Jay Daniel Thompson – författare

Fake News in Digital Cultures presents a new approach to understanding disinformation and misinformation in contemporary digital communication, arguing that fake news is not an alien phenomenon undertaken by bad actors, but a logical outcome of contemporary digital and popular culture, conceptual changes meaning and truth, and shifts in the social practice of trust, attitude and creativity.Looking not to the problems of the present era but towards the continuing development of a future digital media ecology, the authors explore the emergence of practices of deliberate disinformation. This includes the circulation of misleading content or misinformation, the development of new technological applications such as the deepfake, and how they intersect with conspiracy theories, populism, global crises, popular disenfranchisement, and new practices of regulating misleading content and promoting new media and digital literacies.

Fake News in Digital Cultures presents a new approach to understanding disinformation and misinformation in contemporary digital communication, arguing that fake news is not an alien phenomenon undertaken by bad actors, but a logical outcome of contemporary digital and popular culture, conceptual changes meaning and truth, and shifts in the social practice of trust, attitude and creativity.Looking not to the problems of the present era but towards the continuing development of a future digital media ecology, the authors explore the emergence of practices of deliberate disinformation. This includes the circulation of misleading content or misinformation, the development of new technological applications such as the deepfake, and how they intersect with conspiracy theories, populism, global crises, popular disenfranchisement, and new practices of regulating misleading content and promoting new media and digital literacies.

This book provides an introduction to digital media content production in the twenty-first century. The book provides an insight into content moderation and addresses the legal and ethical issues that content producers face, as well as how these issues can be effectively managed.

This book provides an introduction to digital media content production in the twenty-first century. The book provides an insight into content moderation and addresses the legal and ethical issues that content producers face, as well as how these issues can be effectively managed.

Das Buch gibt einen Einblick, wie Inhalte präsentiert werden und befasst sich mit den rechtlichen und ethischen Fragen, mit denen sich die Produzenten von Inhalten konfrontiert sehen, sowie mit der Frage, wie diese Probleme erfolgreich bewältigt werden können.

Revisits Australian rock band silverchair's globally successful debut album Frogstomp (1995) and asserts that the band is not an imitation of American grunge nor an emblem of Gen X angst. Frogstomp transformed Australian rockers silverchair from an(other) unknown teen garage band to an internationally popular rock outfit. The album was released in 1995 and became a global sensation. Due to silverchair’s grunge aesthetic, the band’s success has often been attributed to its imitation of North American grunge bands and associated Generation X stereotypes. Jay Daniel Thompson demonstrates that the album has greater musical and cultural significance than that framing suggests.This book argues that Frogstomp is culturally significant not only due to its international success, but because it suggested an impact of globalization on Australian music in the late 20th century and because of its eclectic, and little-discussed, array of pop culture influences. Through an engagement with Arjun Appadurai’s work on ‘global cultural flows’, scholarship on Australian 1990s popular culture and grunge music and textual analyses of both the album’s track list and silverchair’s live performances, Frogstomp is seen in a distinctive new light.