, this book is concerned with communities, institutions, and audiences for Canadian cinema at both national and international levels. The choice of subjects covered ranges from popular, genre cinema to the most experimental of artistic interventions. Canadian cinema is seen in its interaction with other forms of art-making and media production in Canada and at the international level. Particular attention has been paid to the work of Indigenous filmmakers, members of diasporic communities and feminist and LGBTQ artists. The result is a book attentive to the complex social and institutional contexts in which Canadian cinema is made and consumed.
E-bok
PDF, Engelska, 20191 866 kr
Läs direkt efter köp
The chapters in The Oxford Handbook of Canadian Cinema present a rich, diverse overview of Canadian cinema. Responding to the latest developments in Canadian film studies, this volume takes into account the variety of artistic voices, media technologies, and places which have marked cinema in Canada throughout its history. Drawing on a range of established and emerging scholars from a range of disciplines, this volume will be useful to teachers, scholars, and to a general readership interested in cinema in Canada. Moving beyond the director-focused approach of much previous scholarship, this book is concerned with communities, institutions, and audiences for Canadian cinema at both national and international levels. The choice of subjects covered ranges from popular, genre cinema to the most experimental of artistic interventions. Canadian cinema is seen in its interaction with other forms of art-making and media production in Canada and at the international level. Particular attention has been paid to the work of Indigenous filmmakers, members of diasporic communities and feminist and LGBTQ artists. The result is a book attentive to the complex social and institutional contexts in which Canadian cinema is made and consumed.
E-bok
Engelska, 20191 866 kr
Läs direkt efter köp
The chapters in The Oxford Handbook of Canadian Cinema present a rich, diverse overview of Canadian cinema. Responding to the latest developments in Canadian film studies, this volume takes into account the variety of artistic voices, media technologies, and places which have marked cinema in Canada throughout its history. Drawing on a range of established and emerging scholars from a range of disciplines, this volume will be useful to teachers, scholars, and to a general readership interested in cinema in Canada. Moving beyond the director-focused approach of much previous scholarship, this book is concerned with communities, institutions, and audiences for Canadian cinema at both national and international levels. The choice of subjects covered ranges from popular, genre cinema to the most experimental of artistic interventions. Canadian cinema is seen in its interaction with other forms of art-making and media production in Canada and at the international level. Particular attention has been paid to the work of Indigenous filmmakers, members of diasporic communities and feminist and LGBTQ artists. The result is a book attentive to the complex social and institutional contexts in which Canadian cinema is made and consumed.
E-bok
Engelska, 2017490 kr
Läs direkt efter köp
When media translate the world to the world: twentieth-century utopian projects including Edward Steichen''s “Family of Man,” Jacques Cousteau''s underwater films, and Buckminster Fuller''s geoscope.
janine
Häftad, Engelska, 2023
591 kr
Skickas inom 5-8 vardagar
Inbunden, Engelska, 2000
1 463 kr
Skickas inom 10-15 vardagar
Wild Science investigates the world-wide boom in 'health culture'. While self-help health books and medical dramas are popular around the globe, we are bombarded with daily media images of DNA research, and news reports about cloning, the fight against AIDS, cancer and depression. With popular culture now the principal means through which the non-scientific population encounters science why do certain images of science get promoted above others?Contributors examine the public meanings of science, revealing the frictions and contradictions within popular representations of what medicine can and should do. Focusing on the visual culture of medicine, they show how representations of science have a direct impact on popular perceptions of the limits of science, and ultimately on health education, funding and research, and examine the belief that media literacy in popular representations of medicine makes an ethical public discourse on the aims of science possible.With sections addressing the new visual technologies which make the human body into a virtual territory, the diagnostic and medical practices centered around women's bodies, and popular debates around genetics and identity, Wild Science argues that science is a practice bound in values and institutions, and argues for a responsible engagement with the public cultures of science and health.
Häftad, Engelska, 2000
371 kr
Skickas inom 10-15 vardagar
Wild Science investigates the world-wide boom in 'health culture'. While self-help health books and medical dramas are popular around the globe, we are bombarded with daily media images of DNA research, and news reports about cloning, the fight against AIDS, cancer and depression. With popular culture now the principal means through which the non-scientific population encounters science why do certain images of science get promoted above others?Contributors examine the public meanings of science, revealing the frictions and contradictions within popular representations of what medicine can and should do. Focusing on the visual culture of medicine, they show how representations of science have a direct impact on popular perceptions of the limits of science, and ultimately on health education, funding and research, and examine the belief that media literacy in popular representations of medicine makes an ethical public discourse on the aims of science possible.With sections addressing the new visual technologies which make the human body into a virtual territory, the diagnostic and medical practices centered around women's bodies, and popular debates around genetics and identity, Wild Science argues that science is a practice bound in values and institutions, and argues for a responsible engagement with the public cultures of science and health.
