Jeehyun Lim – författare

More than forty years have passed since the official end of the Vietnam War, yet the war’s legacies endure. Its history and iconography still provide fodder for film and fiction, communities of war refugees have spawned a wide Vietnamese diaspora, and the United States military remains embroiled in unwinnable wars with eerie echoes of Vietnam.  Looking Back on the Vietnam War brings together scholars from a broad variety of disciplines, who offer fresh insights on the war’s psychological, economic, artistic, political, and environmental impacts. Each essay examines a different facet of the war, from its representation in Marvel comic books to the experiences of Vietnamese soldiers exposed to Agent Orange. By putting these pieces together, the contributors assemble an expansive yet nuanced composite portrait of the war and its global legacies. Though they come from diverse scholarly backgrounds, ranging from anthropology to film studies, the contributors are united in their commitment to original research. Whether exploring rare archives or engaging in extensive interviews, they voice perspectives that have been excluded from standard historical accounts. Looking Back on the Vietnam War thus embarks on an interdisciplinary and international investigation to discover what we remember about the war, how we remember it, and why.

More than forty years have passed since the official end of the Vietnam War, yet the war’s legacies endure. Its history and iconography still provide fodder for film and fiction, communities of war refugees have spawned a wide Vietnamese diaspora, and the United States military remains embroiled in unwinnable wars with eerie echoes of Vietnam.  Looking Back on the Vietnam War brings together scholars from a broad variety of disciplines, who offer fresh insights on the war’s psychological, economic, artistic, political, and environmental impacts. Each essay examines a different facet of the war, from its representation in Marvel comic books to the experiences of Vietnamese soldiers exposed to Agent Orange. By putting these pieces together, the contributors assemble an expansive yet nuanced composite portrait of the war and its global legacies. Though they come from diverse scholarly backgrounds, ranging from anthropology to film studies, the contributors are united in their commitment to original research. Whether exploring rare archives or engaging in extensive interviews, they voice perspectives that have been excluded from standard historical accounts. Looking Back on the Vietnam War thus embarks on an interdisciplinary and international investigation to discover what we remember about the war, how we remember it, and why.

Reading Asian American and Latino literature, Bilingual Brokers traces the shift in attitudes toward bilingualism in postwar America from the focus on cultural assimilation to that of resource management. Interweaving the social significance of language as human capital and the literary significance of English as the language of cultural capital, Jeehyun Lim examines the dual meaning of bilingualism as liability and asset in relation to anxieties surrounding "new" immigration and globalization.Using the work of Younghill Kang, Carlos Bulosan, Américo Paredes, Maxine Hong Kingston, Richard Rodriguez, Chang-rae Lee, Julia Alvarez, and Ha Jin as examples, Lim reveals how bilingual personhood illustrates a regime of flexible inclusion where an economic calculus of one's value crystallizes at the intersections of language and racial difference. By pointing to the nexus of race, capital, and language as the focal point of postwar negotiations of difference and inclusion, Bilingual Brokers probes the faultlines of postwar liberalism in conceptualizing and articulating who is and is not considered to be an American.

New frontiers in American fictionAfter 1945, women, people of color, and queer writers remade American short fiction, rejecting the modernist dogmas of impersonality and universalism that had long excluded their perspectives from mainstream literature. Since then, authors have continued to investigate identity and align their work with the concerns of their communities. This volume offers instructors ways to explore these revolutionary developments and their societal contexts with students.Essays on works by writers such as Octavia E. Butler, Louise Erdrich, Kali Fajardo-Anstine, Jamaica Kincaid, Toshio Mori, Toni Morrison, Flannery O'Connor, and Philip Roth offer gateways to teaching science fiction, climate fiction, the workshop story, the novel of stories, speculative fiction, and flash fiction. Using approaches as varied as intersectionality, queer theory, and Indigenous pedagogies, essays highlight developments in the styles, genres, and purposes of American short fiction since 1945.This volume contains discussion of Octavia E. Butler, "Speech Sounds"; Nino Cipri, "The Shape of My Name"; Louise Erdrich, "The Shawl"; Kali Fajardo-Anstine, Sabrina and Corina: Stories; William Faulkner, The Unvanquished and Go Down, Moses; Rebecca Goldstein, "The Legacy of Raizel Kaidish"; Jamaica Kincaid, "Girl"; Toshio Mori, Yokohama, California; Toni Morrison, "Recitatif"; Flannery O'Connor, "Everything That Rises Must Converge"; Philip Roth, "The Conversion of the Jews"; Isaac Bashevis Singer, "Gimpel the Fool"; Elizabeth Strout, Olive Kitteridge; Theodore Sturgeon, "The World Well Lost."