Jennifer Gustar – författare
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3 produkter
3 produkter
- Nyhet
Häftad, Engelska, 2026
467 kr
Skickas inom 10-15 vardagar
Exploring twentieth- and twenty-first century texts that wrestle with the Irish domestic interior as a sexualized and commodified space, this book provides readings of the power and authority of the feminized body in Ireland.Scheible dissects the ways that ‘the woman-as-symbol’ remains consistent in Irish literary representations of national experience in Irish fiction and shows how this problematizes the role of women in Ireland by underscoring the oppression of sexuality and gender that characterized Irish culture during the twentieth century.Examining works by Elizabeth Bowen, Pamela Hinkson, Emma Donoghue, Tana French, Sally Rooney and James Joyce, this book demonstrates that the definition of Irish nationhood in our contemporary experience of capitalism and biopolitics is dependent on the intertwining and paradoxical tropes of a traditional, yet equally sexual, feminine identity which has been quelled by violence and reproduction.
Inbunden, Engelska, 2027
1 651 kr
Kommande
Spanning two World Wars, three nations and two continents this book traces the relationships and considers the representation of the events and experiences of these conflicts by four women poets; Winifred Letts, Lola Ridge, H.D. and Sheila Wingfield. Adopting a comparative approach to these writers, this book examines how they endeavoured to make poetic sense of the unfolding narrative of the two wars, each writing while the fighting was underway. Spanning two wars and two continents it traces the relationships between the lives and wartime poetry of these four women writers, none of whom easily fits into the worlds they occupied. Adopting a transnational approach this book examines the ways in which these writers create a literary space of mutual understanding and shared concern in their responses to the trauma, violence and upheaval of a world at war.
Inbunden, Engelska, 2021
2 120 kr
Skickas inom 5-8 vardagar
Angela Carter's provocations to laughter and her enchantment with ludic narrative strategies are two key aspects of her aesthetic practice, neither of which has been the focus of sustained study. Ludics and Laughter as Feminist Aesthetic: Angela Carter at Play responds to this lacuna in Carter criticism. This international collection of eleven essays from acclaimed Carter scholars and emerging voices in the field of Carter studies seeks to reclaim play as a serious undertaking for feminist writing and scholarship and to foreground laughter as a potent affect. While Carter's work turned to comedy in the later years, from the first publication in 1966 until her last in 1992, her fiction, poetry and journalism engaged in sharp social and cultural critique; she habitually engaged this critique through ludic structures and wickedly funny narratives that challenged conventional norms and ways of thinking. Contributors explore the diverse ways in which Carter compelled a complex and often uneasy laughter by means of a controversial aesthetic that merges a persistently ludic sensibility with a biting intransigent wit. This volume draws on theories of play, surrealism, feminism, as well as studies of feminist humour and Carter's own journals and diaries to reveal the ways in which her work moves readers towards the unexpected. This volume will be of relevance both to scholars of Carter's work and of feminist humour more generally; as well, it will be of interest to students and general readers of Carter's fiction, journalism and poetry.