Inbunden, Engelska, 2010
1 323 kr
Skickas inom 10-15 vardagar
Locating Migrating Media details the extent to which media productions, both televisual and cinematic, have sought out new and cheaper shot locations, creative staff, and financing around the world. The book contributes to debates about media globalization, focusing on the local impact of new sites of media production. The book's chapters also question the role that film and television industries and local and regional governments play in broader economic develop and tax incentive schemes.While metaphors of transportation, mobility, fluidity and change continue to serve as key concepts and frames for understanding contemporary media industries, products and processes, the essays in this book look to local spaces, neighborhoods, cultural workers and stories to ground the global—that is, to interrogate the effect of media globalization before, during and after film and television shooting and onsite production.By locating migrating media, these chapters seek to determine the political, economic and cultural conditions that produce contemporary forms of televisual and cinematic storytelling, and how these processes affect the inhabitants, the "look" and the very geopolitical future of local communities, neighborhoods, cities and regions. The focus on relocated screen production highlights the act of film- and television-making, both aesthetically and economically. To locate migrating media is therefore to determine the political and cultural economies of globalized sets and stages, be they in new studios or on city streets or, perhaps most importantly, in our imaginations.
Inbunden, Engelska, 2004
3 110 kr
Skickas inom 11-20 vardagar
'In quite a profound, high-modernist way, this succinct but comprehensive book deems its subject worthy of careful scholarly analysis. I applaud and recommend it for taking much of the nonsense out of McLuhan' - Topia Journal
'Feted and reviled in his own lifetime, Marshall McLuhan has made a dramatic comeback in recent years. Marchessault gives a balanced and carefully considered appraisal of McLuhan's contribution to cultural theory, which may be even more pertinent now, in the early twenty-first century, than when he originally formulated it in the 1950s and '60s'
Jim McGuigan, Professor of Cultural Analysis, Loughborough University
Why is McLuhan important? What use can we make of his approach to the media today? In this insightful critical introduction, McLuhan's contribution is carefully explained and his reputation reassessed. The book:
· Explains McLuhan's key ideas
· Engages with critical issues in media and contemporary art
· Demonstrates the relevance of his work for students
of media and communications
· Addresses his methodological contribution
· Revises our understanding of his place in the history of ideas.
Illustrated with many examples from the network society, the book works as a guide to anyone who wants to know why McLuhan is important.
Häftad, Engelska, 2004
659 kr
Skickas
'In quite a profound, high-modernist way, this succinct but comprehensive book deems its subject worthy of careful scholarly analysis. I applaud and recommend it for taking much of the nonsense out of McLuhan' - Topia Journal
'Feted and reviled in his own lifetime, Marshall McLuhan has made a dramatic comeback in recent years. Marchessault gives a balanced and carefully considered appraisal of McLuhan's contribution to cultural theory, which may be even more pertinent now, in the early twenty-first century, than when he originally formulated it in the 1950s and '60s'
Jim McGuigan, Professor of Cultural Analysis, Loughborough University
Why is McLuhan important? What use can we make of his approach to the media today? In this insightful critical introduction, McLuhan's contribution is carefully explained and his reputation reassessed. The book:
· Explains McLuhan's key ideas
· Engages with critical issues in media and contemporary art
· Demonstrates the relevance of his work for students
of media and communications
· Addresses his methodological contribution
· Revises our understanding of his place in the history of ideas.
Illustrated with many examples from the network society, the book works as a guide to anyone who wants to know why McLuhan is important.
