Jean-Pierre Vernant – författare

With "Ancestor of the West", three distinguished French historians reveal the story of the birth of writing and reason, demonstrating how the logical and religious structures of Near Eastern and Mesopotamian cultures served as precursors to those of the West.

For the Greeks, the sharing of cooked meats was the fundamental communal act, so that to become vegetarian was a way of refusing society. It follows that the roasting or cooking of meat was a political act, as the division of portions asserted a social order. And the only proper manner of preparing meat for consumption, according to the Greeks, was blood sacrifice. The fundamental myth is that of Prometheus, who introduced sacrifice and, in the process, both joined us to and separated us from the gods—and ambiguous relation that recurs in marriage and in the growing of grain. Thus we can understand why the ascetic man refuses both women and meat, and why Greek women celebrated the festival of grain-giving Demeter with instruments of butchery. The ambiguity coded in the consumption of meat generated a mythology of the "other"—werewolves, Scythians, Ethiopians, and other "monsters." The study of the sacrificial consumption of meat thus leads into exotic territory and to unexpected findings. In The Cuisine of Sacrifice, the contributors—all scholars affiliated with the Center for Comparative Studies of Ancient Societies in Paris—apply methods from structural anthropology, comparative religion, and philology to a diversity of topics: the relation of political power to sacrificial practice; the Promethean myth as the foundation story of sacrificial practice; representations of sacrifice found on Greek vases; the technique and anatomy of sacrifice; the interaction of image, language, and ritual; the position of women in sacrificial custom and the female ritual of the Thesmophoria; the mythical status of wolves in Greece and their relation to the sacrifice of domesticated animals; the role and significance of food-related ritual in Homer and Hesiod; ancient Greek perceptions of Scythian sacrificial rites; and remnants of sacrificial ritual in modern Greek practices.

Who or what is referred to do by the term "ancient Greek"? A person from the Archaic period? The war hero celebrated by Homer? Or the fourth century BC "political animal" described by Aristotle? This work explores what it meant to be Greek during the classical period of Greek civilization. It offers portraits of typical Greek personages from regions such as Athens, Sparta, Arcadia, Thessaly, Epirus, the city-states of Asia Minor and the colonies of the Black Sea, southern Italy and Sicily. Looking at the citizen, the religious believer, the soldier, the servant, the peasant and others, the text analyzes what - in relationships with the divine, with nature, with others and with the self - made the Greek "different" in ways of acting, thinking and feeling.

Jean-Pierre Vernant has profoundly transformed our perceptions of ancient Greece. Published in 1991, this collection of nineteen essays probes deeply into themes of enduring interest--death, the body, the soul, the individual, and relations between mortals and immortals; the mask, the mirror, the image, and the imagination; the self and the other, and, more broadly, the concept of otherness itself, or "alterity."

Jean-Pierre Vernant's concise, brilliant essay on the origins of Greek thought relates the cultural achievement of the ancient Greeks to their physical and social environment and shows that what they believed in was inseparable from the way they lived. The emergence of rational thought, Vernant claims, is closely linked to the advent of the open-air politics that characterized life in the Greek polis. Vernant points out that when the focus of Mycenaean society gave way to the agora, the change had profound social and cultural implications. "Social experience could become the object of pragmatic thought for the Greeks," he writes, "because in the city-state it lent itself to public debate. The decline of myth dates from the day the first sages brought human order under discussion and sought to define it.... Thus evolved a strictly political thought, separate from religion, with its own vocabulary, concepts, principles, and theoretical aims."

Jean-Pierre Vernant's concise, brilliant essay on the origins of Greek thought relates the cultural achievement of the ancient Greeks to their physical and social environment and shows that what they believed in was inseparable from the way they lived. The emergence of rational thought, Vernant claims, is closely linked to the advent of the open-air politics that characterized life in the Greek polis. Vernant points out that when the focus of Mycenaean society gave way to the agora, the change had profound social and cultural implications. "Social experience could become the object of pragmatic thought for the Greeks," he writes, "because in the city-state it lent itself to public debate. The decline of myth dates from the day the first sages brought human order under discussion and sought to define it.... Thus evolved a strictly political thought, separate from religion, with its own vocabulary, concepts, principles, and theoretical aims."

In this engrossing retelling of Greek myth, Jean-Pierre Vernant combines his profound knowledge of the subject with brilliant and original story-telling. Beginning with the creation of Earth out of Chaos, Vernant continues with the castration of Uranus, the war between the Titans and the gods of Olympus, the wily ruses of Prometheus and Zeus, and the creation of Pandora, the first woman. His narrative takes us from the Trojan War to the voyage of Odysseus, from the story of Dionysus to the terrible destiny of Oedipus and to Perseus's confrontation with the Gorgons. Jean-Pierre Vernant has devoted himself to the study of Greek mythology. In recounting these tales, he unravels for us their multiple meanings and brings to life cherished figures of legend whose stories lie at the origin of our civilization.

Pourquoi, dans la Grèce ancienne, les hommes refusaient-ils de se regarder dans un miroir ? Et pourquoi en réservaient-ils l''usage aux femmes ? A partir d''un très riche matériau littéraire et artistique, Jean-Pierre Vernant et Françoise Frontisi-Ducroux montrent comment les Grecs se voyaient et comment ils voyaient leurs femmes, dégageant les premiers fondements de la représentation de soi. S''inscrivant dans l''histoire de l''imaginaire social, Dans l''œil du miroir nous invite à une promenade en Grèce ancienne qui nous éclaire, par la modernité de ses thèmes, sur ce que nous sommes et ne sommes plus,autrement dit, sur nous-mêmes et l''autre. Jean-Pierre Vernant est professeur honoraire au Collège de France. Fondateur du centre Louis-Guernet, il est l''auteur de très nombreux ouvrages, parmi lesquels Mythe et Pensée chez les Grecs et L''individu, la mort, L''amour. Françoise Frontisi-Ducroux est membre du Centre Louis-Guernet, et sous-directeur au Collège de France. Elle a récemment publié Du Masque au visage. Aspects de l''identité grecque.