Häftad, Engelska, 2015
430 kr
Skickas inom 5-8 vardagar
Media are incorporated into our physical environments more dramatically than ever before - literally opening up new spaces of interactivity and connection that transform the experience of being in the city. Public gatherings and movement, even the capabilities of democratic ideology, have been redefined. Urban Screens, mobile media, new digital mappings, and ambient and pervasive media have all created new ecologies in cities. How do we analyze these new spaces? Recognition of the mutual histories and research programs of urban and media studies is only the beginning. Cartographies of Place develops new vocabularies and methodologies for engaging with the distinctive situations and experiences created by media technologies which are reshaping, augmenting, and expanding urban spaces. The book builds upon the rich traditions and insights of a post-war generation of humanist scholars, media theorists, and urban planners. Authors engage with different historical and contemporary currents in urban studies which share a common concern for media forms, either as research tools or as the means for discerning the expressive nature of city spaces around the world. All of the media considered here are not simply "free floating," but are deeply embedded in the geopolitical, economic, and material contexts in which they are used. Cartographies of Place is exemplary of a new direction in interdisciplinary media scholarship, opening up new ways of studying the complexities of cities and urban media in a global context.
Häftad, Engelska, 2019
515 kr
Skickas inom 5-8 vardagar
Handmade films stretch back to cinema's beginnings, yet until now their rich history has been neglected. Process Cinema is the first book to trace the development of handmade and hand-processed film in its historical and contemporary contexts, and from a global perspective. Mapping the genealogy of handmade film, and uncovering confluences, influences, and interstices between various international movements, sites, and practices, Process Cinema positions the resurgence of handmade and process cinema as a counter-practice to the rise of digital filmmaking. This volume brings together a range of renowned academics and artists to examine contemporary artisanal films, DIY labs, and filmmakers typically left out of the avant-garde canon, addressing the convergence between the analog and the digital in contemporary process cinema. Contributors investigate the history of process cinema – unscripted, improvisatory manipulation of the physicality of film – with chapters on pioneering filmmakers such as Len Lye and Marie Menken, while others discuss an international array of collectives devoted to processing films in artist-run labs from South Korea to Finland, Australia to Austria, and Greenland to Morocco, along with historical and contemporary practices in Canada and the United States. Addressing the turn to a new, sustainable creative ecology that is central to handmade films in the twenty-first century, and that defines today's reinvigorated film cultures, Process Cinema features some of the most beautiful handcrafted films and the most forward-thinking filmmakers within a global context.
E-bok
PDF, Engelska, 2019440 kr
Läs direkt efter köp
Handmade films stretch back to cinema''s beginnings, yet until now their rich history has been neglected. Process Cinema is the first book to trace the development of handmade and hand-processed film in its historical and contemporary contexts, and from a global perspective. Mapping the genealogy of handmade film, and uncovering confluences, influences, and interstices between various international movements, sites, and practices, Process Cinema positions the resurgence of handmade and process cinema as a counter-practice to the rise of digital filmmaking. This volume brings together a range of renowned academics and artists to examine contemporary artisanal films, DIY labs, and filmmakers typically left out of the avant-garde canon, addressing the convergence between the analog and the digital in contemporary process cinema. Contributors investigate the history of process cinema – unscripted, improvisatory manipulation of the physicality of film – with chapters on pioneering filmmakers such as Len Lye and Marie Menken, while others discuss an international array of collectives devoted to processing films in artist-run labs from South Korea to Finland, Australia to Austria, and Greenland to Morocco, along with historical and contemporary practices in Canada and the United States. Addressing the turn to a new, sustainable creative ecology that is central to handmade films in the twenty-first century, and that defines today''s reinvigorated film cultures, Process Cinema features some of the most beautiful handcrafted films and the most forward-thinking filmmakers within a global context.
E-bok
PDF, Engelska, 2014385 kr
Läs direkt efter köp
Media are incorporated into our physical environments more dramatically than ever before - literally opening up new spaces of interactivity and connection that transform the experience of being in the city. Public gatherings and movement, even the capabilities of democratic ideology, have been redefined. Urban Screens, mobile media, new digital mappings, and ambient and pervasive media have all created new ecologies in cities. How do we analyze these new spaces? Recognition of the mutual histories and research programs of urban and media studies is only the beginning. Cartographies of Place develops new vocabularies and methodologies for engaging with the distinctive situations and experiences created by media technologies which are reshaping, augmenting, and expanding urban spaces. The book builds upon the rich traditions and insights of a post-war generation of humanist scholars, media theorists, and urban planners. Authors engage with different historical and contemporary currents in urban studies which share a common concern for media forms, either as research tools or as the means for discerning the expressive nature of city spaces around the world. All of the media considered here are not simply "free floating," but are deeply embedded in the geopolitical, economic, and material contexts in which they are used. Cartographies of Place is exemplary of a new direction in interdisciplinary media scholarship, opening up new ways of studying the complexities of cities and urban media in a global context.
E-bok
Engelska, 2014384 kr
Läs direkt efter köp
Media are incorporated into our physical environments more dramatically than ever before - literally opening up new spaces of interactivity and connection that transform the experience of being in the city. Public gatherings and movement, even the capabilities of democratic ideology, have been redefined. Urban Screens, mobile media, new digital mappings, and ambient and pervasive media have all created new ecologies in cities. How do we analyze these new spaces? Recognition of the mutual histories and research programs of urban and media studies is only the beginning. Cartographies of Place develops new vocabularies and methodologies for engaging with the distinctive situations and experiences created by media technologies which are reshaping, augmenting, and expanding urban spaces. The book builds upon the rich traditions and insights of a post-war generation of humanist scholars, media theorists, and urban planners. Authors engage with different historical and contemporary currents in urban studies which share a common concern for media forms, either as research tools or as the means for discerning the expressive nature of city spaces around the world. All of the media considered here are not simply "free floating," but are deeply embedded in the geopolitical, economic, and material contexts in which they are used. Cartographies of Place is exemplary of a new direction in interdisciplinary media scholarship, opening up new ways of studying the complexities of cities and urban media in a global context.
Häftad, Engelska, 1999
409 kr
Skickas inom 10-15 vardagar
Since Nell Shipman wrote and starred in Back to God's Country (1919), Canadian women have been making films. The accolades given to film-makers such as Patricia Rozema (I've Heard the Mermaids Singing, When Night is Falling), Alanis Obomsawin (Kanehsatake: 270 Years of Resistance), and Micheline Lanctôt (Deux actrices) at festivals throughout the world in recent years attest to the growing international recognition for films made by Canadian women. With Gendering the Nation the editors have produced a definitive collection of essays, both original and previously published, that address the impact and influence of a century of women's film-making in Canada. In dialogue with new paradigms for understanding the relationship of cinema with nation and gender, Gendering the Nation seeks to situate women's cinema through the complex optic of national culture. This collection of critical essays employs a variety of frameworks to analyse cinematic practices that range from narrative to documentary to the avant-garde.
Häftad, Engelska, 2008
470 kr
Skickas inom 5-8 vardagar
As a medium, film is constantly evolving both in form and in content. Fluid Screens, Expanded Cinema considers the shift from traditional cinema to new frontiers of interactive, performative, and networked media.Using the theories of Marshall McLuhan and Gilles Deleuze as a starting point, renowned scholars from the fields of film theory, communication studies, cultural studies, and new media theory explore the ways in which digital technology is transforming contemporary visual culture. The essays consider a series of questions: What constitutes the "new" in new media? How are digital aesthetics different from film aesthetics? What new forms of spectatorship and storytelling, political community, and commodity production are being enabled through the digital media?Using Gene Youngblood's 1970 book Expanded Cinema as an anchor for the volume, Fluid Screens, Expanded Cinema understands the digital not simply as a technological form, but also as an experience of space and time that is tied to capitalism. This important collection is unique in framing a range of social justice issues with aesthetic theories of new digital screen culture that will appeal to scholars and multimedia artists prepared to break new ground.
E-bok
PDF, Engelska, 2013436 kr
Läs direkt efter köp
Wild Science investigates the world-wide boom in ''health culture''. While self-help health books and medical dramas are popular around the globe, we are bombarded with daily media images of DNA research, and news reports about cloning, the fight against AIDS, cancer and depression. With popular culture now the principal means through which the non-scientific population encounters science why do certain images of science get promoted above others?Contributors examine the public meanings of science, revealing the frictions and contradictions within popular representations of what medicine can and should do. Focusing on the visual culture of medicine, they show how representations of science have a direct impact on popular perceptions of the limits of science, and ultimately on health education, funding and research, and examine the belief that media literacy in popular representations of medicine makes an ethical public discourse on the aims of science possible.With sections addressing the new visual technologies which make the human body into a virtual territory, the diagnostic and medical practices centered around women''s bodies, and popular debates around genetics and identity, Wild Science argues that science is a practice bound in values and institutions, and argues for a responsible engagement with the public cultures of science and health.
E-bok
Engelska, 2013437 kr
Läs direkt efter köp
Wild Science investigates the world-wide boom in ''health culture''. While self-help health books and medical dramas are popular around the globe, we are bombarded with daily media images of DNA research, and news reports about cloning, the fight against AIDS, cancer and depression. With popular culture now the principal means through which the non-scientific population encounters science why do certain images of science get promoted above others?Contributors examine the public meanings of science, revealing the frictions and contradictions within popular representations of what medicine can and should do. Focusing on the visual culture of medicine, they show how representations of science have a direct impact on popular perceptions of the limits of science, and ultimately on health education, funding and research, and examine the belief that media literacy in popular representations of medicine makes an ethical public discourse on the aims of science possible.With sections addressing the new visual technologies which make the human body into a virtual territory, the diagnostic and medical practices centered around women''s bodies, and popular debates around genetics and identity, Wild Science argues that science is a practice bound in values and institutions, and argues for a responsible engagement with the public cultures of science and health.
E-bok
PDF, Engelska, 19991 310 kr
Läs direkt efter köp
Since Nell Shipman wrote and starred in Back to God's Country (1919), Canadian women have been making films. The accolades given to film-makers such as Patricia Rozema (I've Heard the Mermaids Singing, When Night is Falling), Alanis Obomsawin (Kanehsatake: 270 Years of Resistance), and Micheline Lanctôt (Deux actrices) at festivals throughout the world in recent years attest to the growing international recognition for films made by Canadian women. With Gendering the Nation the editors have produced a definitive collection of essays, both original and previously published, that address the impact and influence of a century of women's film-making in Canada. In dialogue with new paradigms for understanding the relationship of cinema with nation and gender, Gendering the Nation seeks to situate women's cinema through the complex optic of national culture. This collection of critical essays employs a variety of frameworks to analyse cinematic practices that range from narrative to documentary to the avant-garde.
E-bok
PDF, Engelska, 2007620 kr
Läs direkt efter köp
As a medium, film is constantly evolving both in form and in content. Fluid Screens, Expanded Cinema considers the shift from traditional cinema to new frontiers of interactive, performative, and networked media.Using the theories of Marshall McLuhan and Gilles Deleuze as a starting point, renowned scholars from the fields of film theory, communication studies, cultural studies, and new media theory explore the ways in which digital technology is transforming contemporary visual culture. The essays consider a series of questions: What constitutes the "new" in new media? How are digital aesthetics different from film aesthetics? What new forms of spectatorship and storytelling, political community, and commodity production are being enabled through the digital media?Using Gene Youngblood's 1970 book Expanded Cinema as an anchor for the volume, Fluid Screens, Expanded Cinema understands the digital not simply as a technological form, but also as an experience of space and time that is tied to capitalism. This important collection is unique in framing a range of social justice issues with aesthetic theories of new digital screen culture that will appeal to scholars and multimedia artists prepared to break new ground.
E-bok
Engelska, 2008620 kr
Läs direkt efter köp
As a medium, film is constantly evolving both in form and in content. Fluid Screens, Expanded Cinema considers the shift from traditional cinema to new frontiers of interactive, performative, and networked media.Using the theories of Marshall McLuhan and Gilles Deleuze as a starting point, renowned scholars from the fields of film theory, communication studies, cultural studies, and new media theory explore the ways in which digital technology is transforming contemporary visual culture. The essays consider a series of questions: What constitutes the "new" in new media? How are digital aesthetics different from film aesthetics? What new forms of spectatorship and storytelling, political community, and commodity production are being enabled through the digital media?Using Gene Youngblood's 1970 book Expanded Cinema as an anchor for the volume, Fluid Screens, Expanded Cinema understands the digital not simply as a technological form, but also as an experience of space and time that is tied to capitalism. This important collection is unique in framing a range of social justice issues with aesthetic theories of new digital screen culture that will appeal to scholars and multimedia artists prepared to break new ground.
Inbunden, Engelska, 2014
607 kr
Skickas inom 5-8 vardagar
This book brings together essays that engage with mainstream entertainment, experimental film and historical scholarship as part of a larger context for examining the grammar of 3D cinema, its histories and its futures. From cinema and television to video games and augmented reality, the essays consider an 'expanded field' of stereoscopic visual culture. Contributors explore historic and emerging technologies, singular and trendsetting practices, narrative and documentary approaches and the overall perceptual experiences of 3D media. This groundbreaking collection includes Sergei Eisenstein’s extraordinary 1947 essay 'On Stereocinema,' translated for the first time in its entirety; a landmark address by Wim Wenders; and the last essay written by 3D-pioneer researcher Ray Zone. The first book of its kind to investigate 3D arts in its various forms, it will be admired for its rigour and accessibility by scholars across disciplines in the visual arts.